Broadcasting
Eddie Kisses $200,000 Goodbye in Apprentice Africa
Eddie Mbugua, has analytical mind, a competitive spirit, calculative disposition, and a dose of humour but they were not enough to save him from the firing line.
He is the 9th person to leave The Apprentice Africa house and that is goodbye to the mega prize, a lucrative corporate job with befitting perks and an annual salary of $200,000 and a luxury car.
Eddie as his fellow housemates call him; has apologized profusely "for letting myself, my family, and my country down!"
His journey out of the race started in Episode 9, when Eddie decided to bite the CEO’s (Biodun Shobanjo, advertising czar) bullet on the platter of responsibility.
In an interview with The Apprentice Africa news website, he was quick to refute the speculations that he considers himself a hero for his ‘tear-evoking’ exit
"I don’t see myself as a hero, quite the opposite actually! I let myself, my family, my country down." Eddie said, "Many had high expectations of me, as I too did and I let them down. For that I apologize, but sometimes you have to be a man and bite the bullet – the girls did a great job (as you saw) there was no way I was going to efface that. I really wanted to be Shobanjo’s Apprentice and knew I had what it took."
On being the third Kenyan ‘martyr’ to have ‘bitten the bullet’ on The Apprentice Africa, Eddie had this to say: "I was no martyr!" He lets out a hearty laugh. "I just didn’t want to shame myself on national television – there I was with three very hard working ladies, how could I then turn on them and start pointing fingers? Sometimes you have to be a man. In Kenya, we are taught to take responsibility for our actions…we have a much disciplined social and educational system: pity our leaders didn’t attend the same schools as we three (Anthony, Joyce, and myself) did."
Eddie also endorsed his long-time ally. "Tunde is my candidate of choice. He is one of the few people who can awaken this continent to greatness." while commenting on what he described as the ‘Eunice Spell’, "The show seems to be so captivated by Eunice, but not necessarily for her input but her presence- its not a beauty contest might I remind you."
As it is now, Eddie Mbugua is looking forward to the challenge of being a good and loving dad; come August, 2008 and will continue to watch The Apprentice Africa, because there will still be a lot to learn from the czar
Broadcasting
Mbunabo, Nigerian Filmmaker Accuses Ghana TV Stations of Pirating Nollywood Films

Uchenna Mbunabo, Nigerian filmmaker, has raised concerns over the alleged unauthorised broadcast of Nollywood films by some Ghanaian television stations, calling on Ghana’s National Film Authority (NFA) to strengthen the enforcement of copyright laws.

Uchenna Mbunabo, Nigerian filmmaker
Mbunabo made the remarks during a conversation with James Gardiner, deputy CEO of the National Film Authority (NFA) of Ghana.
He questioned whether it was permissible for television stations in Ghana to download Nigerian movies from YouTube and air them without obtaining permission from the producers.
“I noticed that Ghanaian TV stations, the way they are stealing our films and showing them for free with impunity. Is it legalised in your country for TV stations to go on YouTube, download people’s sweat and show it for free?”
According to Mbunabo, some Ghanaian television stations have been downloading newly released Nollywood films from YouTube and broadcasting them without authorisation, depriving producers of revenue generated through the platform.
He also stated that he had not witnessed Nigerian television stations engaging in similar practices and questioned what measures Ghana was taking to protect filmmakers’ intellectual property.
Responding to the concerns, Gardiner acknowledged that the issue exists and said the National Film Authority had begun engaging relevant stakeholders to address it.
He disclosed that the NFA has held discussions with the Ministry of Communications, the National Communications Authority (NCA) and the National Media Commission (NMC) on improving copyright enforcement.
Gardiner explained that while Ghana has copyright laws, enforcement remains challenging because many television stations now operate digitally and may not have physical offices within the country.
“There are copyright laws, but they are not effective because a lot of the TV stations don’t have offices. Most of them are now digital, so they operate from anywhere. They can even have a Ghanaian TV station but be operating from Austria simply because it is digital.”
He added that authorities are considering a new licensing framework that would require broadcasters to undergo a fresh licensing process to improve monitoring and enforcement.
According to Gardiner, television stations found guilty of illegally broadcasting copyrighted content would be required to compensate affected producers through fines.
He added that repeat offenders could face suspension of their broadcasting licences, while a third violation could result in the revocation of their licences.
Although he did not provide a specific timeline, Gardiner said the reforms were already underway and expressed hope that significant progress would be seen next year.
Mbunabo welcomed the proposed measures but urged the National Film Authority to expedite the process, stating that unauthorised broadcasts continue to affect filmmakers’ ability to recover production costs through legitimate distribution channels such as YouTube.
He also stressed that his comments were not directed at Ghana’s film industry, noting that he has worked with several Ghanaian actors over the years and supports collaborations between Nollywood and Ghallywood.
Broadcasting
From Scarcity to Scale: What Africa Can Learn from India’s Agricultural Transformation


Broadcasting
BON Establishes Six Ad Hoc Committees to Modernize Broadcasting

Broadcasting Organization of Nigeria (BON) has established six committees to help strengthen and modernize the country’s broadcasting industry.

The committees will focus on content creation, skills development, digital transformation, sustainability, policy and commercial opportunities
The initiative aims to support industry growth and improve collaboration between broadcasters, regulators and media experts
The official launch recently, was led by Tony Akiotu, president, BON and attended by media professionals, program directors, former journalists and heads of specialized media organizations.
The event brought together several prominent figures in Nigeria’s media industry, including veteran broadcaster and trainer Bimbo Oloyede, Tony Uyah of M4S TV, Kingsley Uranta of Channels Television, Ismael Sani of Platinum TV and Ibrahim Shehu of Trust TV.
Together, they are expected to help drive innovation and support the growth of Nigeria’s broadcasting sector.
According to Akiotu, the committees are intended both to help shape industry policy and to provide a forum for dialogue between BON and broadcasting experts.
Akiotu said the ad hoc committees were intended to strengthen BON’s work and ensure that the umbrella body for Nigeria’s broadcasters played a more direct and meaningful role in developing the country’s broadcasting sector.
The six committees reflect the sector’s main priorities. The first focuses on collaboration and innovation to promote content creation.
The second is dedicated to training and talent development, while the third focuses on industry sustainability by improving the sector’s long-term financial viability.
A fourth committee will focus on digital transformation and work with the National Broadcasting Commission (NBC) on regulatory issues.
The remaining two committees will oversee public policy advocacy and the development of sports and commercial rights to help broadcasters increase revenue and attract more investment. Together, the committees are expected to guide BON’s efforts to modernize and strengthen Nigeria’s broadcasting industry.
The committees, chaired by members of BON’s General Assembly and supported by the organization’s Secretariat, have an initial 12-month mandate that may be renewed if necessary.
They are required to submit a progress report within three months and implement approved recommendations within the following six months.
The arrangement is intended to ensure close oversight and the timely implementation of their work.
Akiotu also reminded committee members that Nigeria pioneered television broadcasting in Africa and urged them to carry out their work with greater effectiveness and efficiency.
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