Broadcasting
GOtv Boxing Night Returns December 24 with Xmas Cracker

A World Boxing Federation (WBF) title fight, national light heavyweight title fight and national cruiserweight title bout will headline the 24th edition of GOtv Boxing Night (GOtv Boxing Night 24), scheduled to hold on 24 December at the Molade Okoya-Thomas Indoor Sports Hall of the Teslim Balogun Stadium, Lagos.

L-R: Jenkins Alumona, CEO Flykite Productions; Jennifer Ukoh-Osamwonyi , Public Relations Manager, GOtv Nigeria; Rafiu Ladipo, President, Nigeria Boxing Board of Control (NBB of C); and Remi Aboderin, Secretary General of NBB of C at the press conference of the GOtv Boxing Night 24 held in Lagos yesterday.
The event will stage one international and five domestic bouts across weight divisions and will be aired live on SuperSport Select 2 (GOtv Channel 34) and SuperSport Variety 4 (DStv Channel 209).
This was announced by Flykite Productions, organisers of the event, at a press conference in Lagos on Wednesday 1 December, 2021.
Speaking at the event, Public Relations Manager, GOtv Nigeria, Jennifer Ukoh-Osamwonyi, expressed delight at the progress recorded with the boxing event.
She commended the promoters, Flykite Productions, Nigerian Boxing Board of Control (NBB of C) and the media for their support.
“We are proud of how far we have come with the support of boxing fans, the NBB of C as well as members of the media, who have done commendable work in their role as advocates for not just the sport but the event,” she said.
Ukoh-Osamwonyi added that GOtv Boxing Night has sparked a revival of Nigerian boxing by providing opportunities, which were once scarce, for boxers to exhibit their skills and get much better rewarded.
“It is truly gratifying to see that the objectives of this initiative, which was to revive a sport that had suffered decades of gross underfunding and poor organization, provide considerably better renumeration for the boxers and most importantly, produce Nigerian boxing champions are being met,” she added.
The bout card released indicates that Nigeria’s Rilwan “Baby Face” Babatunde, reigning WBF International welterweight champion, will defend his title against Justice “Qwick Action” Addy of Ghana. Two other title bouts, both domestic, are also scheduled. One of the domestic title fights will see Segun “Success” Olanrewaju take on Adewale “Masevex” Masebinu for the national light heavyweight title, while the other will see Michael “Emirate” Godwin duel with Abiodun “Infiniti” Afinni for the national cruiserweight title.
The event will also feature two national welterweight challenge duels, with one pitting Semiu “Jagaban” Olapade against Taiwo “Gentle Boy” Olowu, while the other is a collision between Willian “Kaki” Amosu and Segun “War” Adeyemi. In the bantamweight category, Saheed “Eagle” Azeez will face Aminu “Lucky Boy” Akintayo.
The best boxer at the event will walk away with a cash prize of N1million attached to the Mojisola Ogunsanya Memorial Trophy. Last month, Flykite announced a new format for choosing the best boxer. The new format will see the winner of the award chosen by a nine-man panel, using weighted scores.
The panel, explained the organisers, will have three representatives from the sporting media, two coaches to be nominated by the Lagos State Boxing Association, one nominee of the Nigerian Boxing Board of Control (NBB of C), a representative of the sponsors and two persons from among the watching crowd.
The adoption of the more compact but diverse panel format replaces the media-only panel that has selected the best boxer since 2015. This, according to the organisers, is to make the process smoother and less cumbersome.
Broadcasting
MultiChoice Talent Factory Calls for Entries Into Fully Funded Film Training Programme

MultiChoice Talent Factory (MTF), a Pan-African film and television training institution, has announced the opening of applications for its 2026 intake.

MultiChoice
The fully funded programme is open to African graduates aspiring to become directors, filmmakers, scriptwriters, producers and storytellers.
According to MultiChoice, the nine-month accredited curriculum combines online learning with intensive in-person training, and is designed to balance theoretical knowledge with practical immersion.
MTF academies are located in Kenya, Nigeria and Zambia, and serve aspiring filmmakers from 14 African countries. Since its inception in 2018, the initiative has trained 296 filmmakers, with graduates producing more than 42 movies aired on DStv, GOtv and Showmax platforms.
Organisers said alumni of the programme have gone on to establish over 50 production companies, while many continue to work within the MultiChoice ecosystem.
Graduates have also won accolades at the Africa Magic Viewers’ Choice Awards, Kalasha Awards, Uganda Film Festival and Women in Film Awards.
Applications for the 2026 intake close on Feb. 27, 2026. Interested candidates can visit https://apo-opa.co/3XW53oE for programme requirements.
Broadcasting
Davido, Babajide Sanwo-Olu, Karl Toriola, Others To Be Honoured At The Most Influential People of African Descent Awards In Lagos

Most Influential People of African Descent (MIPAD) is excited to announce the Lagos Diaspora Experience 2025, a week-long celebration of African art, culture, innovation, and connection, culminating in the End of the Year Awards & Celebration on Sunday, December 21st, 2025, in Lagos, Nigeria.

The Most Influential People of African Descent Awards
This historic occasion marks the first time the world-famous Most Influential 100 Recognition & Awards Ceremony—traditionally held in New York on the sidelines of the United Nations General Assembly (UNGA)—will be hosted in Lagos, Nigeria.
The week will feature events such as Diaspora Day at the Fela Exhibition (Afrobeat Meets Diaspora), Cultural Heritage Day, and Business Leadership Luncheons, all culminating in the awards celebration.
The evening will honor the Best & Brightest of the Year, recognizing exceptional individuals and institutions whose work has advanced Global African Achievement and Black Excellence across business, government, media, culture, and technology.
Key Recognitions for 2025
– Governor of the Year & City of the Year: His Excellency Babajide Sanwo-Olu, Governor of Lagos State, honored alongside Lagos as City of the Year for its global leadership in culture, innovation, tourism, and diaspora engagement.
– Her Excellency Hannatu Musa Musawa, Minister of Art, Culture, Tourism and Creative Economy, will be honoured as Minister of the Year for her contribution to the creative economy’s role in nation branding and cultural diplomacy.
– Most Influential Woman of the Year: Olorì Atúwàtse III, Queen Consort of the Warri Kingdom
– Most Influential Man of the Year: Adewale Tinubu, Group Chief Executive, OANDO
– CEO of the Year: Karl Toriola, Chief Executive Officer of MTN Nigeria; who will deliver a keynote address, recognized for his transformative leadership and impact on Nigeria’s telecommunications and digital economy.
Others include; Karl Toriola of MTN as CEO of the year, Uche Pedro of Bella Naija as Lifestyle Personality Of The Year, Ojy Okpe of Artise News as Most Influential News Anchor Of The Year, Stephanie Busari as Media Executive of the Year, Kayode Okikiolu as Pressman of the year, Davido as Artist of the year and several others.
In celebrating this year’s honorees, Michael Ehindero, Managing Director, Pernod Ricard Nigeria, owners of Martell Cognac, who emerged as Brand Of The Year expressed deep appreciation for the brand’s continued global recognition, saying: “It’s a great reward for the team who’s delivered Martell excellently in Nigeria over the years.
“We say thank you to the teams, we say thank you to our consumers and we say thank you to MIPAD.
“Martell has a lot of promising experiences in the years to come in Nigeria and with this we invite you over to Nigeria to experience Detty December”.
The ceremony will also celebrate the achievements of the Class of 2025 Honorees, alongside past Nigerian honorees who were unable to attend their year of recognition in New York.
“For the first time, we’re bringing our world-famous recognition platform home to celebrate excellence within the Global Africa Family — right here in Lagos,” said Kamil Olufowobi, Founder & Chairman of MIPAD. “This is more than an event; it’s a movement uniting the best of us — connecting, collaborating, and working together to change the world.”
Event Details
📍 Lagos, Nigeria
– Friday, Dec 19 – #DettyDec Diaspora Day at Fela Exhibition FREE
– Sunday, Dec 21 – End of Year Recognition & Award Ceremony STRICTLY BY INVITATION
🎟️ RSVP: https://rsvp.oakenevents.com/mipad
Broadcasting
NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

Nigerian Copyright Commission (NCC) has called for urgent adoption of advanced digital protections after blocking seven piracy sites amid escalating online threats to Nollywood content.

The call was made during a webinar hosted by Greychapel Legal titled “Clicks, Streams, and Copyright: Who Owns Nollywood’s Digital Future?”, which brought together filmmakers, regulators, entertainment lawyers and media strategists to examine how content ownership and copyright enforcement are being reshaped by the digital age.
Lynda Alphaeus, director and head of the NCC Lagos Office, said the Commission has intensified its efforts to combat piracy across digital channels and is upgrading its operations to meet emerging threats.
According to her, Nigeria’s new Copyright Act was deliberately updated to strengthen creators’ rights amid the explosion of online distribution.
“NCC has worked, and is still working tirelessly to adapt Nigeria’s legal framework to cope with digital distribution challenges. We now have the power to block networks publishing illegal content, and we have already blocked seven websites distributing pirated Nigerian works,” Alphaeus said.
She revealed that the Commission has established a special taskforce known as the STOP Unit to coordinate anti-piracy operations online, alongside new awareness campaigns targeting local markets and schools to educate content creators and the public on copyright obligations.
Alphaeus urged filmmakers and producers to take ownership of their digital safety by deploying available technological protections to safeguard their intellectual property.
She explained that tools such as encryption help prevent unauthorised copying, blockchain technology offers immutable proof of ownership, digital watermarking allows creators to trace illegal uploads, while cloud security and regular offline backups protect creative files before they reach the market.
While noting that copyright in Nigeria does not legally require registration, she stressed that registering one’s work strengthens protection and provides legal presumptions that can be vital in enforcement.
“Whatever you register is presumed to be yours until proven otherwise,” she said, urging creators to invest in copyright knowledge as part of their business strategy.
Other speakers at the webinar reinforced the urgency of protecting Nollywood’s digital assets.
James Omokwe, film director, noted that while streaming platforms have created unprecedented opportunities for visibility and monetisation, they have also opened new vectors for intellectual property theft and unauthorised redistribution.
Solafunmi Laelle, media strategist, added that audience data, which streaming platforms rely heavily on, will increasingly determine leverage and value in film licensing negotiations.
According to her, creators who lose control of their intellectual property, whether through piracy or unfavourable contracts, also lose access to valuable data that could shape their long-term earnings.
Nky Ofeimun, entertainment lawyer, emphasised the need for creators to understand the contractual implications of ownership, platform exclusivity, and reversion rights.
She noted that many filmmakers still underestimate how quickly digital copies can be illegally duplicated or uploaded once control is lost.
The panelists agreed that as Nollywood deepens its digital footprint, piracy will continue to evolve and become more sophisticated.
They stressed that the industry must respond with equally sophisticated tools, stronger contract negotiation, and improved education around copyright.
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