Broadcasting
DSO Nigeria Jinxed Again!
By Tolagbe Oworu
As the chequered history of the Digital Switch Over(DSO) from analogue broadcasts in Nigeria encounters yet another setback, it is disheartening but inevitable to conclude that it has truly succumbed to the notorious jinx termed “Nigerian Factor”.
The momentum of progress in taking the latest international broadcasting system across the nation came to an abrupt unexplained halt since February 2018 when Osun State became the fifth and last Nigerian state to launch in a ceremony presided by the Minister of Information and Culture, Lai Mohammed.
Before then in December 2016, the Vice President, Yemi Osinbajo conducted the DSO national launch on behalf of President Muhamadu Buhari at the state-of-the-art Signal Distribution Broadcast Centre established on Mpape Hill, Abuja in record-breaking time(according to NBC DG Modibbo Kawu) by Pinnacle Communications Limited the FCT, which was also responsible for the Kaduna Broadcasting Centre commissioned in December 2017. The Ilorin, Enugu and Osogbo DSO centers were set up by Integrated Television Services (ITS), the NTA subsidiary national signals distributor.
The abrupt halt in DSO launch since last February is contrary to the confident assurance given by Information Minister Lai Mohammed at the Ilorin launch two months earlier, when he declared “ we cannot afford to drop the ball as we continue our journey from analogue to digital television, because the benefits to our people are huge. Yes, this process has not been without hiccups. But like the saying goes, you will never reach your destination if you stop to throw stones at every dog that barks”.
Minister Lai Mohammed has remained curiously quiet since the “DSO ball” got dropped now more than a year later but his words have been echoing especially in the last few months when some equally curious developments replaced the expected launchings on the DSO front. It is remarkable that the events resulting in yet another “hiccup” in the DSO process can indeed be likened to the barking of dogs and the throwing of stones as alluded to by the minister, and it does look like we “will never reach (our) DSO destination”.
This is of course a reference to the controversial ICPC “investigation” into alleged “misapplication of N2.5 billion seed grant released to the agency (NBC) by the federal government for its digital switch-over programme”, as revealed in its November 2018 press statement which drew public criticism for certain factual errors in reference to the DSO project. The ICPC statement was comparable to the barking of the watch-dog and its contents were similar to stones thrown at the National Broadcasting Commission (NBC), Pinnacle Communications Limited and their respective executives, all of which have now snow-balled into charges against them before a Federal High Court in Abuja.
While DSO enthusiasts in Nigeria and indeed the world await the outcome of the court process, we must reflect on Minister Lai Mohammed’s quoted remark that the DSO in Nigeria “ has not been without hiccups” even as we witness yet another hiccup this time, unfortunately, under his watch!
It must be distressing for Lai Mohammed who once made huge capital of his supposed role in salvaging the DSO and getting it back on track soon after he became information minister and continued to bask in the glory of a successful national launch and progressive expansion of coverage after a jinxed history of two embarrassing missed deadlines and a protracted court case instituted by Pinnacle Communications Limited against breach of its N680 million private signal distributor license agreement under the previous administration and NBC management.
Interestingly, Pinnacle Communications Limited, the largest private investor and main facilitator of the eventual reclamation of the Nigerian DSO from its jinxed history gets submerged under the fanfare of progress in DSO implementation, even to the extent of becoming a “victim” of its own achievement.
Soon after emerging successful bidder and paying the huge amount of N680 million for the private signal distribution license in 2014, the NBC and its collaborators in the Presidency began surreptitiously slicing off portions of its functions and “sub-letting” them to companies that were not even part of the difficult bidding process as favours. Only by seeking the intervention of the court was it able to put a stop to such brazen breach of license agreement! Today, Pinnacle Communications Limited is facing ICPC charges even as its voluntary withdrawal of a breach of agreement suit in 2016 and subsequent significant facilitation enabled successful national launch of the DSO and the Kaduna Broadcast Centre.
From all indications, the jinxed history of DSO implementation in Nigeria is repeating itself as it is unlikely that the progressive momentum that saw to the rapid roll-out of the DSO from the FCT to Kaduna, Ilorin, Enugu and Osogbo between December 2016 and February 2018 but fizzled out unceremoniously for more than a year thus far can be revived in the foreseeable future, under the prevailing circumstances.
Nevertheless, Information Minister, Lai Mohammed remains curiously above and beyond the DSO jinx that he was able to cast away barely two years ago but has somehow returned as a “hiccup” under his watch. Obviously, the minister knew of no “barking dogs” when, at the Osogbo launch, he trumpeted “ within the next few weeks, we will be rolling out in many more states as we seek to take the digital television experience to all the six geo-political zones. We now have our two Signal Distributors in full operation mode, the National Broadcasting Commission, the Set Top Box manufacturers, Digiteam Nigeria and indeed all stakeholders are pulling all the stops to ensure that the DSO train continues unimpeded on its journey across the country.”
So now that the DSO train has been halted for more than a year with Minister Lai Mohammed as a silenced spectator, where has all the collaborative confidence canvassing gone? And who is really responsible for the return of the DSO jinx?
TOLAGBE OWORU writes from Osogbo
Broadcasting
Davido, Babajide Sanwo-Olu, Karl Toriola, Others To Be Honoured At The Most Influential People of African Descent Awards In Lagos
Most Influential People of African Descent (MIPAD) is excited to announce the Lagos Diaspora Experience 2025, a week-long celebration of African art, culture, innovation, and connection, culminating in the End of the Year Awards & Celebration on Sunday, December 21st, 2025, in Lagos, Nigeria.
The Most Influential People of African Descent Awards
This historic occasion marks the first time the world-famous Most Influential 100 Recognition & Awards Ceremony—traditionally held in New York on the sidelines of the United Nations General Assembly (UNGA)—will be hosted in Lagos, Nigeria.
The week will feature events such as Diaspora Day at the Fela Exhibition (Afrobeat Meets Diaspora), Cultural Heritage Day, and Business Leadership Luncheons, all culminating in the awards celebration.
The evening will honor the Best & Brightest of the Year, recognizing exceptional individuals and institutions whose work has advanced Global African Achievement and Black Excellence across business, government, media, culture, and technology.
Key Recognitions for 2025
– Governor of the Year & City of the Year: His Excellency Babajide Sanwo-Olu, Governor of Lagos State, honored alongside Lagos as City of the Year for its global leadership in culture, innovation, tourism, and diaspora engagement.
– Her Excellency Hannatu Musa Musawa, Minister of Art, Culture, Tourism and Creative Economy, will be honoured as Minister of the Year for her contribution to the creative economy’s role in nation branding and cultural diplomacy.
– Most Influential Woman of the Year: Olorì Atúwàtse III, Queen Consort of the Warri Kingdom
– Most Influential Man of the Year: Adewale Tinubu, Group Chief Executive, OANDO
– CEO of the Year: Karl Toriola, Chief Executive Officer of MTN Nigeria; who will deliver a keynote address, recognized for his transformative leadership and impact on Nigeria’s telecommunications and digital economy.
Others include; Karl Toriola of MTN as CEO of the year, Uche Pedro of Bella Naija as Lifestyle Personality Of The Year, Ojy Okpe of Artise News as Most Influential News Anchor Of The Year, Stephanie Busari as Media Executive of the Year, Kayode Okikiolu as Pressman of the year, Davido as Artist of the year and several others.
In celebrating this year’s honorees, Michael Ehindero, Managing Director, Pernod Ricard Nigeria, owners of Martell Cognac, who emerged as Brand Of The Year expressed deep appreciation for the brand’s continued global recognition, saying: “It’s a great reward for the team who’s delivered Martell excellently in Nigeria over the years.
“We say thank you to the teams, we say thank you to our consumers and we say thank you to MIPAD.
“Martell has a lot of promising experiences in the years to come in Nigeria and with this we invite you over to Nigeria to experience Detty December”.
The ceremony will also celebrate the achievements of the Class of 2025 Honorees, alongside past Nigerian honorees who were unable to attend their year of recognition in New York.
“For the first time, we’re bringing our world-famous recognition platform home to celebrate excellence within the Global Africa Family — right here in Lagos,” said Kamil Olufowobi, Founder & Chairman of MIPAD. “This is more than an event; it’s a movement uniting the best of us — connecting, collaborating, and working together to change the world.”
Event Details
📍 Lagos, Nigeria
– Friday, Dec 19 – #DettyDec Diaspora Day at Fela Exhibition FREE
– Sunday, Dec 21 – End of Year Recognition & Award Ceremony STRICTLY BY INVITATION
🎟️ RSVP: https://rsvp.oakenevents.com/mipad
Nigerian Copyright Commission (NCC) has called for urgent adoption of advanced digital protections after blocking seven piracy sites amid escalating online threats to Nollywood content.
The call was made during a webinar hosted by Greychapel Legal titled “Clicks, Streams, and Copyright: Who Owns Nollywood’s Digital Future?”, which brought together filmmakers, regulators, entertainment lawyers and media strategists to examine how content ownership and copyright enforcement are being reshaped by the digital age.
Lynda Alphaeus, director and head of the NCC Lagos Office, said the Commission has intensified its efforts to combat piracy across digital channels and is upgrading its operations to meet emerging threats.
According to her, Nigeria’s new Copyright Act was deliberately updated to strengthen creators’ rights amid the explosion of online distribution.
“NCC has worked, and is still working tirelessly to adapt Nigeria’s legal framework to cope with digital distribution challenges. We now have the power to block networks publishing illegal content, and we have already blocked seven websites distributing pirated Nigerian works,” Alphaeus said.
She revealed that the Commission has established a special taskforce known as the STOP Unit to coordinate anti-piracy operations online, alongside new awareness campaigns targeting local markets and schools to educate content creators and the public on copyright obligations.
Alphaeus urged filmmakers and producers to take ownership of their digital safety by deploying available technological protections to safeguard their intellectual property.
She explained that tools such as encryption help prevent unauthorised copying, blockchain technology offers immutable proof of ownership, digital watermarking allows creators to trace illegal uploads, while cloud security and regular offline backups protect creative files before they reach the market.
While noting that copyright in Nigeria does not legally require registration, she stressed that registering one’s work strengthens protection and provides legal presumptions that can be vital in enforcement.
“Whatever you register is presumed to be yours until proven otherwise,” she said, urging creators to invest in copyright knowledge as part of their business strategy.
Other speakers at the webinar reinforced the urgency of protecting Nollywood’s digital assets.
James Omokwe, film director, noted that while streaming platforms have created unprecedented opportunities for visibility and monetisation, they have also opened new vectors for intellectual property theft and unauthorised redistribution.
Solafunmi Laelle, media strategist, added that audience data, which streaming platforms rely heavily on, will increasingly determine leverage and value in film licensing negotiations.
According to her, creators who lose control of their intellectual property, whether through piracy or unfavourable contracts, also lose access to valuable data that could shape their long-term earnings.
Nky Ofeimun, entertainment lawyer, emphasised the need for creators to understand the contractual implications of ownership, platform exclusivity, and reversion rights.
She noted that many filmmakers still underestimate how quickly digital copies can be illegally duplicated or uploaded once control is lost.
The panelists agreed that as Nollywood deepens its digital footprint, piracy will continue to evolve and become more sophisticated.
They stressed that the industry must respond with equally sophisticated tools, stronger contract negotiation, and improved education around copyright.
Globacom, just introduced four brand new movies on its premium entertainment platform, Glo TV, and they are completely free for all subscribers. The company says the release marks another major step in its mission to enrich digital entertainment for millions of viewers across the country.
In a statement from Lagos on Wednesday, Globacom explained that the new titles feature some of Africa’s most celebrated actors and filmmakers, offering a colorful mix of romance, comedy, drama, culture, and emotional storytelling. The lineup includes Johnny Just Come (JJC), Eko Vibes, Bound, and Shifting Desire.
“Each of these movies was chosen to spotlight diverse African stories while delivering world class entertainment unavailable in cinemas, on YouTube, or on any other streaming service. Viewers do not need any subscription or extra payment. Access is completely free,” the company said.
Leading the pack is Shifting Desire, featuring Lilian Afegbai and veteran actor Majid Michel. The film is a gripping romantic drama that dives into marriage, intimacy, betrayal, healing, and the emotional journey of a couple using therapy to rebuild trust. Shifting Desire premiered on Glo TV on December 2 and is already streaming for free.
Johnny Just Come (JJC), starring Patience Ozokwor and Nancy Isime, delivers a hilarious cultural crossover story about an American man trying to navigate love and marriage in an African household. The movie explores themes of identity, family, culture, and coexistence in a warm and relatable way.
The third title, Bound, starring Rita Dominic and Eyinna Nwigwe, is a thought-provoking family drama that follows a successful career woman confronting long hidden personal struggles and the impact on her relationship. The film showcases powerful performances from some of Nollywood’s finest.
Rounding out the collection is Eko Vibes, featuring Broda Shaggi, Josh2Funny, and Nkechi Blessing. The movie captures the energy and hustle of Lagos youth culture, spotlighting ambition, humor, and the vibrant spirit of young people chasing success in the city.
Globacom noted that the new releases reinforce its commitment to delivering original African content at the highest quality. “With these exclusive titles, Glo TV is redefining digital entertainment in Nigeria by offering fresh, premium movies not available anywhere else. We remain committed to growing our catalog with rich African stories that celebrate creativity at its best,” the company added.
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