Broadcasting
HiTV Faults ACON’s Claims, Stresses Position
Hi Media, owners of HiTV have said in a press statement released by Justin Akpovi-Esade, the company’s public relations manager, that there was no time members of the Association of Cable TV Owners of Nigeria (ACON) were willing to pay for it’s content with the intention of rebroadcasting it.
This position is contrary to the claims recently in the media that members of the association were willing to pay HiTV to redistribute its content especially the Barclays Premier League.
The association recently sued HiTV for alleged monopoly of English premiership league righst, a suit Charles Ebuebu, the company’s head of Legal and Content Acquisition, described as not only “frivolous, but reeks of malicious intent.”
Ebuebu stated: “The association brought a frivolous case against HiTV further to a petition (by HiTV) on piracy written to the NCC and NBC against some of its members such as CTL and Metrodigital. Solicitors to HiTV have filed a preliminary objection stating that the court does not have jurisdiction and there is no course of action raised in the matter.”
According to Ebuebu, Hi Media considers it offensive for anybody to allege that it was maintaining a monopoly on the English Premier League right. ACON had asked the courts to declare that satellite television companies should license programmes, especially the English premiership matches to other cable TV companies if they were ready to pay the fees.
“It is entirely false that HiTV is maintaining a monopoly and/or tyranny. From inception, we offered the re-broadcast rights to all broadcasters in the country, but they refused to accept the terms of engagement, which terms were equally passed to us from the head licensor. Also, they preferred to continue with the piracy of content that they have been engaged in all the while due to its negligible cost. It was only Multimesh who paid for a year but also engaged in piracy, which caused the relationship to be severed. We are always ready to offer the rights to other broadcasters but they are not ready to comply with the necessary conditions.”
“HiTV, when it got the rights has remained the only company willing to do business with others, a certain company had this same right for over a decade and never wanted to do business with anybody, yet none of these people went to court. If CTL and others are sincere, they should bring the letters of proposal written to them, offering them the rights on simple condition of bringing a letter of bank guarantee and a proper business model which HiTV had before the rights were given to it. So, where did we go wrong here? Instead, they chose to pirate our content flagrantly and the case is still with the Nigerian Copyright Commission.”
“Ironically, the case is being spearheaded by a leading member of the association, CTL, which seeks to, according to the members, reposition the operations of cable television industry in Nigeria. CTL is one of the biggest Pay TV broadcasters in the country, yet engage in the piracy of the HiTV sporting content as well as other channels meant for transmission only in the Middle East and North Africa. HiTV has written a petition to the NBC and NCC on the illegal activities of CTL and has further to that, filed a civil suit at the Federal High Court on the matter.”
“As stated previously, Multimesh Communications have been granted the rights previously and have been provided a draft agreement for the current season. The terms of the carriage of the HiTV soccer rights have being made to CTL as well as all members of ASCON, with the monetary obligations reviewed downwards at a subsequent meeting, but all of them have remained adamant in the infringement of these rights. We are ready to provide documentary evidence of the fact that these rights were previously granted to CTL and ASCON members,” Ebuebu stated.
“It is false to say some broadcasters went under due to lack of sporting programmes, but rather due to their business model which was defective. Nearly all of them especially CTL operates a business plan based on piracy and would always resort to frivolous claims to blind the general public as to its true intentions,” he added.
Broadcasting
Fela Makes History as First African to be Inducted into Rock and Roll Hall of Fame

Fela Anikulapo-Kuti, simply known as Fela, legendary Nigerian musician, has made history as the first African artist to be inducted into the Rock & Roll Hall of Fame.

Fela
This is coming after he was posthumously honored with the 2026 Grammy Lifetime Achievement Award, becoming the first African artist to receive this prestigious special merit recognition.
Fela will be honoured in the early influence category this year, along with Queen Latifah, rapper MC Lyte, country rocker Gram Parsons, and Cuban singer Celia Cruz at this year’s Rock and Roll Hall of Fame event.
The honorees were revealed on Monday night in the US, during an airing of American Idol.
Sade Adu, Nigerian-born British singer, will be honoured in the performance category.
However, Shakira, Mariah Carey, Lauryn Hill, New Edition, and Pink, missed out on the final cut despite being nominated.
Over 1,200 artists, historians and music industry professionals voted to decide the honorees.
The induction ceremony will be held on 14 November at the Peacock Theatre in Los Angeles.
Broadcasting
FG to Gift Nigerians over 100 Free TV Channels from May 15

National Broadcasting Commission (NBC) is set to launch so-called FreeTV, with over 100 channels for news, sports, education, entertainment and children’s programming in multiple Nigerian languages.

The launch is scheduled for May 15.
Charles Ebuebu, director-general, NBC, who disclosed this, said the new platform will offer free-to-air access with no carriage fees, leveraging hybrid satellite and internet delivery via NigComSat-1R.
The new plan is not an upgrade, the NBC stressed. This is a rebuild, according to Ebuebu .
FreeTV will be true free-to-air – no encryption, no set-top box barrier.
Any DVB-T2/S2 television will work. A mobile app will extend reach to phones and tablets.
The platform will launch with over 100 national, regional and state channels across sports, news, children’s programming, education, entertainment and cultural content in Hausa, Yoruba, Igbo, Tiv, Ijaw, Edo, Fulfulde, Ibibio, Efik and Nupe – all in HD.
Crucially, the NBC has partnered with a Bulgarian firm, GARB (operating since 2006 and recognised by the European Broadcast Union), to deliver a 94 per cent-accurate audience measurement system using return-path data, app analytics, demographic panels, and Artificial Intelligence (AI).
To qualify broadcasters, must commit their channels, produce a minimum of 60 per cent local content, and promote FreeTV until January 2029.
After that, a regulated tiered rate card takes effect.
According to NBC, the strategic rationale is simple: build viewers first, monetise later.
The document further revealed that six regional production hubs in Lagos, Abuja, Port Harcourt, Enugu, Kano and Benin would function as local content factories, expected to generate 500 to 1,000 jobs per zone within two years.
Broadcasting
What Adekunle Gold’s Support Means for ‘The Gathering on 100

Popular Nigerian artist Adekunle Gold has lent his support to the growing youth-driven movement behind The Gathering on 100, further amplifying conversations around what is fast becoming one of the most talked-about upcoming experiences among young Nigerians.

Adekunle Gold
Known for his music and his strong connection with youth culture and evolving creative expression, Adekunle Gold’s involvement signals a deeper alignment between the event and the kind of audience it is attracting, a generation that is bold, expressive, and constantly redefining what community looks like.
While details of his involvement remain understated, his visible support adds a new layer of support and cultural relevance to the movement. In a landscape where attention is currency, endorsements from artists of his stature often act as a signal, drawing more eyes, more curiosity, and ultimately, more participation, but beyond visibility, the significance lies in what it represents.
The new father has, over the years, built a reputation for embracing creativity in its many forms, from music to visual storytelling, fashion, and digital engagement. His brand has consistently resonated with young Nigerians navigating similar spaces of self-expression and identity.
From interactive experiences like live music sessions and open performance moments to fashion runways and content creation spaces, the event is designed to blur the lines between audience and participant. It invites attendees to move beyond observation and become part of the moment.
This is a concept that closely mirrors the kind of cultural shift Adekunle Gold has been part of, one where boundaries between creator and consumer continue to dissolve.
His support also reflects a broader trend within Nigeria’s entertainment industry, where artists are increasingly engaging with youth-led initiatives that go beyond traditional performances. Rather than simply appearing on stage, they are aligning with movements that foster community, creativity, and shared experience.
For fans and attendees, this adds another dimension to what The Gathering on 100 represents.
As registrations increase and conversations expand across social platforms, the movement is gradually taking shape through the collective interest of those drawn to it.
Head to gathering.com to register.
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