Broadcasting
BBC to Sack 1,000 in Digital Transformation

The BBC is to axe 1,000 jobs and scrap some broadcast channels in traditional form as it prioritises digital and copes with a funding freeze, the British public service broadcaster said on Thursday.

Aiming to “build a digital-first public service media organisation”, the BBC said it would “change in step with the modern world, giving audiences the content they want… in the ways they want it”.
The network will create a single 24-hour television news channel serving the UK and abroad, absorbing BBC World.
Channels including children’s channel CBBC, BBC Four and Radio 4 Extra will stop traditional broadcasting, while “a number” of World Service language services will become digital only.
Tim Davie, director-general made a speech to BBC staff on Thursday in which he hailed “a fresh, new, global digital media organisation which has never been seen before.
“We need to evolve faster and embrace the huge shifts in the market around us,” he told them.
The first phase of the changes, including job cuts, will save £500 million (585 million euros, $630 million) a year, £200 million of which will help offset the £285 million funding gap caused by the government earlier this year freezing the television licence fee.
“The BBC will also reinvest £300 million to drive a digital-first approach, through changes to content and output and additional commercial income,” a statement said.
Further details are to be announced in the coming months, said the BBC, which marks its centenary this year.
The broadcaster has faced increasing claims from right-wingers since the UK’s divisive Brexit referendum in 2016 of political bias, and pushing a “woke”, London-centric liberal agenda.
The BBC, founded by Royal Charter and operating independently of government, has faced similar accusations from the political left.
Critics accused Culture Secretary Nadine Dorries of “cultural vandalism” and wrecking a world-renowned British institution when she announced the licence-fee freeze.
The fee — payable by every household with a television set — funds BBC television, radio and online services, as well as programming, many of which are exported commercially worldwide.
Supporters maintain the fee — currently £159 for a colour TV — provides excellent value for money, and a range of services from news and current affairs to wildlife documentaries, children’s output, drama and music.
But opponents, including rival commercial broadcasters, have long complained the guaranteed funding model, which criminalises non-payers, is unfair.
Broadcasting
EFCC Arik Case: Witness Testifies on Receiver Manager Nominee’s Role in NG Eagle Shareholding


EFCC Arik
Broadcasting
NIPR Postpones Maiden PRICE Awards to January 25, 2026

Nigerian Institute of Public Relations (NIPR) has announced the postponement of its maiden annual Public Relations, Reputation, Ideas, Concepts and Excellence (PRICE) Awards and Prizes to January 25, 2026.

NIPR
The event, earlier scheduled for December 7, 2025, was deferred to accommodate stakeholders whose observance of Christmas festivities had commenced earlier than expected.
Chairman of the Organising Committee, Mr. Israel Opayemi, urged stakeholders to note the new date and prepare to participate in the ceremony.
He said the awards would motivate professionals, practitioners and scholars, while enhancing Nigeria’s global competitiveness in the public relations ecosystem and strengthening brand equity for all stakeholders.
Opayemi reaffirmed the Committee’s commitment to delivering a best-in-class award administration and ceremony, describing the PRICE Awards as a credible and enduring platform to identify, celebrate and elevate outstanding individuals, campaigns and organisations shaping the public relations landscape across sectors.
The development of the PRICE Awards peaked in September 2025 when the NIPR President and Chairman, Council, Dr. Ike Neliaku, inaugurated a 12-man committee to organise the maiden edition. The inauguration followed the Council’s adoption of the report of a technical team tasked with establishing the awards.
Broadcasting
Netflix Seals $82.7bn Deal to Acquire Warner Bros., HBO Max

Netflix has announced a landmark agreement to acquire Warner Bros. and HBO Max in a transaction valued at $82.7 billion, a move analysts say will reshape the global entertainment industry.

Netflix
The deal, which includes Warner Bros.’ film and television studios, HBO, HBO Max, and Warner Bros. Games, was unanimously approved by the boards of both companies. Under the terms, Warner Bros. Discovery (WBD) shareholders will receive $23.25 in cash and $4.50 in Netflix shares for each WBD share.
Netflix co-CEO Ted Sarandos described the acquisition as “a defining moment” for the streaming giant, noting that the company intends to maintain Warner Bros.’ current operations while expanding its production capacity.
“By combining Warner Bros.’ incredible library of shows and movies with Netflix’s culture-defining titles, we can give audiences more of what they love and help define the next century of storytelling,” Sarandos said.
The transaction is expected to close within 12 to 18 months, following the planned spin-off of WBD’s TV networks division, Discovery Global, in 2026. Netflix projects annual cost savings of $2–3 billion by the third year after completion and expects the deal to be accretive to earnings per share by year two.
Industry groups, including the Directors Guild of America and Cinema United, have raised concerns about the impact on movie theaters, while regulators are expected to scrutinize the deal over antitrust issues. Netflix has pledged to continue supporting theatrical releases, with Warner Bros.’ cinema commitments running through 2029.
Warner Bros. Discovery CEO David Zaslav hailed the agreement, saying it “combines two of the greatest storytelling companies in the world to bring to even more people the entertainment they love.”
Observers note that the acquisition comes 15 years after former Time Warner chief Jeff Bewkes dismissed Netflix as “the Albanian army,” underscoring the dramatic shift in the entertainment landscape.
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