Broadcasting
BBA Five: Two Camps Emerge
Two distinct groups emerged last wednesday in the Big Brother All Stars house – the Midnight Crew and the Gossipers, as the housemates came clean about the emergence of the two camps even if they were reluctant to pin their colours to a particular mast.
Meryl told Big Brother that she spent most of her time with the Midnight Crew because she had more in common with them – but also spent time with the other crew. She said that the Midnight Crew had ‘no barriers’ to their conversation, which she enjoyed.
Paloma also told Big Brother that she had noticed the two camps that had formed, even though her housemates were not willing to admit it.
During her Diary Session, Tatiana told Big Brother that tensions were rising. She believes that some housemates took the earlier Rubber Chicken Fight personally and went out to purposefully hurt others. Tatiana and Lerato had seemed intent on knocking each other out – no doubt a legacy from their fractious relationship on Big Brother Africa 2.
The housemates have come up with ideas for the Stand Up for Poverty Campaign, to which they must contribute after Big Brother docked 10% of their prize money for their food protest in week 1. The top ideas which came up include auctioning their clothes to fans, Spoken Word and All Stars Music Composition.
Mwisho started the conversation and it was suggested that perhaps the housemates should give up food for a day and instead, donate it to poverty-stricken children. Sheila suggested that they have a Spoken Word Poetry Evening on a day that they would all agree on, while Tatiana proposed the auction in which the housemates could give up some of their prized possessions. Paloma suggested that Big Brother sell their clothes at a flea market, but the others shot her down, saying that using the Big Brother website and text messages would work far better.
Meryl wanted the housemates to agree that the winner of Big Brother All Stars would donate US$20 000 to the cause, which garnered various reactions from “That’s too much” to “I’m not doing that”. Code volunteered to compose a song, where each housemate could contribute a verse in their own language.
Sheila and Lerato took it upon themselves to scare the living daylights out of their housemates when Big Brother turned out the lights on Tuesday night. When everyone turned in for the night, they got out of bed and sneaked up on their housemates, guerrilla-style. Jen got such a fright that she burst out laughing, but when they tried to scare Yacob, he was ready for them and got his own back. They even managed to scare each other, bumping into each other in the dark.
Before breakfast, the All Stars woke up and had a special 30-minute “Eggxercise” session in the garden with The Big Rooster, before kicking off with their first task, making a giant 40-egg omelette – while carrying their own eggs safely. Chief Chicken, Tatiana, Paloma, Kaone, Meryl, Lerato, Jen and Yacob took the lead while the rest of the All Stars sat around in anticipation. Their other tasks for the day included a Rubber Chicken Fight and having to sing their eggs to sleep at night.
Kaone and Sheila had a special punishment to serve after breaking their eggs during the course of the day. To make the other eggs feel better, they had to knit or crochet a scarf for each egg and then present a speech of apology to each egg before handing over the scarf!
Uti and Kaone exchanged heated words in the afternoon when Uti accused Kaone of whispering something about him. Uti lashed out and called Kaone a coward for not saying it to his face.
Uti was later given a secret task during his Diary Session, in which he had to mimic everything Kaone does for three hours during the evening. He had to be less than 10 metres away from Kaone at all times, and his mission was that nobody should catch him out. Big Brother told him that he would receive a special reward if he managed to succeed, undetected. Uti told Big Brother that that he was excited about his secret mission because he knew that it would really annoy Kaone – especially in light of their earlier fight.
As soon as the last task was finished, Uti started his secret task, trailing Kaone like a shadow. He assumed the same seating position and used matchsticks to mimic Kaone’s knitting. He repeated each word Kaone said, under his breath and was doing really well until Lerato asked him if he was mad! Uti wasn’t impressed to be found out. He would not say, though, why he was displeased with Lerato.
Meanwhile in The Barn…Hannington got a big surprise on Wednesday when his mom, Ruth, arrived in The Barn! Sammi’s ex-girlfriend Juliet, had arrived on Tuesday and Hannington must have been wondering if he was due for a treat as well – though he didn’t expect it to be his mom! The Barnmates welcomed Ruth and told her to make herself at home. With Hannington engaged in making his mom comfortable, Sammi and Juliet had some quiet time and shared a passionate kiss! Clearly, Sammi is making the most of having his guest around while he can.
Broadcasting
NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

Nigerian Copyright Commission (NCC) has called for urgent adoption of advanced digital protections after blocking seven piracy sites amid escalating online threats to Nollywood content.

The call was made during a webinar hosted by Greychapel Legal titled “Clicks, Streams, and Copyright: Who Owns Nollywood’s Digital Future?”, which brought together filmmakers, regulators, entertainment lawyers and media strategists to examine how content ownership and copyright enforcement are being reshaped by the digital age.
Lynda Alphaeus, director and head of the NCC Lagos Office, said the Commission has intensified its efforts to combat piracy across digital channels and is upgrading its operations to meet emerging threats.
According to her, Nigeria’s new Copyright Act was deliberately updated to strengthen creators’ rights amid the explosion of online distribution.
“NCC has worked, and is still working tirelessly to adapt Nigeria’s legal framework to cope with digital distribution challenges. We now have the power to block networks publishing illegal content, and we have already blocked seven websites distributing pirated Nigerian works,” Alphaeus said.
She revealed that the Commission has established a special taskforce known as the STOP Unit to coordinate anti-piracy operations online, alongside new awareness campaigns targeting local markets and schools to educate content creators and the public on copyright obligations.
Alphaeus urged filmmakers and producers to take ownership of their digital safety by deploying available technological protections to safeguard their intellectual property.
She explained that tools such as encryption help prevent unauthorised copying, blockchain technology offers immutable proof of ownership, digital watermarking allows creators to trace illegal uploads, while cloud security and regular offline backups protect creative files before they reach the market.
While noting that copyright in Nigeria does not legally require registration, she stressed that registering one’s work strengthens protection and provides legal presumptions that can be vital in enforcement.
“Whatever you register is presumed to be yours until proven otherwise,” she said, urging creators to invest in copyright knowledge as part of their business strategy.
Other speakers at the webinar reinforced the urgency of protecting Nollywood’s digital assets.
James Omokwe, film director, noted that while streaming platforms have created unprecedented opportunities for visibility and monetisation, they have also opened new vectors for intellectual property theft and unauthorised redistribution.
Solafunmi Laelle, media strategist, added that audience data, which streaming platforms rely heavily on, will increasingly determine leverage and value in film licensing negotiations.
According to her, creators who lose control of their intellectual property, whether through piracy or unfavourable contracts, also lose access to valuable data that could shape their long-term earnings.
Nky Ofeimun, entertainment lawyer, emphasised the need for creators to understand the contractual implications of ownership, platform exclusivity, and reversion rights.
She noted that many filmmakers still underestimate how quickly digital copies can be illegally duplicated or uploaded once control is lost.
The panelists agreed that as Nollywood deepens its digital footprint, piracy will continue to evolve and become more sophisticated.
They stressed that the industry must respond with equally sophisticated tools, stronger contract negotiation, and improved education around copyright.
Broadcasting
Four Must-Watch African Films Debut Free on Glo TV

Globacom, just introduced four brand new movies on its premium entertainment platform, Glo TV, and they are completely free for all subscribers. The company says the release marks another major step in its mission to enrich digital entertainment for millions of viewers across the country.

In a statement from Lagos on Wednesday, Globacom explained that the new titles feature some of Africa’s most celebrated actors and filmmakers, offering a colorful mix of romance, comedy, drama, culture, and emotional storytelling. The lineup includes Johnny Just Come (JJC), Eko Vibes, Bound, and Shifting Desire.
“Each of these movies was chosen to spotlight diverse African stories while delivering world class entertainment unavailable in cinemas, on YouTube, or on any other streaming service. Viewers do not need any subscription or extra payment. Access is completely free,” the company said.
Leading the pack is Shifting Desire, featuring Lilian Afegbai and veteran actor Majid Michel. The film is a gripping romantic drama that dives into marriage, intimacy, betrayal, healing, and the emotional journey of a couple using therapy to rebuild trust. Shifting Desire premiered on Glo TV on December 2 and is already streaming for free.
Johnny Just Come (JJC), starring Patience Ozokwor and Nancy Isime, delivers a hilarious cultural crossover story about an American man trying to navigate love and marriage in an African household. The movie explores themes of identity, family, culture, and coexistence in a warm and relatable way.
The third title, Bound, starring Rita Dominic and Eyinna Nwigwe, is a thought-provoking family drama that follows a successful career woman confronting long hidden personal struggles and the impact on her relationship. The film showcases powerful performances from some of Nollywood’s finest.
Rounding out the collection is Eko Vibes, featuring Broda Shaggi, Josh2Funny, and Nkechi Blessing. The movie captures the energy and hustle of Lagos youth culture, spotlighting ambition, humor, and the vibrant spirit of young people chasing success in the city.
Globacom noted that the new releases reinforce its commitment to delivering original African content at the highest quality. “With these exclusive titles, Glo TV is redefining digital entertainment in Nigeria by offering fresh, premium movies not available anywhere else. We remain committed to growing our catalog with rich African stories that celebrate creativity at its best,” the company added.
Broadcasting
Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

A new study, conducted by pan-African organisation, Paradigm Initiative (PIN), warns of an alarming surge in the prevalence of Technology-Facilitated Gender-Based violence, with 67 percent of respondents being victims of at least one or multiple forms of digital violence.

Online
Released on International Human Rights Day, the research exposes deep systemic failures, weak accountability, and unsafe online spaces driving a rapidly escalating epidemic across Cameroon, Kenya, Nigeria, Senegal, Zambia, and Zimbabwe.
PIN recognises that this gap limits both the understanding of TFGBV and the development of effective solutions. In response, this study adopts a survivor-centred approach that reframes how TFGBV is researched, discussed, and addressed. By prioritising survivors’ perspectives, the research uncovers the emotional, social, and systemic dimensions of digital violence that formal reports and statistics often obscure. It also interrogates how survivors navigate reporting systems, access justice, and play an informed role in digital spaces that are frequently hostile or unsafe.
A key finding of the study is that young people are disproportionately affected, with those aged 18–34 constituting the vast majority of survivors. Most incidents of TFGBV occurred on Facebook, WhatsApp, and X (formerly Twitter), underscoring how mainstream social media platforms continue to function as structurally unsafe spaces for many users—particularly women, activists, and advocates.
“Victims’ experiences range from sexual harassment, threats, and misogynistic attacks to severe violations such as stalking, non-consensual image sharing, hacking, sextortion, and identity-based harassment,” the report notes. “Personal testimonies reveal profound emotional, psychological, and reputational harm.”
The study also highlights that formal systems such as the police, employers, and public institutions, remain underutilised, largely due to fear, mistrust, or an expectation of inaction. While the findings expose wide-ranging gaps across platforms, institutions, and legal frameworks, they also highlight survivors’ resilience and their continued efforts to seek safer digital environments.
In light of these findings, PIN calls for urgent action to make online spaces safer for everyone, in line with this year’s Human Rights Day theme, “Human Rights, our everyday essentials.” Addressing these systemic gaps is critical to advancing democratic engagement, promoting media pluralism, fostering digital inclusion, and achieving gender equality across Africa.
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