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DSO Nigeria Jinxed Again!

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By Tolagbe Oworu

As the chequered history of the Digital Switch Over(DSO)  from analogue broadcasts in Nigeria encounters yet another setback, it is disheartening but inevitable to conclude that it has truly succumbed to the notorious jinx termed “Nigerian Factor”.

The momentum of progress in taking the latest international broadcasting system across the nation came to an abrupt unexplained halt since February 2018 when Osun State became the fifth and last Nigerian state to launch in a ceremony presided by  the Minister of Information and Culture, Lai Mohammed.

Before then in December 2016, the Vice President, Yemi Osinbajo conducted the DSO national launch on behalf of President Muhamadu Buhari  at the state-of-the-art Signal Distribution Broadcast Centre established on Mpape Hill, Abuja in record-breaking time(according to NBC DG Modibbo Kawu) by Pinnacle Communications Limited the FCT, which was also  responsible for the Kaduna Broadcasting Centre commissioned in December 2017. The Ilorin, Enugu and Osogbo DSO centers were set up by Integrated Television Services (ITS), the NTA subsidiary national signals distributor.

The abrupt halt in DSO launch since last February is contrary to the confident assurance given by Information Minister Lai Mohammed  at the Ilorin launch two months earlier, when he declared         “ we cannot afford to drop the ball as we continue our journey from analogue to digital television, because the benefits to our people are huge. Yes, this process has not been without hiccups. But like the saying goes, you will never reach your destination if you stop to throw stones at every dog that barks”.

Minister Lai Mohammed has remained curiously quiet since the “DSO ball” got dropped now more than a year later but his words have been echoing especially in the last few months when some equally curious developments replaced the expected launchings on the DSO front. It is remarkable that the events resulting in yet another “hiccup” in the DSO process can indeed be likened to the barking of dogs and the throwing of stones as alluded to by the minister, and it does look like we “will never reach (our) DSO destination”.

This is of course a reference to the controversial ICPC “investigation” into alleged “misapplication of N2.5 billion seed grant released to the agency (NBC) by the federal government for its digital switch-over programme”, as revealed in its November 2018 press statement which drew public criticism for certain factual errors in reference to the DSO project. The ICPC statement was comparable to the barking of the watch-dog and its contents were similar to stones thrown at the National Broadcasting Commission (NBC), Pinnacle Communications Limited and their respective executives, all of which have now snow-balled into charges against them before a Federal High Court in Abuja.

While DSO enthusiasts in Nigeria and indeed the world await the outcome of the court process, we must reflect on Minister Lai Mohammed’s quoted remark that the DSO in Nigeria         “ has not been without hiccups”  even as  we witness yet another hiccup this time, unfortunately, under his watch!

It must be distressing for Lai Mohammed who once made huge capital of his supposed role in salvaging the DSO and getting it back on track soon after he became information minister and continued to bask in the glory of a successful national launch and progressive expansion of coverage after a jinxed history of two embarrassing missed deadlines and a protracted court case instituted   by Pinnacle Communications Limited against breach of its N680 million private signal distributor license agreement under the previous administration and NBC management.

Interestingly, Pinnacle Communications Limited, the largest private investor and main facilitator of the eventual reclamation of the Nigerian DSO from its jinxed history gets submerged under the fanfare of progress in DSO implementation, even to the extent of becoming a “victim” of its own achievement.

Soon after emerging successful bidder and paying the huge amount of N680 million for the private signal distribution license in 2014, the NBC and its collaborators in the Presidency began surreptitiously slicing off portions of its functions and “sub-letting” them to companies that were not even part of the difficult bidding process as favours. Only by seeking the intervention of the court was it able to put a stop to such brazen breach of license agreement! Today, Pinnacle Communications Limited is facing ICPC charges even as its voluntary withdrawal of a breach of agreement suit in 2016 and subsequent significant facilitation enabled successful national launch of the DSO and the Kaduna Broadcast Centre.

From all indications, the jinxed history of DSO implementation in Nigeria is repeating itself as it is unlikely that the progressive momentum that saw to the rapid roll-out of the DSO from the FCT to Kaduna, Ilorin, Enugu and Osogbo between December 2016 and February 2018 but fizzled out unceremoniously for more than a year thus far can be revived in the foreseeable future, under the prevailing circumstances.

Nevertheless, Information Minister, Lai Mohammed remains curiously above and beyond the DSO jinx that he was able to cast away barely two years ago but has somehow returned as a “hiccup” under his watch. Obviously, the minister knew of no “barking dogs” when, at the Osogbo launch, he trumpeted “ within the next few weeks, we will be rolling out in many more states as we seek to take the digital television experience to all the six geo-political zones. We now have our two Signal Distributors in full operation mode, the National Broadcasting Commission, the Set Top Box manufacturers, Digiteam Nigeria and indeed all stakeholders are pulling all the stops to ensure that the DSO train continues unimpeded on its journey across the country.”

So now that the DSO train has been halted for more than a year with Minister Lai Mohammed as a silenced spectator, where has all the collaborative confidence canvassing gone? And who is really responsible for the return of the DSO jinx?

TOLAGBE OWORU  writes from Osogbo

 

 

 

 


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Canal+ to Cut Jobs as Part Sweeping Restructuring

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Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

Canal+ to Cut Jobs as Part Sweeping Restructuring

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.

The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.

The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.

MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.

The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.

Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.

By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.

The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.

However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.


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Nigeria tops global rankings for USDT, USDC ownership

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Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

Nigeria tops global rankings for USDT, USDC ownership

USDT, USDC

Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.

According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.

The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.

The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.

Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.

The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.

However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.

More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.

 


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Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

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Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

Spotify's Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.

This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.

Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.

“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”

Key highlights include:

  • 55% year-on-year growth in local streams for Nigerian female artists.

  • 75% surge in streams for independent Nigerian artists.

  • Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.

Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.

The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.

For full details, visit spotify.com/loudandclear.


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