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New Dawn for Nigeria’s Film Industry as Alakija, Others Unveil ACF

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Mrs. Folorunsho Alakija
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Efforts towards achieving a global status for the Nigerian film industry has been given a huge boost with the recent unveiling in Lagos of the Africa Cinematography Festival of Training Workshops, Conference and Film Technology Expo, a platform which focuses primarily on capacity-building for budding and professional players.

Nigerian entrepreneur and founding Grand Matron, Africa Cinematography Festival, Mrs. Folorunsho Alakija led other notable personalities among who include Frank Adekunle Edwards, CEO of FMA Productions; Henry Emenike, CEO of Germany-based Legacy Empire Management (LEM); Mrs. Judith Alakija, founding ambassador and Director General, Event Coordination, Africa Cinematography Festival and Sunnie Odafe, Co-founder, Africa Cinematography Festival (ACF) at the unveiling.

Speaking at the unveiling, Mrs. Folorunsho Alakija said that the platform speaks to the Nigerian spirit as well as the yearning of many of our talented men and women who presently appear to have hit the crossroads between their dreams and their realization

Mrs. Alakija also called for the empowerment of the younger generation of the nation’s huge populace as a way of guaranteeing a productive economy.

Her words, “I share the view that the future of a country, nation or people is a direct function of what the younger generation makes of it. This fact, as common a cliché as it may have become in our national discourse, stresses the need to prioritize the empowerment of those within the bracket. Our youths need to be taught life skills and be empowered with adequate capacity required to enable them become major contributors to the economy and society. Achieving this of course, requires strategic participation from players in both the public and private sectors. It is no mean feat, but the reward is greater and this is the satisfaction”.

In her own remarks, Mrs. Judith Alakija who doubles as the project’s founding ambassador and Director General of Events and Coordination, said the platform through its capacity-building role will “champion a departure from the old model of film-making, sound production, light production and entertainment, to a new all-inclusive one that will promote youth entrepreneurship and accord our country a place among the leading nations with a healthy film making and entertainment economy.”

While speaking on the birth of the initiative, the project’s co-founder and chief executive officer of Germany-based Legacy Empire Management (LEM), Henry Emenike described the Africa Cinematography Festival as “a child of necessity” that will put the industry on track for the desired impact.

He regretted that the erosion of trust has resulted in the reluctance of foreign companies to partner with the local players in the area of technical assistance for the development of the industry.

“Through the ACF, we want to provide a platform for trust and partnership between the manufacturers of these equipment and film makers. There is a huge technology gap in our local film production. With the ACF, we are hopeful of bridging this gap by creating a meeting point for both cinematography equipment manufacturers and film makers. The Africa Cinematography Festival envisions a new era and embodies an industry buoyed by technological advancement”, he said.

The maiden Africa Cinematography Training Workshop, Conference and Technology Expo Festival (ACF), is a beneficial training conference and marketing platform for exceptional professional development in filmmaking, film entrepreneurship and networking.

It is designed to be an annual rallying point for all stakeholders in the film economy of Nigeria in particular and Africa at large.

The Festival is expected to provide the platform for the convergence of relevant stakeholders in the film-making industry for the optimization of the inherent potentials and prospects of technological advancement in audiovisual and still productions.

It will feature contemporary issues in filmmaking, networking and business opportunities and the general film economy which have impacted on the works of industry professionals such as film makers, marketers and investors, cinema/studio owners and managers, the organized private sector, government agencies and councils and technical partners.

(L-r): Mrs. Folorunsho Alakija, Africa Cinematography Festival’s founding Grand Matron, making a point during her address with support from Mrs. Judith Alakija, the Festival’s founding Brand Ambassador and Sunnie Odafe, director general, Event Coordination, and co-Founder, at the press conference to unveil the Festival in Lagos, recently.


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Broadcasting

Lebara Nigeria Launches Lebara Play, Africa’s First Telecom-Owned Micro-Drama Platform

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Lebara Nigeria has announced the launch of Lebara Play, described as Africa’s first telecoms-owned micro-drama platform aimed at expanding opportunities for African storytellers and distributing local content to global audiences.

Lebara Nigeria Launches Lebara Play, Africa’s First Telecom-Owned Micro-Drama Platform

The company said the platform is designed to support creators by providing a new distribution channel for African narratives while making content accessible to both subscribers and non-subscribers worldwide.

Lebara Nigeria added that the platform will debut with an original production titled Imported Bahu, produced by Forever 7 and starring Osas Ighodaro.

The project is directed by Hamisha Daryani Ahuja, known for her work on Namaste Wahala, and is positioned as the first in a series of original content offerings.

According to the company, Lebara Play is built to serve both creators and audiences, with a focus on showcasing African stories to a global market and strengthening the continent’s growing digital entertainment ecosystem.

Speaking on the company’s vision at the launch, Teniola Stuffman, chief executive officer, Lebara Nigeria, said the organisation was focused on building a telecommunications ecosystem that combined innovation, connectivity, and customer-centric digital experiences.

Stuffman said, “This platform represents an important step in our vision of building a telecommunications brand that delivers more than connectivity. We are creating an ecosystem where technology, innovation, and entertainment come together to provide meaningful experiences for customers while unlocking new opportunities for creative talent and content development across Africa.”

Beyond entertainment, she said, industry stakeholders believed the initiative demonstrated how global telecommunications expertise could be adapted to local market realities.

“Drawing from decades of experience across multiple international markets, Lebara is expected to introduce additional innovative services aimed at enhancing convenience, engagement, and value for Nigerian consumers,” she said.

Stuffman added that the company’s strategy reflected growing recognition that today’s telecom customers demanded more than network access, pointing out that consumers increasingly seek brands that offer seamless digital experiences, personalised services, and access to content that enriches everyday life.

Stuffman stated that LebaraPlay also aligned with the company’s commitment to supporting Africa’s creative economy by creating new distribution channels for content creators, producers, and digital storytellers.

“Through a combination of original productions and strategic partnerships, the platform seeks to create opportunities for talent while delivering quality entertainment to audiences,” she said.

Hamisha Daryani, founder of Forever7 Entertainment, expressed excitement over the partnership with Lebara Nigeria and the premiere of her latest micro-drama series on the LebaraPlay platform.

She stated that Lebara’s customer-centric vision aligns closely with the values of Forever7 Entertainment, making the collaboration a natural fit for both organisations.

Daryani revealed that the new microdrama featured a star-studded cast drawn from both Bollywood and Nollywood, in a compelling romantic story designed specifically for mobile audiences.

According to her, the production is developed with mobile-first consumers in mind, delivering premium entertainment in short, engaging formats at an affordable cost.

“Microdrama, which typically consists of short episodes of about three minutes, is redefining how audiences consume entertainment. It offers a convenient, immersive, and affordable viewing experience for people who increasingly access content through their mobile devices,” she said.

She added that the platform was created to support seamless creative expression while providing new opportunities for content creators across the continent.

Daryani further explained that the microdrama format has already achieved significant success in Asia and the Americas and is now gaining traction across Africa.

She said the initiative would create opportunities for emerging creatives through knowledge sharing, skills development, content curation, and industry collaboration, with the Nigerian rollout of the featured series expected to commence in July.

 


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CANAL+ Partners Samsung to Pre-Load DStv Stream on New Samsung TVs In Nigeria, Other African Countries

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Following an expanded partnership between CANAL+ and Samsung Electronics, the DStv Stream app will now be pre-installed on new Samsung Smart TVs sold in Nigeria and 17 other African countries.

The agreement covers English and Portuguese-speaking African markets, including Nigeria, Kenya, Angola, Tanzania, Uganda, Zambia, Zimbabwe and South Africa. It marks the first pre-installation rollout of a MultiChoice Group streaming application on Samsung Smart TVs.

The development comes after the completion of the combination between CANAL+ and MultiChoice Group. It also extends an existing relationship between both companies that already spans 40 markets across Europe, French-speaking Africa, and Asia.

Through the integration, Samsung customers can now access DStv Stream directly from the television home screen. The app provides access to premium sports and entertainment content, including coverage of the FIFA World Cup 2026, English Premier League football, domestic and international rugby, and local and international television programming.

With the introduction of this connected television which kicked off on June 1, televisions can now connect to the internet, allowing users to stream content directly without requiring a separate decoder or satellite dish. The pre-installation of the app removes the need for users to search for and download it themselves, reducing friction and improving content discoverability.

The rollout is one of the first major distribution initiatives following the integration of CANAL+ and MultiChoice. The combined group has identified streaming growth and enhanced digital distribution as key priorities across Africa, where connected television adoption continues to increase.

David Mignot, CEO of CANAL+ Africa and CEO of MultiChoice Group, affirmed, “We are delighted to extend our longstanding partnership with Samsung across new English and Portuguese-speaking African countries. It marks a significant milestone in the synergies created by the combination of CANAL+ and MultiChoice Group.

“Mignot added, “As viewing habits continue to evolve rapidly across the continent, strengthening the accessibility and discoverability of our content offer on connected devices is key. By expanding the availability of our applications on Samsung Smart TVs across key African markets, we are making it even easier for millions of MultiChoice Group’s subscribers to seamlessly access the content that define the uniqueness of the CANAL+ and MultiChoice Group experience.”

This extended partnership is expected to strengthen Samsung’s position as a key distribution partner for streaming services globally while providing CANAL+ and MultiChoice with a broader route to market as competition intensifies among international and regional streaming platforms across Africa.


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Court Deals Fresh Blow to NBC, Throws Out Appeal over Broadcast Fines

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The Court of Appeal in Abuja has dismissed an appeal filed by the National Broadcasting Commission (NBC) challenging a Federal High Court judgment that restrained the commission from imposing fines on broadcast stations.

Court Deals Fresh Blow to NBC, Throws Out Appeal Over Broadcast Fines

Delivering judgment, Justice Jane Esienanwan Inyang held that the appeal was fundamentally defective and therefore incompetent.

The appeal stemmed from a Jan. 17, 2024 judgment delivered by Justice Rita Ofili-Ajumogobia of the Federal High Court, Abuja, which barred the NBC from enforcing N5 million fines imposed on several broadcast stations in 2022.

The sanctions had been issued over allegations that the stations aired documentaries on banditry and insecurity considered by the commission to be capable of undermining national security.

The affected broadcasters included Multichoice Nigeria Limited, owners of DStv, TelCom Satellite Limited, Trust TV Network Limited and NTA StarTimes Limited.

The suit was instituted by Media Rights Agenda (MRA), which challenged the legality of the fines imposed by the commission.

In her ruling, Justice Inyang pointed to a discrepancy in the appeal documents, noting that the respondent before the Federal High Court was listed as the “National Broadcasting Commission,” while the notice of appeal identified the appellant as the “Nigerian Broadcasting Commission.”

According to the court, the inconsistency was substantial enough to deprive it of the jurisdiction required to entertain the appeal.

“The notice of appeal is the foundation of an appeal and a condition precedent to the exercise of appellate jurisdiction by this court,” the judge held.

Consequently, the appeal was struck out without consideration of the substantive issues raised by the commission.

The ruling represents another setback for the NBC in its efforts to defend its authority to sanction broadcast organisations through administrative fines.

In April 2026, the Court of Appeal similarly dismissed a separate appeal by the commission against another judgment that restricted its powers to impose fines on broadcasters.

Earlier, in May 2023, the Federal High Court in Abuja ruled that the NBC lacked the judicial authority to impose penalties on media organisations without recourse to the courts.

The controversy over the commission’s sanctioning powers dates back to March 2019 when the NBC imposed N500,000 fines on 45 broadcast stations for alleged violations of the Nigerian Broadcasting Code during the general elections.

At the time, the then Director-General of the commission, Is’haq Kawu, said the sanctions were imposed for ethical breaches and violations of broadcasting regulations.

Legal analysts say the latest judgment reinforces previous court decisions limiting the commission’s authority to impose fines on broadcasters without judicial intervention.


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