Broadcasting
Lágbájá Hits Project Fame Season 3
Lagbaja, the masked one was at the Project fame Academy last week and mentored contestants in the Academy before moving on to perform as a guest artiste and judge at the weekend.
His mask and name symbolize the faceless and the voiceless in the society, particularly in Africa. His stage name Lágbájá means ‘somebody, everybody and nobody in particular’. His anonymity and elaborate costumes invoke the ancient tradition of Yoruba Egungun (ancestral) masquerades.
Lágbájá’s music continues to fascinate with its unique focus on a core of African drums and the use of the saxophone. The groovy fusion of his music has been referred to as afro jazz, afro beat, highlife and afro pop, but he himself has christened the music Africano, alluding mostly to the central role of African drums and grooves in his music.
He is fast emerging in the forefront of contemporary African music, rich in the traditions of the continent while cosmopolitan in attitude. He is a multi award winning musician and has taken his music beyond the shores of Nigeria, performing in festivals and venues around the world.
There was so much excitement in the air as all the contestants were set to perform different African songs by celebrated legends. The contestants looked regal and the hosts were not left out either, Adora and Benjamin looked gorgeous. The masked man ‘LAGBAJA’ himself was a guest judge. In addition he had visited and mentored the contestants in the Academy earlier in the week.
Akwa-ibom dude, Eyo opened the floor with the Legendary Fela’s ‘Lady’. It was a good performance that earned Lagbaja’s commendation. The Faculty liked the humour as he delivered the song.
Shehu wowed everyone as he performed ‘Coolu Temper’ by Lagbaja. His costume replicated Lagbaja’s characteristic look. At the end of the performance, he got a standing ovation. Shehu has stepped up his game. The Judges actually told him to take a bow after his wonderful performance.
Next was Joecelia, she did a very good rendition of Mariam Makeba’s ‘I shall sing’. Monica gorgeously dressed in her green and white attire sang ‘Nigeria go survive’ by Veno. Kesse, the guy with the ‘Ghanaian Swagger’, performed ‘Dambebi’ by Ofori Amponsah. He wowed the audience with this Ghanaian love song.
Small but Mighty Chidinma sang Mariam Makeba’s ‘Ipi Tombia’ with less movement but with a lot of energy. Rhoda was not laid back at all with her performance. With elegance and energy, she excellently delivered Yvonne Chaka Chaka’s ‘I’m burning up’. Helen sang ‘Taxi driver’ by Mandy Brown. Vwede was not left out in the race; he performed Mike Okri’s ‘Rhumba dance’. Tolu was the man of the night. With Fela’s characteristic attitude and great costume, he performed ‘PALAVA’. A standing ovation from the Judges, Faculty and the entire audience was awarded to Tolu for this fantastic performance. Adebola performed ‘Thank you Mr. DJ’ by ‘Yvonne Chaka Chaka’. Yetunde, with her superstar attitude raised the bar as she dramatically delivered Angelique Kidjo’s ‘Wombo Lombo’.
Christian performed ‘Wo Se Keta A Bae Mu’ by Daddy Lumba. He blew everyone away with this daring performance of a love song. Ochuko wrapped up the evening’s performance with Lagbaja’s ‘Konko Below’. It was a beautiful performance, Lagbaja was very impressed with his performance, and he commended Ochuko for a job well-done.
Finally, Lagbaja got the entire studio audience on their feet with his fantastic performance of ‘Nothing for You’ and ‘Skentele Skontolo’.
Broadcasting
Court Stops NBC From Punishing Broadcasters over On-Air Opinions

A Federal High Court in Lagos has restrained the National Broadcasting Commission (NBC) from sanctioning or punishing broadcast stations and presenters over the expression of personal opinions, alleged bullying of guests, or failure to maintain neutrality on air.

NBC
Justice Daniel Osiagor granted the interim injunction following an ex parte application filed by the Socio-Economic Rights and Accountability Project (SERAP) and the Nigerian Guild of Editors (NGE).
The court specifically restrained the NBC, its officers, agents and affiliated persons from enforcing its recently issued “Formal Notice” or imposing sanctions, fines or penalties on broadcasters based on provisions of the 6th Edition of the Nigeria Broadcasting Code, pending the hearing and determination of the substantive suit.
SERAP and NGE had approached the court to challenge what they described as an arbitrary and unlawful move by the commission to punish broadcasters for allegedly expressing personal opinions as facts, bullying or intimidating guests, or failing to maintain neutrality during programmes.
The groups also asked the court to determine whether the provisions of the Nigeria Broadcasting Code relied upon by NBC were inconsistent with the 1999 Constitution, as amended, and Nigeria’s international human rights obligations.
The suit followed an April statement by the NBC in which it raised concerns over what it described as increasing violations of the broadcasting code across news, current affairs and political programmes.
The commission had warned that presenters who expressed personal opinions as facts or bullied guests during live broadcasts would be sanctioned.
However, Justice Osiagor, in his ruling, held that pending the hearing of the substantive matter, the commission must refrain from using the formal notice to threaten, sanction or punish broadcast organisations and on-air personalities under the contested code provisions.
The matter was adjourned until June 1, 2026, for hearing of the motion on notice.
Broadcasting
EFCC Drags Metro Digital to Court over Alleged Illegal Access to Multichoice Signals

Economic and Financial Crimes Commission (EFCC) has arraigned Metro Digital Limited before a Federal High Court in Port Harcourt over alleged cybercrime and unlawful interception and rebroadcast of content belonging to Multichoice Nigeria.

Metro Digital
The company was arraigned before Justice A.T. Mohammed on an amended four-count charge bordering on cybercrime-related offences and alleged illegal rebroadcast of protected broadcast content.
According to a statement issued on Wednesday by EFCC’s Head of Media and Publicity, Dele Oyewale, the prosecution counsel, Steve E. Odiase, informed the court that the matter was scheduled for arraignment.
However, defence counsel, S.A. Somairi (SAN), reportedly attempted to halt the proceedings by drawing the court’s attention to a pending preliminary objection.
The judge, however, declined the request and ordered that the plea be taken in line with Section 478 of the Administration of Criminal Justice Act (ACJA), 2015, which allows a corporation to enter a plea in writing through its representative.
One of the charges alleged that Metro Digital Limited, alongside its Managing Director, Ifeanyi John Nwafor, and a staff member, Ikenna Kanu, both said to be at large, conspired between 2015 and 2019 to unlawfully intercept and rebroadcast protected broadcast signals in Port Harcourt, Rivers.
Another charge alleged that the defendants intentionally and without authorisation intercepted and rebroadcast broadcast signals and devices, including tiger boxes and dongles, over which Multichoice Nigeria holds exclusive rights in Sub-Saharan Africa.
The anti-graft agency said investigations into the matter began in 2019 after Multichoice petitioned the commission, alleging that the illegal rebroadcast of its content caused significant financial losses.
Metro Digital Limited, through its representative, pleaded not guilty to all four charges.
Following the plea, prosecution counsel prayed the court to fix a date for trial.
Justice Mohammed subsequently adjourned the case until June 29 and June 30, 2026, for continuation of trial.
Broadcasting
ipNX Powers SPAN’s Queen Esther Musical

ipNX, one of Nigeria’s telecommunications and connectivity providers, successfully powered the Queen Esther Musical, presented by the Society for the Performing Arts in Nigeria (SPAN), reinforcing its role as a key enabler of innovation across industries through reliable, high-speed connectivity.

Held at Guiding Light Assembly, Parkview, Ikoyi recently, the Queen Esther Musical delivered a captivating blend of music, drama, and visual storytelling to a packed audience. Behind the scenes, ipNX’s advanced fiber-optic infrastructure played a critical role in ensuring seamless execution, supporting the production’s extensive technical requirements, from synchronized audiovisual systems to real-time digital enhancements that enriched the overall experience for the audience within the auditorium and on digital platforms.
As sophisticated technology integrates into live performances, the demand for stable, high-capacity bandwidth to deliver this experience to online audiences has become essential. ipNX provided technical support, delivering uninterrupted connectivity that enabled production teams to coordinate effectively and execute a technically complex show without disruption. The event served as a powerful demonstration of how telecommunications infrastructure can elevate creative expression and redefine audience engagement.
“Our involvement in the Queen Esther Musical reflects our commitment to powering experiences that matter,” said Akintunde Taiwo, Head of Sales, ipNX Retail. “This production broadcast required precision, speed, and reliability, all of which our network is designed to deliver. Beyond telecoms, we see ourselves as partners in progress across sectors, and this collaboration with SPAN highlights how our solutions can seamlessly support the creative industry just as effectively as we do small enterprises and critical services.”
For SPAN, the partnership translated into a production that fully leveraged technology to enhance storytelling and audience immersion.
“We were proud to collaborate with ipNX on the Queen Esther Musical,” said Sarah Boulous, Founder of SPAN. “The scale and ambition of this production required a technology partner we could rely on completely as we wanted audience to enjoy seamless streaming on the Zaia app. ipNX delivered exceptional bandwidth and stability, allowing us to integrate digital elements seamlessly and create a truly memorable experience. Their support played a significant role in bringing our creative vision to life.”
The Queen Esther Musical not only entertained but also illustrated the growing intersection between technology and the arts in Nigeria. ipNX’s role in powering the event highlights its broader mission to connect people, ideas, and industries and ensure that innovation is supported by infrastructure capable of meeting modern demands.
By bridging connectivity and creativity, ipNX continues to demonstrate that its impact extends far beyond traditional telecommunications, positioning the company as a trusted partner in shaping experiences across Nigeria’s evolving economic and cultural landscape.
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