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ICPC: Corrupting the N2. 5Bn News

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By Hamid Hendrix

The ICPC should have learnt lessons on the ills of trial-by-media by now, but the contrary is evident. It all began when it put out a press release in November last year announcing that it had uncovered a N2.5 billion fraudulent payments by the National Broadcasting Commission (NBC) to Pinnacle Communications Limited under the Digital Switch Over (DSO) from analogue television broadcasts in Nigeria.

 

Such a sensational statement on a major national media project immediately went viral but it almost instantly also turned out to be so infected with viruses of unpardonable errors and utter falsehood that the image of the ICPC as an anti-corruption investigative body got comprehensively corrupted.

 

Imagine ICPC “investigating” the DSO and declaring it to be about switching over “telephone lines” !#

 

The records are there so we will not delve into the distasteful details of that episode. Suffice it to recall that till date the ICPC has not found the decorum or rectitude to own up to its inadequacies by means of a humble retraction in the public interest.

 

Instead it has stuck to its stigma of an unstoppable loose cannon, firing from all the wrong cylinders, but still firing on!

 

Amazingly, the ICPC persisted to the extent of framing charges and arraigning its “culprits” before an Abuja court, all the while revving up the media hype on the N2.5 billion fraudulent payment by NBC to Pinnacle Communications Limited for DSO.

 

One would have expected the ICPC to end the trial-by-media after the court opened hearings on the matter and to thereafter base its press releases on an accurate reflection of proceedings or to let the free press report the proceedings to the end.

 

But, ICPC has turned its website to a parallel court where it picks and chooses incomplete testimonies and disjointed extracts of documents to propagate in its now unscrupulous determination to misrepresent proceedings and mislead the public about its prosecution of the case of its self-declared N2.5 billion fraudulent payment by NBC.

 

This is in sharp contrast to the hapless surrender of the arraigned “culprits” to the free press reportage of proceedings in the same court of public opinion to which the ICPC has now clearly shifted its focus in an extra-judicial bid to give them a bad name long before the temple of justice determines their fate.

 

It was perplexing to observe the tone and content of ICPC reportage of proceedings in the matter in comparison to most newspaper and on-line reports following the first two days of hearings after the defendants pleaded not guilty to the charges.

 

You can still find the two ICPC press releases under reference on its website titled  Kawu’s payment of 2.5bn DSO fund to Private Company Fraudulent– ex director and N2.5bn DSO fund was shared to Family, Friends, Politicians-ICPC Witness respectively just as you can browse reports on the same proceedings, quoting the same witnesses, by the free press  under headlines such as  Modibbo Kawu’s Payment of N2.5b to Pinnacle didn’t violate DSO white paper-ICPC Investigator (ThisDay), DIGITAL SWITCH OVER: ICPC INVESTIGATOR ADMITS ERROR, SAYS PAYMENT OF N2.5BN TO PINNACLE DIDN’T VIOLATE FG WHITE PAPER (ALTERNATIVE AFRICA, LONDON, ONLINE), Alleged N2.5 bn Scam: Payment didn’t violate FG White Paper-ICPC ( Nigerian Pilot) as well as FG approved N2.5bn for DSO project-witness tells court (Leadership), Information Minister approved payment of N2.5bn to Pinnacle for Digital Switch Over-witness (Vanguard),  National DSO Launched with Pinnacle facilities, equipment-Witness (Newsdiaryonline) and NBC trial : No petition over N2.5bn DSO payment-ICPC investigator (Daily Trust).

 

Haba ICPC ! From these headlines, you don’t need an ICPC investigator to know that there is a world of difference in fact and projection between what the ICPC dished out on its website and what actually transpired in court during the same proceedings involving the same witnesses.

 

Obviously, the ICPC has deliberately propagated incomplete versions of the proceedings to mislead the public into latching onto its pre-meditated agenda of incriminating the “culprits” not by due process, but by the hook-and-crook orchestration of a media “trial”.

 

The ICPC’s focus is now on what Sir Lucky Omoluwa did with his money in his account since the issue of “fraudulent payment of N2.5 billion” has lost steam in court !

 

Why a supposedly independent federal government anti-corruption agency should be so brazen in embarking on a campaign of calumny by abusing its mandate against some individuals is itself a N2.5 billion question that will certainly be answered sooner or later.

 

Since the hearings are still at an early stage and the leopards in ICPC are unlikely to change their spotted suits, it will be interesting to see how far the trial-by-media can go in courting public opinion by deceptive manipulation of court proceedings and whether, at the end of it all, the temple of justice will prevail over the theatre of the absurd.

 

Meanwhile those of us who can only wait and wonder are obliged to consider the counsel of Voltaire, the French writer, historian and philosopher, who declared “ those who can make you believe absurdities, can make you commit atrocities,” very apt in the circumstances– if no petition, why the investigation?

HAMID HENDRIX, a public affairs analyst, wrote from Kaduna


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NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

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Nigerian Copyright Commission (NCC) has called for urgent adoption of advanced digital protections after blocking seven piracy sites amid escalating online threats to Nollywood content.

NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

The call was made during a webinar hosted by Greychapel Legal titled “Clicks, Streams, and Copyright: Who Owns Nollywood’s Digital Future?”, which brought together filmmakers, regulators, entertainment lawyers and media strategists to examine how content ownership and copyright enforcement are being reshaped by the digital age.

Lynda Alphaeus, director and head of the NCC Lagos Office, said the Commission has intensified its efforts to combat piracy across digital channels and is upgrading its operations to meet emerging threats.

According to her, Nigeria’s new Copyright Act was deliberately updated to strengthen creators’ rights amid the explosion of online distribution.

“NCC has worked, and is still working tirelessly to adapt Nigeria’s legal framework to cope with digital distribution challenges. We now have the power to block networks publishing illegal content, and we have already blocked seven websites distributing pirated Nigerian works,” Alphaeus said.

She revealed that the Commission has established a special taskforce known as the STOP Unit to coordinate anti-piracy operations online, alongside new awareness campaigns targeting local markets and schools to educate content creators and the public on copyright obligations.

Alphaeus urged filmmakers and producers to take ownership of their digital safety by deploying available technological protections to safeguard their intellectual property.

She explained that tools such as encryption help prevent unauthorised copying, blockchain technology offers immutable proof of ownership, digital watermarking allows creators to trace illegal uploads, while cloud security and regular offline backups protect creative files before they reach the market.

While noting that copyright in Nigeria does not legally require registration, she stressed that registering one’s work strengthens protection and provides legal presumptions that can be vital in enforcement.

“Whatever you register is presumed to be yours until proven otherwise,” she said, urging creators to invest in copyright knowledge as part of their business strategy.

Other speakers at the webinar reinforced the urgency of protecting Nollywood’s digital assets.

James Omokwe, film director, noted that while streaming platforms have created unprecedented opportunities for visibility and monetisation, they have also opened new vectors for intellectual property theft and unauthorised redistribution.

Solafunmi Laelle, media strategist,  added that audience data, which streaming platforms rely heavily on, will increasingly determine leverage and value in film licensing negotiations.

According to her, creators who lose control of their intellectual property, whether through piracy or unfavourable contracts, also lose access to valuable data that could shape their long-term earnings.

Nky Ofeimun, entertainment lawyer, emphasised the need for creators to understand the contractual implications of ownership, platform exclusivity, and reversion rights.

She noted that many filmmakers still underestimate how quickly digital copies can be illegally duplicated or uploaded once control is lost.

The panelists agreed that as Nollywood deepens its digital footprint, piracy will continue to evolve and become more sophisticated.

They stressed that the industry must respond with equally sophisticated tools, stronger contract negotiation, and improved education around copyright.


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Four Must-Watch African Films Debut Free on Glo TV

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Globacom, just introduced four brand new movies on its premium entertainment platform, Glo TV, and they are completely free for all subscribers. The company says the release marks another major step in its mission to enrich digital entertainment for millions of viewers across the country.

In a statement from Lagos on Wednesday, Globacom explained that the new titles feature some of Africa’s most celebrated actors and filmmakers, offering a colorful mix of romance, comedy, drama, culture, and emotional storytelling. The lineup includes Johnny Just Come (JJC), Eko Vibes, Bound, and Shifting Desire.

“Each of these movies was chosen to spotlight diverse African stories while delivering world class entertainment unavailable in cinemas, on YouTube, or on any other streaming service. Viewers do not need any subscription or extra payment. Access is completely free,” the company said.

Leading the pack is Shifting Desire, featuring Lilian Afegbai and veteran actor Majid Michel. The film is a gripping romantic drama that dives into marriage, intimacy, betrayal, healing, and the emotional journey of a couple using therapy to rebuild trust. Shifting Desire premiered on Glo TV on December 2 and is already streaming for free.

Johnny Just Come (JJC), starring Patience Ozokwor and Nancy Isime, delivers a hilarious cultural crossover story about an American man trying to navigate love and marriage in an African household. The movie explores themes of identity, family, culture, and coexistence in a warm and relatable way.

The third title, Bound, starring Rita Dominic and Eyinna Nwigwe, is a thought-provoking family drama that follows a successful career woman confronting long hidden personal struggles and the impact on her relationship. The film showcases powerful performances from some of Nollywood’s finest.

Rounding out the collection is Eko Vibes, featuring Broda Shaggi, Josh2Funny, and Nkechi Blessing. The movie captures the energy and hustle of Lagos youth culture, spotlighting ambition, humor, and the vibrant spirit of young people chasing success in the city.

Globacom noted that the new releases reinforce its commitment to delivering original African content at the highest quality. “With these exclusive titles, Glo TV is redefining digital entertainment in Nigeria by offering fresh, premium movies not available anywhere else. We remain committed to growing our catalog with rich African stories that celebrate creativity at its best,” the company added.


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Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

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A new study, conducted by pan-African organisation, Paradigm Initiative (PIN), warns of an alarming surge in the prevalence of Technology-Facilitated Gender-Based violence, with 67 percent of respondents being victims of at least one or multiple forms of digital violence.

Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

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Released on International Human Rights Day, the research exposes deep systemic failures, weak accountability, and unsafe online spaces driving a rapidly escalating epidemic across Cameroon, Kenya, Nigeria, Senegal, Zambia, and Zimbabwe.

PIN recognises that this gap limits both the understanding of TFGBV and the development of effective solutions. In response, this study adopts a survivor-centred approach that reframes how TFGBV is researched, discussed, and addressed. By prioritising survivors’ perspectives, the research uncovers the emotional, social, and systemic dimensions of digital violence that formal reports and statistics often obscure. It also interrogates how survivors navigate reporting systems, access justice, and play an informed role in digital spaces that are frequently hostile or unsafe.

A key finding of the study is that young people are disproportionately affected, with those aged 18–34 constituting the vast majority of survivors. Most incidents of TFGBV occurred on Facebook, WhatsApp, and X (formerly Twitter), underscoring how mainstream social media platforms continue to function as structurally unsafe spaces for many users—particularly women, activists, and advocates.

“Victims’ experiences range from sexual harassment, threats, and misogynistic attacks to severe violations such as stalking, non-consensual image sharing, hacking, sextortion, and identity-based harassment,” the report notes. “Personal testimonies reveal profound emotional, psychological, and reputational harm.”

The study also highlights that formal systems such as the police, employers, and public institutions, remain underutilised, largely due to fear, mistrust, or an expectation of inaction. While the findings expose wide-ranging gaps across platforms, institutions, and legal frameworks, they also highlight survivors’ resilience and their continued efforts to seek safer digital environments.

In light of these findings, PIN calls for urgent action to make online spaces safer for everyone, in line with this year’s Human Rights Day theme, “Human Rights, our everyday essentials.” Addressing these systemic gaps is critical to advancing democratic engagement, promoting media pluralism, fostering digital inclusion, and achieving gender equality across Africa.


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