Broadcasting
Gbemi Olateru-Olagbegi Joins TNC Africa As Co-Founder and Executive Producer

Gbemi Olateru-Olagbegi, one of Nigeria’s most decorated on-air personalities and celebrity entrepreneurs, has been appointed as co-founder and co-executive producer for one of Africa’s most promising media and entertainment startups – TNC Africa.

Gbemi Olateru-Olagbegi,
This is the former OAP’s first announcement since quitting her radio job in December 2021 after spending 13 years at The Beat FM in a broadcast career that spanned almost 20 years at three organisations.
“My time as a media girl has come to an end and now, I am transitioning behind the microphone to explore more creative and business opportunities.
“I have listened to hundreds of Nigerians call into my shows for 20 years, and I can use that insight from them, the media, the entertainment industry to develop impactful and enjoyable content.
“I am excited for this new phase and what we can achieve together at TNC Africa,” Gbemi said.
TNC Africa, a digital-focused TV and film production company committed to taking original African Stories to the world, was launched in January 2021 by Olawale Adetula and Daniel Aideyan.
The outfit has created 300 hours of television; developed four original stories, amassed over 10 million content views in 12 months; and is recognised by Google as a member of the YouTube Black Voices Fund class of 2022. And Gbemi already has a vision as she steps into the new role.
“Many of us grew up watching foreign movies, and while there’s nothing wrong with their content, I want to see people from across the world consume our content voraciously.
“It will be powerful to see the demand for original African stories – stories that mirror our socio-economic situation and can capture our essence as Africans.
“But we need to stoke that desire with powerful storytelling that passionate creatives like TNC Africa can bring to the table,” Gbemi added.
As co-founder and co-executive producer, Gbemi is expected to lead operations – a role which will see her taking charge of each of TNC Africa’s productions, end to end.
Co-Founder, Olawale Adetula said, “We have always had a fantastic relationship with Gbemi from the inception of TNC.
“Whilst I am very proud of all that has been achieved together – her role as Kemi Manuel on our hit web series Our Best Friend’s Wedding which has amassed over four million views to date – I am even more proud of the ideas and projects that we have in store for the African market.
“I am positive that Gbemi coming on board will be a precursor for great things at TNC Africa.”
‘‘I look forward to doing amazing work with the TNC Africa team, while also continuing to develop my other ideas and businesses, including Gbemisoke shoes and Speakerboxx Productions.” Gbemi concluded.
Broadcasting
Canal+ to Cut Jobs as Part Sweeping Restructuring

Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.
The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.
The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.
MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.
The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.
Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.
By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.
The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.
However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.
Broadcasting
Nigeria tops global rankings for USDT, USDC ownership

Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

USDT, USDC
Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.
According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.
The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.
The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.
Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.
The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.
However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.
More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.
Broadcasting
Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.
This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.
Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.
“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”
Key highlights include:
55% year-on-year growth in local streams for Nigerian female artists.
75% surge in streams for independent Nigerian artists.
Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.
Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.
The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.
For full details, visit spotify.com/loudandclear.
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