Broadcasting
Coca-Cola Foundation Doles out $300,000 Grant to Train 5,000 Women on Transformative Skills

In a bid to improve the lives of women across Lagos State, Nigeria; Karis and Eleos Hand of Hope Foundation has announced the launch of the second edition of its women empowerment programme themed ‘Catalyst for Change 2.0’ – an initiative funded by The Coca-Cola Foundation.

L-R:Jerome Oyebanji, Public Affairs & Communications Manager, Nigerian Bottling Company (NBC); Nwamaka Onyemelukwe, Director, Public Affairs, Communications & Sustainability, Coca-Cola Nigeria Limited; Uche Ogbonna, Senior Manager, Social Impact Strategy for Africa Operating Unit, The Coca-Cola Company; Bukola Bamiduro, Founder/Program Director, Karis & Eleos Foundation, and Emmanuel Bamiduro, Chairman, Karis & Eleos Foundation, at the launch of Catalyst For Change 2.0, powered by The Coca-Cola Foundation, on October 4, 2021.
The press briefing had in attendance respectable members of the Nigerian media, The Coca-Cola System leadership and key stakeholders including Nwamaka Onyemelukwe, Director, Public Affairs, Communications and Sustainability, Uche Ogbonna, Senior Manager, Social Impact Strategy for Africa Operating Unit, The Coca-Cola Company, Ifeyinwa Ejindu, Communications Manager, Coca-Cola Nigeria Limited, Jerome Oyebanji, Public Affairs and Communications Manager, Nigerian Bottling Company, community heads and women leaders from the five project locations, alongside other corporate guests.
Karis and Eleos Hand of Hope Foundation is a non-profit organisation with a focus on empowering women and girls, especially those living in rural communities with no access to opportunities.
Bukola Bamiduro, Founder/Program Director, Karis & Eleos Hand of Hope Foundation, emphasized the importance of the ‘Catalyst For Change 2.0’ project, stating its role in ensuring the empowerment of underserved women and youth in Nigeria.
She said: “We are proud to continue this impactful programme and make a meaningful contribution to the lives of more women and girls in the country. We extend our gratitude to The Coca-Cola Foundation who has remained steadfast in its commitment to this project”.
Ekuma Eze, Director, Public Affairs and Communications, Nigerian Bottling Company, represented at the press conference by Jerome Oyebanji, Public Affairs and Communications Manager, Nigerian Bottling Company, added:
“We are delighted to continue what has been a fruitful partnership with Karis and Eleos Hand of Hope Foundation.
“Poverty alleviation and women and youth empowerment remain key priorities for the Coca-Cola System in Nigeria.
“The Catalyst for Change programme was developed to ensure that these key areas are addressed in the communities we call home and we are truly proud of the results achieved so far”.
As part of plans for a successful edition, Catalyst for Change 2.0 will extend to women and youth in communities across Surulere, Alausa/Agidingbi, Ijora, Agege and Onigbongbo in Lagos state for a 10 month period starting October 4, 2021.
The program, aimed at reducing the harsh economic impact of the COVID-19 pandemic, seeks to reduce the migration of rural women to urban areas by empowering them with business and life skills that will elevate them from extreme poverty and encourage their migration back to their local communities.
“Empowering women to thrive is a global commitment for The Coca-Cola Foundation”, said Saadia Madsbjerg, President of The Coca-Cola Foundation.
“Our ultimate goal is to lift women out of poverty and into lives of self-sufficiency by focusing on those community programs offering education, skills training, financial literacy and mentoring, such as the Catalyst for Change 2.0 programme”.
The programme plan will adopt two training models which include hands-on training classes (such as baking, bagmaking, shoemaking, hairstyling, makeup artistry, tie & dye design and production of household cleaning items) and business classes which will provide training around the foundations of running a successful business; personal and product branding; accounting; bookkeeping and finance management; recruiting customers; leveraging social media; accessing loans and grants; gender-based violence and recycling.
During the inaugural programme in 2020 themed “Catalyst for Change”, Karis and Eleos Hand of Hope Foundation, funded by The Coca-Cola Foundation, successfully equipped 5,000 women and girls across five communities (Sangotedo, Oworonshoki, Ogijo, Iwaya and Magboro communities) with transformative vocational skills while 1,000 beneficiaries were presented with business start-up kits to kickstart their businesses and earn a living.
The success stories and testimonials recorded during the recently completed monitoring and evaluation exercise indicated a highly successful campaign, which contributed to the funding of the second edition of the programme by The Coca-Cola Foundation through a grant of $300,000 to empower yet another set of 5,000 women across five communities in Lagos State.
The Catalyst for Change 2.0 programme will use education through skills acquisition as an agent of change in the lives of women in Nigeria. Education is recognised as the most effective tool to tackle large-scale poverty entrenched in various parts of the world and this project seeks to leverage education to help eliminate poverty and inequality, reduce unemployment, raise incomes, and improve standards of living.
Broadcasting
NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

Nigerian Copyright Commission (NCC) has called for urgent adoption of advanced digital protections after blocking seven piracy sites amid escalating online threats to Nollywood content.

The call was made during a webinar hosted by Greychapel Legal titled “Clicks, Streams, and Copyright: Who Owns Nollywood’s Digital Future?”, which brought together filmmakers, regulators, entertainment lawyers and media strategists to examine how content ownership and copyright enforcement are being reshaped by the digital age.
Lynda Alphaeus, director and head of the NCC Lagos Office, said the Commission has intensified its efforts to combat piracy across digital channels and is upgrading its operations to meet emerging threats.
According to her, Nigeria’s new Copyright Act was deliberately updated to strengthen creators’ rights amid the explosion of online distribution.
“NCC has worked, and is still working tirelessly to adapt Nigeria’s legal framework to cope with digital distribution challenges. We now have the power to block networks publishing illegal content, and we have already blocked seven websites distributing pirated Nigerian works,” Alphaeus said.
She revealed that the Commission has established a special taskforce known as the STOP Unit to coordinate anti-piracy operations online, alongside new awareness campaigns targeting local markets and schools to educate content creators and the public on copyright obligations.
Alphaeus urged filmmakers and producers to take ownership of their digital safety by deploying available technological protections to safeguard their intellectual property.
She explained that tools such as encryption help prevent unauthorised copying, blockchain technology offers immutable proof of ownership, digital watermarking allows creators to trace illegal uploads, while cloud security and regular offline backups protect creative files before they reach the market.
While noting that copyright in Nigeria does not legally require registration, she stressed that registering one’s work strengthens protection and provides legal presumptions that can be vital in enforcement.
“Whatever you register is presumed to be yours until proven otherwise,” she said, urging creators to invest in copyright knowledge as part of their business strategy.
Other speakers at the webinar reinforced the urgency of protecting Nollywood’s digital assets.
James Omokwe, film director, noted that while streaming platforms have created unprecedented opportunities for visibility and monetisation, they have also opened new vectors for intellectual property theft and unauthorised redistribution.
Solafunmi Laelle, media strategist, added that audience data, which streaming platforms rely heavily on, will increasingly determine leverage and value in film licensing negotiations.
According to her, creators who lose control of their intellectual property, whether through piracy or unfavourable contracts, also lose access to valuable data that could shape their long-term earnings.
Nky Ofeimun, entertainment lawyer, emphasised the need for creators to understand the contractual implications of ownership, platform exclusivity, and reversion rights.
She noted that many filmmakers still underestimate how quickly digital copies can be illegally duplicated or uploaded once control is lost.
The panelists agreed that as Nollywood deepens its digital footprint, piracy will continue to evolve and become more sophisticated.
They stressed that the industry must respond with equally sophisticated tools, stronger contract negotiation, and improved education around copyright.
Broadcasting
Four Must-Watch African Films Debut Free on Glo TV

Globacom, just introduced four brand new movies on its premium entertainment platform, Glo TV, and they are completely free for all subscribers. The company says the release marks another major step in its mission to enrich digital entertainment for millions of viewers across the country.

In a statement from Lagos on Wednesday, Globacom explained that the new titles feature some of Africa’s most celebrated actors and filmmakers, offering a colorful mix of romance, comedy, drama, culture, and emotional storytelling. The lineup includes Johnny Just Come (JJC), Eko Vibes, Bound, and Shifting Desire.
“Each of these movies was chosen to spotlight diverse African stories while delivering world class entertainment unavailable in cinemas, on YouTube, or on any other streaming service. Viewers do not need any subscription or extra payment. Access is completely free,” the company said.
Leading the pack is Shifting Desire, featuring Lilian Afegbai and veteran actor Majid Michel. The film is a gripping romantic drama that dives into marriage, intimacy, betrayal, healing, and the emotional journey of a couple using therapy to rebuild trust. Shifting Desire premiered on Glo TV on December 2 and is already streaming for free.
Johnny Just Come (JJC), starring Patience Ozokwor and Nancy Isime, delivers a hilarious cultural crossover story about an American man trying to navigate love and marriage in an African household. The movie explores themes of identity, family, culture, and coexistence in a warm and relatable way.
The third title, Bound, starring Rita Dominic and Eyinna Nwigwe, is a thought-provoking family drama that follows a successful career woman confronting long hidden personal struggles and the impact on her relationship. The film showcases powerful performances from some of Nollywood’s finest.
Rounding out the collection is Eko Vibes, featuring Broda Shaggi, Josh2Funny, and Nkechi Blessing. The movie captures the energy and hustle of Lagos youth culture, spotlighting ambition, humor, and the vibrant spirit of young people chasing success in the city.
Globacom noted that the new releases reinforce its commitment to delivering original African content at the highest quality. “With these exclusive titles, Glo TV is redefining digital entertainment in Nigeria by offering fresh, premium movies not available anywhere else. We remain committed to growing our catalog with rich African stories that celebrate creativity at its best,” the company added.
Broadcasting
Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

A new study, conducted by pan-African organisation, Paradigm Initiative (PIN), warns of an alarming surge in the prevalence of Technology-Facilitated Gender-Based violence, with 67 percent of respondents being victims of at least one or multiple forms of digital violence.

Online
Released on International Human Rights Day, the research exposes deep systemic failures, weak accountability, and unsafe online spaces driving a rapidly escalating epidemic across Cameroon, Kenya, Nigeria, Senegal, Zambia, and Zimbabwe.
PIN recognises that this gap limits both the understanding of TFGBV and the development of effective solutions. In response, this study adopts a survivor-centred approach that reframes how TFGBV is researched, discussed, and addressed. By prioritising survivors’ perspectives, the research uncovers the emotional, social, and systemic dimensions of digital violence that formal reports and statistics often obscure. It also interrogates how survivors navigate reporting systems, access justice, and play an informed role in digital spaces that are frequently hostile or unsafe.
A key finding of the study is that young people are disproportionately affected, with those aged 18–34 constituting the vast majority of survivors. Most incidents of TFGBV occurred on Facebook, WhatsApp, and X (formerly Twitter), underscoring how mainstream social media platforms continue to function as structurally unsafe spaces for many users—particularly women, activists, and advocates.
“Victims’ experiences range from sexual harassment, threats, and misogynistic attacks to severe violations such as stalking, non-consensual image sharing, hacking, sextortion, and identity-based harassment,” the report notes. “Personal testimonies reveal profound emotional, psychological, and reputational harm.”
The study also highlights that formal systems such as the police, employers, and public institutions, remain underutilised, largely due to fear, mistrust, or an expectation of inaction. While the findings expose wide-ranging gaps across platforms, institutions, and legal frameworks, they also highlight survivors’ resilience and their continued efforts to seek safer digital environments.
In light of these findings, PIN calls for urgent action to make online spaces safer for everyone, in line with this year’s Human Rights Day theme, “Human Rights, our everyday essentials.” Addressing these systemic gaps is critical to advancing democratic engagement, promoting media pluralism, fostering digital inclusion, and achieving gender equality across Africa.
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