Broadcasting
How We used N9.4Bn Approved for DSO- NBC

National Broadcasting Commission (NBC) has said that it used the N9.4 billion approved by the Federal Executive Council (FEC) to settle outstanding contractual agreements in the Digital Switch Over (DSO) project.

Armstrong Idachaba, acting director-general of the Commission, who stated this in Abuja said that the fund was not all that was needed to complete the Digital Switch Over (DSO) project.
Idachaba said the federal government had, however, taken the decision that going forward, it would stop contributing its lean resources to fund the DSO.
The DSO is the process of migrating from analogue to digital terrestrial broadcasting and the NBC has set 2022 for the completion of the project in Nigeria.
The NBC boss said the project would be self-sustaining and the government expected that the players and investors in the sector must be able to drive their own obligation financially.
“We hope that the broadcasters, those who own the channels will now pay the people who are carrying their signals.
“The signal distributors will evolve ways to pay those providing satellite services while government will be absolved of any financial obligations,’’ he said.
He said the N9.4 billion was money approved for contractual engagements in settling people that were engaged to deliver certain services.
“There is a company that is handling satellite services and we have been owing them some money and they are going to get the chunk of the money.
“In the transition process, there is a period called Dual-Illumination when you set side by side analogue contents and the digital contents.
“In the six cities where we are now, we have dual illumination because there are people with the Set Top Boxes who are watching digital contents while those without the boxes still have access to contents in the analogue,’’ he said
Idachaba added: “The question is that for people who are carrying digital signals at the time we have dual illumination, who pays?
“You will not subject the broadcasters to double taxation by servicing the digital transmission and at the same time the analogue transmission.
“The government therefore said that anywhere you are on the digital platform, the government bears the cost and in the process we got indebted to the signal distributors who are sending the signals.
“We also got indebted to those who are providing satellite services and the software managers all of the debts or obligation that amounted to 9.4 billion.’’
He said the fact that the project would be private sector driven has not absolved the NBC, as driver of the process, from certain responsibilities.
He said in the course of the migration, the Commission would have to find ways to take out of its meagre resources to fund some of the elements of the transition.
The NBC boss gave credit to Alhaji Lai Mohammed, minister of Information and Culture for his vision in the implementation process.
Specifically, he said the Ministerial Task Force set up by the minister to drive the process was all encompassing of all relevant stakeholders including the Finance Ministry that will make the approved fund available.
Idachaba faulted the claim in certain quarters that the ministerial task force had usurped the power of Digiteam, a body set up by a former President to oversee the DSO.
“The government white paper on digital transition clearly stated that at every stage and level of the transition, both the NBC, Digiteam must offer periodic reports to the minister.
“What this means is that the minister sits on top of the architecture of the entire transition.
“Although the Digiteam is made up of experts and seasoned gentlemen, but there is a limit to which they can go in terms of exercising political will in government.
“Obviously the cabinet minister has more advantage in that area than somebody who is just a mere appointee.
“The NBC is a professionally run agency and we have our jobs cut off for us in monitoring contents and ensuring that the rules are adhered to,’’ he said.
Broadcasting
SERAP, NGE Sue NBC over Threat to Sanction Broadcasters

Socio-Economic Rights and Accountability Project (SERAP) and the Nigerian Guild of Editors (NGE) have jointly sued the National Broadcasting Commission (NBC) over what they described as an “arbitrary, unconstitutional, and unlawful” threat to sanction broadcast stations and presenters.

The development was disclosed in a Sunday statement signed by Kolawole Oluwadare, deputy director, and Onuoha Ukeh, general secretary of the Nigerian Guild of Editors.
According to the statement, SERAP and NGE challenged a recent directive by NBC, warning presenters and journalists against “expressing personal opinions as facts,” “bullying or intimidating guests,” and failing to maintain neutrality.
The statement reads, “SERAP and the Nigerian Guild of Editors (NGE) have filed a lawsuit against the National Broadcasting Commission (NBC) over the arbitrary, unconstitutional, and unlawful ‘Formal Notice’, which threatens to sanction broadcast stations and presenters for allegedly ‘expressing personal opinions as facts, bullying or intimidating guests, or failing to maintain neutrality.’
“The NBC had recently threatened to sanction broadcast stations and presenters who ‘express personal opinions as facts’ or ‘bully and intimidate guests,’ claiming it had ‘identified a sustained increase in breaches of the 6th Edition of the Nigeria Broadcasting Code across news, current affairs, and political programmes.’”
In the suit marked FHC/L/CS/854/2026 filed last Friday at the Federal High Court in Lagos State, SERAP and NGE asked the court to determine whether the various provisions of the Nigeria Broadcasting Code relied upon by the NBC in the directive are inconsistent with the Nigerian Constitution 1999 (as amended) and the country’s international human rights obligations.
According to the statement, the groups disclosed that Femi Falana (SAN), human rights lawyer, would lead a team of senior lawyers to represent SERAP and NGE in the lawsuit.
SERAP and NGE asked the court to declare that the provisions of the 6th Edition of the Broadcasting Code used by the NBC are vague and constitute a fundamental breach of press freedom guaranteed by the Nigerian Constitution and international human rights standards.
The statement added, “SERAP and NGE are asking the court for a declaration that the provisions of the 6th Edition of the Broadcasting Code used by the NBC are vague and overly broad and constitute a fundamental breach of freedom of expression and media freedom guaranteed by the Nigerian Constitution and international human rights standards.”
The groups also sought an interim injunction to restrain the NBC, its agents and other authorities from imposing sanctions on broadcast stations and presenters based on what they described as “unlawful provisions of the 6th Edition of the Broadcasting Code”, pending the hearing and determination of the motion.
“SERAP and NGE are also seeking an order of interim injunction restraining the NBC, its agents or privies, whether jointly or severally or any other authority, from imposing sanctions on broadcast stations and presenters based on the patently unlawful provisions of the 6th Edition of the Broadcasting Code, pending the hearing and determination of the motion on notice filed simultaneously in this suit,” the statement concluded.
Broadcasting
Glo-sponsored African Voices Spotlights Ejatu Shaw

Globacom continues to celebrate African creativity as its sponsored programme African Voices on CNN International features London based photographer and multidisciplinary artist Ejatu Shaw this week. The episode highlights her journey, her art, and the stories behind her work.

Ejatu Shaw’s journey into photography began in 2013 during a family trip to Sierra Leone, a moment that sparked a passion which has since shaped her creative path. Born in 1996, the British Sierra Leonean artist later went on to earn a master’s degree in photography arts from the University of Westminster in 2020.
Her work explores identity in a personal and expressive way, drawing from her Islamic faith and African heritage. She is inspired by classic African studio photographers such as Malick Sidibé, Sory Sanlé, and Omar Yahia Barram. Through self-portraits and visual storytelling, she brings her memories and experiences to life.
Shaw’s talent continues to gain global recognition. In 2025, the British Fashion Council named her a New Wave Creative.
She has also photographed top names including Angela Bassett, Cynthia Erivo, and Usain Bolt, and worked on projects for major platforms like EBONY, The Guardian, The Sunday Times, and Vogue. She also designed the album cover for Craig David.
The programme will air on Saturday at 7:30 a.m. and 11:00 a.m. On Sunday, it will show at 3:30 a.m. and 6:00 p.m., with repeats on Monday at 3:00 a.m. and 5:45 p.m.
Broadcasting
QEDNG Summit 2026 set for August 11 in Lagos

QEDNG Creative Powerhouse Summit will hold its second edition on August 11 in Lagos, bringing together leaders across the creative, business and policy spaces.

Convened by Mighty Media Plus, publishers of online newspaper QEDNG, the summit brings together conversations at the intersection of creativity, enterprise and influence, with a focus on strengthening Nigeria’s creative economy.
Reflecting on the inaugural edition, Iyanda said the summit drew participation from respected figures across sectors, including group managing director of SO&U Udeme Ufot as chairman and founder of The Africa Soft Power Group Dr Nkiru Balonwu as keynote speaker, alongside panellists such as filmmaker Kunle Afolayan, All Africa Music Awards (AFRIMA) founder Mike Dada and executive director of the National Film and Video Censors Board (NFVCB) Dr Shaibu Husseini who contributed to discussions on the direction of the creative economy.
“The first edition showed that there is a strong interest in serious engagement around the creative economy. We had contributions from experienced voices who helped set the tone for the kind of platform we are building,” Iyanda said.
Building on the success of its inaugural edition, the summit continues to expand its scope, attracting a diverse mix of industry leaders, entrepreneurs, policymakers and emerging talents.
“This summit is designed as a meeting point for ideas, influence and execution. It is not just about conversations, but about outcomes that strengthen the creative economy,” Iyanda added.
He noted that the timing of the summit is significant as the country’s creative sector continues to evolve.
“Nigeria’s creative sector has grown in visibility, but the structures that support it are still evolving. The QEDNG Creative Powerhouse Summit is part of the effort to bring clarity, direction and serious engagement to that growth,” he said.
The 2026 edition will feature keynote addresses, panel discussions and curated sessions addressing themes around innovation, growth, funding and the global positioning of Nigerian creative talent.
According to Iyanda, the long-term goal is to build a platform that remains relevant across generations.
“Our goal is to build a platform that remains useful over time, one that documents progress, connects stakeholders and contributes meaningfully to policy and practice,” he said.
Further details on speakers, partners and the full programme will be announced in the coming weeks.
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