Broadcasting
Broadcaster Calls out Lai Mohammed, Describes Him as Minister of NBC Affairs

By Adelanwa Olajubu
I have followed the affairs of the National Broadcasting Commission (NBC) over the past two decades, because of the role it plays in regulating broadcasting in our country.
I believe NBC came at the right time, when President Babangida deregulated the industry during the 1990s. I am one of the beneficiaries of the system.
I served in the Cross River State Radio in Calabar, in the early nineties, and I have worked on and off, in several broadcasting stations since then.
I am one of those who believe that NBC is a force for good in our climate. It is there to ensure that broadcasters behave ethically, and in order to ensure a tranquil environment in our country, with its several fault lines that opportunists can exploit to cause disaffection.
That was why many of us applauded NBC early last year, when it closed down Ekiti state radio and television, after the elections. Former Governor, Ayo Fayose wanted to cause mayhem, by trying to announce his own results. I
t wold have been a repeat of the sad experience of the old Ondo state, in the 1983 elections, which resulted in the loss of several lives and the destruction of property. NBC’s quick intervention saved many lives in Ekiti state.
Because I follow keenly developments in and around the NBC, I have been worried about the manner that the Minister of Information and Culture, Alhaji Lai Muhammed, is gradually turning himself into the Minister of NBC Affairs, since his recent re-appointment.
Hardly has a day passed, that he won’t mention something related to the work of the regulatory commission. It is almost as if the NBC does not have a Board in place, or the organization no longer have a Director General.
What is the basis of Alhaji Lai Muhammed’s compulsive obsession with that organization? I have read the story of the Committee that he has set up to implement reforms in the NBC.
And while no one can fault the fact that every public institution needs reformation to meet growing exigencies; what might cause problem is when plans for reform, become an avenue to pursue a personal agenda.
For instance, all broadcasting industry insiders know that Alhaji Lai Muhammed does not have a good relationship with the NBC Director General, Mr. Ishaq Modibbo Kawu.
So when the Minister of Information appointed a Director working under the NBC DG to head a reform implementation committee, a lot of eye brows were raised by watchers.
Why did Alhaji Lai Muhammed make such an appointment? Did he do so in consultation with the DG or inspite of the DG? What role did the Minister assign to the Board of the NBC, which by law is supposed to be directing any reform in the institution?
Did he carry them along or was he actually behaving like a Sole Administrator of the NBC, which is not in the Act setting up the Commission?
How does the Minister justify the fact that his implementation committee is filled with licensees of the Commission? What type of reform can licensees impose on their regulatory agency, that can be fair?
Didn’t the Minister give this a good thought, before putting together his implementation team? And did he not expect that a backlash was going to come from the Board of the Commission, given the clear place that they occupy within the ambits of the law, the Act, which sets up the Commission?
In his heart can he convince himself that he did not disrespect the Board, and especially the Chairman, a two-time Minister, and a leading politician in his own right too?
What exactly is the crime that the NBC Director General has committed against the Minister, that he seems so bent on not only undermining his authority but also seeming to want to prematurely end his tenure at the NBC? For those of us looking from outside, the feeling was that as people from the same state, who were in the same political camp, to end the Saraki reign in Kwara, their relationship would be made beneficial for their state and Nigeria.
It doesn’t seem to be so. My question for Alhaji Lai Muhammed is that, if you get the Director General out of the NBC, would you ever be allowed to appoint another Kwaran in his place? Or you cannot be bothered with such niceties, because all you want is to terminate your Kwara man’s tenure?
And is the Minister even thinking of the negatives that some of his pronouncements are logging for the Buhari administration? When he openly says that he would regulate social media, who is he speaking for really? Is it a coincidence that the Vice President responded to him, that it was not a proper thing to think of regulating or controlling social media?
Is Alhaji Lai Muhammed not helping to reinforce the discourse about President Buhari, being anti-press freedom? Is that the type of negative image that the country’s Minister of Information should be reinforcing, in his over enthusiastic statements, that all come within the whole scenario about his seeming takeover of the NBC? And what is the story that he peddles about issuing a new “National Broadcasting Code”?
The last time I checked, there is a Nigeria Broadcasting Code, which the NBC and the industry work on and is used as the instrument to regulate the broadcasting industry. Who will Alhaji Lai Muhammed use his own “National Broadcasting Code” to regulate? How will he produce such an instrument? Didn’t the NBC release a 6th edition of the Nigeria Broadcasting Code a few months ago? And from what we know, the Code is produced once every four to five years. So how is Alhaji Lai Muhammed going to bring out his own “National Broadcasting Code”, to take the place of the legitimate Nigeria Broadcasting Code?
A lot seems to be happening. And most of these are coming from the pursuit of a personal, and a not too hidden, agenda, by the Minister of Information and Culture, Alhaji Lai Muhammed.
It is so clear, that the more he states that he got presidential approval for his actions, the more hollow it sounds. Presidential approval cannot be a fig leaf to hide a putrid, personal agenda, which might end up destroying the institution, than reforming it.
Alhaji Lai Muhammed is believed to rely on a tiny coterie of individuals, who have personal scores to settle, and have all bunched together to cause as much upheavals as possible in the affairs of the National Broadcasting Commission.
One of the jokes that someone made at the just concluded BON Congress in Lagos, was to ask when Alhaji Lai Muhammed would move his table and chair into the premises of the National Broadcasting Commission, to complete his takeover of the institution.
What is shameful in all that is happening, is that those who can call Minister Lai Muhammed to order, have maintained an unusual silence, as he continues his relentless pursuit of a personal agenda, at the NBC, through a most controversial NBC reform implementation committee.
Surely, President Muhammadu Buhari did not appoint Alhaji Lai Muhammed as a Minister of NBC Affairs. He should live to the oath that he swore to, never to use the position to pursue a personal agenda, because there is so much palpable personal vendetta seeping through all his actions at the National Broadcasting Commission. Nigeria will be the loser, if Alhaji Lai Muhammed is allowed to see through his personal vendetta at the NBC.
Adelanwa Olajubu, a broadcaster, is from Idanre, Ondo State.
Broadcasting
NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

Nigerian Copyright Commission (NCC) has called for urgent adoption of advanced digital protections after blocking seven piracy sites amid escalating online threats to Nollywood content.

The call was made during a webinar hosted by Greychapel Legal titled “Clicks, Streams, and Copyright: Who Owns Nollywood’s Digital Future?”, which brought together filmmakers, regulators, entertainment lawyers and media strategists to examine how content ownership and copyright enforcement are being reshaped by the digital age.
Lynda Alphaeus, director and head of the NCC Lagos Office, said the Commission has intensified its efforts to combat piracy across digital channels and is upgrading its operations to meet emerging threats.
According to her, Nigeria’s new Copyright Act was deliberately updated to strengthen creators’ rights amid the explosion of online distribution.
“NCC has worked, and is still working tirelessly to adapt Nigeria’s legal framework to cope with digital distribution challenges. We now have the power to block networks publishing illegal content, and we have already blocked seven websites distributing pirated Nigerian works,” Alphaeus said.
She revealed that the Commission has established a special taskforce known as the STOP Unit to coordinate anti-piracy operations online, alongside new awareness campaigns targeting local markets and schools to educate content creators and the public on copyright obligations.
Alphaeus urged filmmakers and producers to take ownership of their digital safety by deploying available technological protections to safeguard their intellectual property.
She explained that tools such as encryption help prevent unauthorised copying, blockchain technology offers immutable proof of ownership, digital watermarking allows creators to trace illegal uploads, while cloud security and regular offline backups protect creative files before they reach the market.
While noting that copyright in Nigeria does not legally require registration, she stressed that registering one’s work strengthens protection and provides legal presumptions that can be vital in enforcement.
“Whatever you register is presumed to be yours until proven otherwise,” she said, urging creators to invest in copyright knowledge as part of their business strategy.
Other speakers at the webinar reinforced the urgency of protecting Nollywood’s digital assets.
James Omokwe, film director, noted that while streaming platforms have created unprecedented opportunities for visibility and monetisation, they have also opened new vectors for intellectual property theft and unauthorised redistribution.
Solafunmi Laelle, media strategist, added that audience data, which streaming platforms rely heavily on, will increasingly determine leverage and value in film licensing negotiations.
According to her, creators who lose control of their intellectual property, whether through piracy or unfavourable contracts, also lose access to valuable data that could shape their long-term earnings.
Nky Ofeimun, entertainment lawyer, emphasised the need for creators to understand the contractual implications of ownership, platform exclusivity, and reversion rights.
She noted that many filmmakers still underestimate how quickly digital copies can be illegally duplicated or uploaded once control is lost.
The panelists agreed that as Nollywood deepens its digital footprint, piracy will continue to evolve and become more sophisticated.
They stressed that the industry must respond with equally sophisticated tools, stronger contract negotiation, and improved education around copyright.
Broadcasting
Four Must-Watch African Films Debut Free on Glo TV

Globacom, just introduced four brand new movies on its premium entertainment platform, Glo TV, and they are completely free for all subscribers. The company says the release marks another major step in its mission to enrich digital entertainment for millions of viewers across the country.

In a statement from Lagos on Wednesday, Globacom explained that the new titles feature some of Africa’s most celebrated actors and filmmakers, offering a colorful mix of romance, comedy, drama, culture, and emotional storytelling. The lineup includes Johnny Just Come (JJC), Eko Vibes, Bound, and Shifting Desire.
“Each of these movies was chosen to spotlight diverse African stories while delivering world class entertainment unavailable in cinemas, on YouTube, or on any other streaming service. Viewers do not need any subscription or extra payment. Access is completely free,” the company said.
Leading the pack is Shifting Desire, featuring Lilian Afegbai and veteran actor Majid Michel. The film is a gripping romantic drama that dives into marriage, intimacy, betrayal, healing, and the emotional journey of a couple using therapy to rebuild trust. Shifting Desire premiered on Glo TV on December 2 and is already streaming for free.
Johnny Just Come (JJC), starring Patience Ozokwor and Nancy Isime, delivers a hilarious cultural crossover story about an American man trying to navigate love and marriage in an African household. The movie explores themes of identity, family, culture, and coexistence in a warm and relatable way.
The third title, Bound, starring Rita Dominic and Eyinna Nwigwe, is a thought-provoking family drama that follows a successful career woman confronting long hidden personal struggles and the impact on her relationship. The film showcases powerful performances from some of Nollywood’s finest.
Rounding out the collection is Eko Vibes, featuring Broda Shaggi, Josh2Funny, and Nkechi Blessing. The movie captures the energy and hustle of Lagos youth culture, spotlighting ambition, humor, and the vibrant spirit of young people chasing success in the city.
Globacom noted that the new releases reinforce its commitment to delivering original African content at the highest quality. “With these exclusive titles, Glo TV is redefining digital entertainment in Nigeria by offering fresh, premium movies not available anywhere else. We remain committed to growing our catalog with rich African stories that celebrate creativity at its best,” the company added.
Broadcasting
Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

A new study, conducted by pan-African organisation, Paradigm Initiative (PIN), warns of an alarming surge in the prevalence of Technology-Facilitated Gender-Based violence, with 67 percent of respondents being victims of at least one or multiple forms of digital violence.

Online
Released on International Human Rights Day, the research exposes deep systemic failures, weak accountability, and unsafe online spaces driving a rapidly escalating epidemic across Cameroon, Kenya, Nigeria, Senegal, Zambia, and Zimbabwe.
PIN recognises that this gap limits both the understanding of TFGBV and the development of effective solutions. In response, this study adopts a survivor-centred approach that reframes how TFGBV is researched, discussed, and addressed. By prioritising survivors’ perspectives, the research uncovers the emotional, social, and systemic dimensions of digital violence that formal reports and statistics often obscure. It also interrogates how survivors navigate reporting systems, access justice, and play an informed role in digital spaces that are frequently hostile or unsafe.
A key finding of the study is that young people are disproportionately affected, with those aged 18–34 constituting the vast majority of survivors. Most incidents of TFGBV occurred on Facebook, WhatsApp, and X (formerly Twitter), underscoring how mainstream social media platforms continue to function as structurally unsafe spaces for many users—particularly women, activists, and advocates.
“Victims’ experiences range from sexual harassment, threats, and misogynistic attacks to severe violations such as stalking, non-consensual image sharing, hacking, sextortion, and identity-based harassment,” the report notes. “Personal testimonies reveal profound emotional, psychological, and reputational harm.”
The study also highlights that formal systems such as the police, employers, and public institutions, remain underutilised, largely due to fear, mistrust, or an expectation of inaction. While the findings expose wide-ranging gaps across platforms, institutions, and legal frameworks, they also highlight survivors’ resilience and their continued efforts to seek safer digital environments.
In light of these findings, PIN calls for urgent action to make online spaces safer for everyone, in line with this year’s Human Rights Day theme, “Human Rights, our everyday essentials.” Addressing these systemic gaps is critical to advancing democratic engagement, promoting media pluralism, fostering digital inclusion, and achieving gender equality across Africa.
Telecom2 days agoAirtel Africa Foundation Opens Undergraduate Scholarship Portal in Nigeria
E-Financial2 days agoEcobank Nigeria to Fully Repay $300m Eurobond Ahead of Schedule
Broadcasting2 days agoCKay’s “Love Nwantiti” Crosses Billion-Stream Mark on Spotify
Telecom2 days agoYouTube Nigeria Unveils 2025’s Top Lists and Launches New YouTube Recap Feature
General News2 days agoPalmPay MD Seeks Deeper Financial Inclusion @ CeBIH Annual Conference 2025
E-Financial2 days agoReps Give Banks Four-Day Ultimatum on Tax Deductions, Charges
General News2 days agoAI-Powered Fraud Drives Global Race for Deepfake Defenses
Telecom1 day agoMTN Nigeria Launches Unlimited 5G Broadband Plans to Boost Digital Inclusion


















