Broadcasting
MultiChoice in Trouble as FG Issues Quit Notice to DSTv, Others

The Federal Government may have notified the management of MultiChoice DSTV/GOTV that their operations, in Nigeria, will come to an end in 2019 as their license expires June next year.
According to a letter to that effect by the National Broadcasting Corporation(NBC), the license issued to them in 2014 by NBC will not be renewed because it was not in line with Digital Switch Over (DSO) White Paper.
Modibo Ishaq Kawu, director general, National Broadcasting Corporation (NBC), recently disclosed that all paid DTT operators including DSTV, GOTV and Star Times will be shut down by June 2019 unless they begin discussions with the two signal distributors, ITS and Pinnacle.

Elsewhere, the broadcast giant was also fined $14 million in South Africa for price fixing in Nigeria with the aid of Emeka Mbah, former NBC director general.
Speaking at a press conference in Abuja on Thursday, Kawu said that in preparation for full implementation of switch over from analogue to digital signals, all operators in the sector including signal distributors, content aggregator, Set top Box manufacturers ought to be on the same page now, to help in delivering a seamless Digital Switch Over (DSO).

The NBC boss also said in line with a Federal Government White paper, Multichoice who are the owners of DSTV and GOTV as well as Star Times owned by the Nigerian Television Authority (NTA) will no longer be able to operate as both signal distributor and content provider.
He said: “NBC has also informed the pay DTT operators, GOTV and NTA/STAR TIMES, to begin discussions with the two signal distributors, ITS and Pinnacle Communications.
“This is because, in line with the Government White Paper on the Transition from Analogue to Digital Broadcasting, after June 2019, these pay DTT operators would no longer be licenced to operate as both content providers and signal distributors”.
Kawu further explained that DSO has been implemented in two mores states of Kaduna and Kwara at the end of 2017, bringing the number of states on DSO to four with FCT and Plateau topping the list.
He informed that NBC has already scheduled Monday, February 12, 2018 to switch on Enugu Atate while February 23 has been affirmed for Osun State just as Delta and Gombe states will be the next.
Kawu, who gave a schedule of the planned DSO, stated that the next phase will include one state from each of the six geo-political regions, during this year, 2018.
“We envisage that by the end of the third quarter of 2018, we would have switched on in 12 states around Nigeria,” he assured.
The NBC boss also commended stakeholders in the implementation process for their resolve to work together.
He said that at a retreat in Uyo, Akwa Ibom State capital, players in the sector were made to appreciate each others responsibility and a clear role was carved out for each player to guarantee a seamless transition in the DSO eco-system.
“We have also consciously delineated revenue streams for all players, an issue which was the basis for some of the rancour that existed before. The broadcasters, signal distributors, content aggregator, Set top Box manufacturers are all on the same page now, to help strengthen the work of delivering the DSO.
“Similarly, we are going to also begin a phased Analogue Switch Off (ASO), in Plateau State and the FCT, by the end of the First Quarter of 2018. “And as part of acceleration of the work, we have commenced the digital mapping of Nigeria. It is a process that would help to give clarity to the entire DSO process,” he added.
Kawu also stated that NBC has submitted a long list of new radio and television stations to President Muhammadu Buhari for presidential assent.
He said, “The President has always been encouraging the NBC to open up accesses for Nigerians to be able to register newer radio and television stations, because of his belief that they help to deepen democratic discourse, while also helping to create new jobs through the broadcasting value chain.”
He urged broadcasters to use their medium to promote democratic ethos and discourage hate speeches as election year approaches and to be moderate in their reportage of sensitive national issues.
“Broadcasters are reminded that they have a duty to respect all extant laws related to the reportage and coverage of the electoral process. Don’t broadcast campaigns when the period for commencement of campaigns have not commenced.
In South Africa, MultiChoice’s DStv has been fined $14 million for price fixing after being found guilty by South Africa’s Competition Commission to have contravened the country’s Competition Act in relation to “price fixing and fixing of trading conditions”.
The company whose largest market is in Nigeria where it has been in operation for about 22 years has been in the news for ripping Nigerians off with its inflexible subscription conditions and unfriendly quality of service (QoS) which could be attributed to its monopolistic status in the Nigerian market.
The House of Representatives had in April, 2017 instructed its Committee on Information, National Orientation, Ethics and Values to investigate Multichoice Nigeria’s ‘exorbitant charges’ for its DStv and GOtv packages.
Broadcasting
NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

Nigerian Copyright Commission (NCC) has called for urgent adoption of advanced digital protections after blocking seven piracy sites amid escalating online threats to Nollywood content.

The call was made during a webinar hosted by Greychapel Legal titled “Clicks, Streams, and Copyright: Who Owns Nollywood’s Digital Future?”, which brought together filmmakers, regulators, entertainment lawyers and media strategists to examine how content ownership and copyright enforcement are being reshaped by the digital age.
Lynda Alphaeus, director and head of the NCC Lagos Office, said the Commission has intensified its efforts to combat piracy across digital channels and is upgrading its operations to meet emerging threats.
According to her, Nigeria’s new Copyright Act was deliberately updated to strengthen creators’ rights amid the explosion of online distribution.
“NCC has worked, and is still working tirelessly to adapt Nigeria’s legal framework to cope with digital distribution challenges. We now have the power to block networks publishing illegal content, and we have already blocked seven websites distributing pirated Nigerian works,” Alphaeus said.
She revealed that the Commission has established a special taskforce known as the STOP Unit to coordinate anti-piracy operations online, alongside new awareness campaigns targeting local markets and schools to educate content creators and the public on copyright obligations.
Alphaeus urged filmmakers and producers to take ownership of their digital safety by deploying available technological protections to safeguard their intellectual property.
She explained that tools such as encryption help prevent unauthorised copying, blockchain technology offers immutable proof of ownership, digital watermarking allows creators to trace illegal uploads, while cloud security and regular offline backups protect creative files before they reach the market.
While noting that copyright in Nigeria does not legally require registration, she stressed that registering one’s work strengthens protection and provides legal presumptions that can be vital in enforcement.
“Whatever you register is presumed to be yours until proven otherwise,” she said, urging creators to invest in copyright knowledge as part of their business strategy.
Other speakers at the webinar reinforced the urgency of protecting Nollywood’s digital assets.
James Omokwe, film director, noted that while streaming platforms have created unprecedented opportunities for visibility and monetisation, they have also opened new vectors for intellectual property theft and unauthorised redistribution.
Solafunmi Laelle, media strategist, added that audience data, which streaming platforms rely heavily on, will increasingly determine leverage and value in film licensing negotiations.
According to her, creators who lose control of their intellectual property, whether through piracy or unfavourable contracts, also lose access to valuable data that could shape their long-term earnings.
Nky Ofeimun, entertainment lawyer, emphasised the need for creators to understand the contractual implications of ownership, platform exclusivity, and reversion rights.
She noted that many filmmakers still underestimate how quickly digital copies can be illegally duplicated or uploaded once control is lost.
The panelists agreed that as Nollywood deepens its digital footprint, piracy will continue to evolve and become more sophisticated.
They stressed that the industry must respond with equally sophisticated tools, stronger contract negotiation, and improved education around copyright.
Broadcasting
Four Must-Watch African Films Debut Free on Glo TV

Globacom, just introduced four brand new movies on its premium entertainment platform, Glo TV, and they are completely free for all subscribers. The company says the release marks another major step in its mission to enrich digital entertainment for millions of viewers across the country.

In a statement from Lagos on Wednesday, Globacom explained that the new titles feature some of Africa’s most celebrated actors and filmmakers, offering a colorful mix of romance, comedy, drama, culture, and emotional storytelling. The lineup includes Johnny Just Come (JJC), Eko Vibes, Bound, and Shifting Desire.
“Each of these movies was chosen to spotlight diverse African stories while delivering world class entertainment unavailable in cinemas, on YouTube, or on any other streaming service. Viewers do not need any subscription or extra payment. Access is completely free,” the company said.
Leading the pack is Shifting Desire, featuring Lilian Afegbai and veteran actor Majid Michel. The film is a gripping romantic drama that dives into marriage, intimacy, betrayal, healing, and the emotional journey of a couple using therapy to rebuild trust. Shifting Desire premiered on Glo TV on December 2 and is already streaming for free.
Johnny Just Come (JJC), starring Patience Ozokwor and Nancy Isime, delivers a hilarious cultural crossover story about an American man trying to navigate love and marriage in an African household. The movie explores themes of identity, family, culture, and coexistence in a warm and relatable way.
The third title, Bound, starring Rita Dominic and Eyinna Nwigwe, is a thought-provoking family drama that follows a successful career woman confronting long hidden personal struggles and the impact on her relationship. The film showcases powerful performances from some of Nollywood’s finest.
Rounding out the collection is Eko Vibes, featuring Broda Shaggi, Josh2Funny, and Nkechi Blessing. The movie captures the energy and hustle of Lagos youth culture, spotlighting ambition, humor, and the vibrant spirit of young people chasing success in the city.
Globacom noted that the new releases reinforce its commitment to delivering original African content at the highest quality. “With these exclusive titles, Glo TV is redefining digital entertainment in Nigeria by offering fresh, premium movies not available anywhere else. We remain committed to growing our catalog with rich African stories that celebrate creativity at its best,” the company added.
Broadcasting
Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

A new study, conducted by pan-African organisation, Paradigm Initiative (PIN), warns of an alarming surge in the prevalence of Technology-Facilitated Gender-Based violence, with 67 percent of respondents being victims of at least one or multiple forms of digital violence.

Online
Released on International Human Rights Day, the research exposes deep systemic failures, weak accountability, and unsafe online spaces driving a rapidly escalating epidemic across Cameroon, Kenya, Nigeria, Senegal, Zambia, and Zimbabwe.
PIN recognises that this gap limits both the understanding of TFGBV and the development of effective solutions. In response, this study adopts a survivor-centred approach that reframes how TFGBV is researched, discussed, and addressed. By prioritising survivors’ perspectives, the research uncovers the emotional, social, and systemic dimensions of digital violence that formal reports and statistics often obscure. It also interrogates how survivors navigate reporting systems, access justice, and play an informed role in digital spaces that are frequently hostile or unsafe.
A key finding of the study is that young people are disproportionately affected, with those aged 18–34 constituting the vast majority of survivors. Most incidents of TFGBV occurred on Facebook, WhatsApp, and X (formerly Twitter), underscoring how mainstream social media platforms continue to function as structurally unsafe spaces for many users—particularly women, activists, and advocates.
“Victims’ experiences range from sexual harassment, threats, and misogynistic attacks to severe violations such as stalking, non-consensual image sharing, hacking, sextortion, and identity-based harassment,” the report notes. “Personal testimonies reveal profound emotional, psychological, and reputational harm.”
The study also highlights that formal systems such as the police, employers, and public institutions, remain underutilised, largely due to fear, mistrust, or an expectation of inaction. While the findings expose wide-ranging gaps across platforms, institutions, and legal frameworks, they also highlight survivors’ resilience and their continued efforts to seek safer digital environments.
In light of these findings, PIN calls for urgent action to make online spaces safer for everyone, in line with this year’s Human Rights Day theme, “Human Rights, our everyday essentials.” Addressing these systemic gaps is critical to advancing democratic engagement, promoting media pluralism, fostering digital inclusion, and achieving gender equality across Africa.
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