Broadcasting
Pay TV Subscribers Call for Pay Per View Technology

Pay TV subscribers in Nigeria have appealed to the relevant regulatory bodies in the nation’s broadcast industry to compel Pay TV operators in the country to introduce the Pay As You View option to enable them get services commensurate with what they pay, according to Tribune Business.
A survey carried out among a cross- section of subscribers in the country revealed that while a negligible few still prefer the present arrangement of a monthly subscription, majority of the subscribers see the Pay As You View option as the best for them in a country, with a huge infrastructure gap like Nigeria.
For instance, the issue of erratic power supply and the viewing challenge usually associated with bad weather, they argued, had made the Pay As You View option imperative.
The Pay TV option enables the subscriber to pay for the exact number of hours such subscribers spend watching a programme on a Pay Tv channel.
A subscriber with one of the oldest Pay TV platforms in the country, Felix Ayedun, believes the Pay As You View (PAYV) option remains the best option for subscribers in this part of the globe.
“What I see in the present arrangement is that, it is not mutually beneficial. It is an arrangement that benefits only the service providers and not the service consumers.
“Otherwise, how do you explain a situation where you have to pay for a service you never really enjoy? Sometimes you do not view these things for a couple of days, but once your subscription is on, you are paying. Why not toe the telecoms line? Before, telecoms services used to be post paid and when the reforms in that sector took place, some of the operators ganged up to insist on payment per minute, even when it was apparent that sometimes the talk time was not even half of a minute. It only took competition to break the gang up against subscribers then,” he argued.
Felix believes until the nation’s broadcast industry is fully liberalised and investors are encouraged, such kind of exploitation would not be put to a halt.
For London-based Leye, who has been having a running battle with his Pay TV service provider, if introduced, the PAYV option would further drive customer traffic to that industry.
He argued that a lot of Nigerians, especially those based outside the country, shied away from subscribing to Pay TV offerings since they believed they would not get services commensurate to what they were paying as subscriptions.
“For instance, if you are sure you can always continue your viewing from where you stopped the last time you were in Nigeria, you would want to subscribe, even if you are not based in Nigeria,” he agued.
However, Rahmon Olopade’s argument for preferring the Pay TV option is slightly different. He is also one of the subscribers to the oldest Pay TV platform in the country. But, since he relocated to a new area, he no longer enjoys the luxury of public power supply. He generates his own power and only uses this at night for just a few hours.
“I have temporarily suspended my subscription, not because I no longer enjoy the services, but because I consider it a huge waste of resources to subscribe to a service that you would only be able to enjoy for a few hours in a day,” he argued.
Olopade believes all these would have been taken care of if the Pay TV option had been available.
Curiously, subscribers clamouring for this payment option will have to wait a little bit longer as the Tribune Business checks with some of these Pay TV service providers revealed that plans to introduce such payment option are not in the offing yet.
“No such plans yet. The clamour has been on for a long time, but I don’t think the industry is ripe for that yet,” replied a staff of one of the Pay TV service providers who would not want his name in print.
While giving reasons it should not be introduced in the country yet, another staff in the corporate affairs department of foremost Pay TV service providers in the country argued that the introduction of the PAYV option might not necessarily translate to cheaper rates.
“For instance, sometimes they pay as much as $50 to watch very important tournaments such as title fights in countries where subscribers enjoy such options. And to think that this is even more than what some subscribers here pay for a month is another thing entirely,” he stated.
Broadcasting
Court Stops NBC From Punishing Broadcasters over On-Air Opinions

A Federal High Court in Lagos has restrained the National Broadcasting Commission (NBC) from sanctioning or punishing broadcast stations and presenters over the expression of personal opinions, alleged bullying of guests, or failure to maintain neutrality on air.

NBC
Justice Daniel Osiagor granted the interim injunction following an ex parte application filed by the Socio-Economic Rights and Accountability Project (SERAP) and the Nigerian Guild of Editors (NGE).
The court specifically restrained the NBC, its officers, agents and affiliated persons from enforcing its recently issued “Formal Notice” or imposing sanctions, fines or penalties on broadcasters based on provisions of the 6th Edition of the Nigeria Broadcasting Code, pending the hearing and determination of the substantive suit.
SERAP and NGE had approached the court to challenge what they described as an arbitrary and unlawful move by the commission to punish broadcasters for allegedly expressing personal opinions as facts, bullying or intimidating guests, or failing to maintain neutrality during programmes.
The groups also asked the court to determine whether the provisions of the Nigeria Broadcasting Code relied upon by NBC were inconsistent with the 1999 Constitution, as amended, and Nigeria’s international human rights obligations.
The suit followed an April statement by the NBC in which it raised concerns over what it described as increasing violations of the broadcasting code across news, current affairs and political programmes.
The commission had warned that presenters who expressed personal opinions as facts or bullied guests during live broadcasts would be sanctioned.
However, Justice Osiagor, in his ruling, held that pending the hearing of the substantive matter, the commission must refrain from using the formal notice to threaten, sanction or punish broadcast organisations and on-air personalities under the contested code provisions.
The matter was adjourned until June 1, 2026, for hearing of the motion on notice.
Broadcasting
EFCC Drags Metro Digital to Court over Alleged Illegal Access to Multichoice Signals

Economic and Financial Crimes Commission (EFCC) has arraigned Metro Digital Limited before a Federal High Court in Port Harcourt over alleged cybercrime and unlawful interception and rebroadcast of content belonging to Multichoice Nigeria.

Metro Digital
The company was arraigned before Justice A.T. Mohammed on an amended four-count charge bordering on cybercrime-related offences and alleged illegal rebroadcast of protected broadcast content.
According to a statement issued on Wednesday by EFCC’s Head of Media and Publicity, Dele Oyewale, the prosecution counsel, Steve E. Odiase, informed the court that the matter was scheduled for arraignment.
However, defence counsel, S.A. Somairi (SAN), reportedly attempted to halt the proceedings by drawing the court’s attention to a pending preliminary objection.
The judge, however, declined the request and ordered that the plea be taken in line with Section 478 of the Administration of Criminal Justice Act (ACJA), 2015, which allows a corporation to enter a plea in writing through its representative.
One of the charges alleged that Metro Digital Limited, alongside its Managing Director, Ifeanyi John Nwafor, and a staff member, Ikenna Kanu, both said to be at large, conspired between 2015 and 2019 to unlawfully intercept and rebroadcast protected broadcast signals in Port Harcourt, Rivers.
Another charge alleged that the defendants intentionally and without authorisation intercepted and rebroadcast broadcast signals and devices, including tiger boxes and dongles, over which Multichoice Nigeria holds exclusive rights in Sub-Saharan Africa.
The anti-graft agency said investigations into the matter began in 2019 after Multichoice petitioned the commission, alleging that the illegal rebroadcast of its content caused significant financial losses.
Metro Digital Limited, through its representative, pleaded not guilty to all four charges.
Following the plea, prosecution counsel prayed the court to fix a date for trial.
Justice Mohammed subsequently adjourned the case until June 29 and June 30, 2026, for continuation of trial.
Broadcasting
ipNX Powers SPAN’s Queen Esther Musical

ipNX, one of Nigeria’s telecommunications and connectivity providers, successfully powered the Queen Esther Musical, presented by the Society for the Performing Arts in Nigeria (SPAN), reinforcing its role as a key enabler of innovation across industries through reliable, high-speed connectivity.

Held at Guiding Light Assembly, Parkview, Ikoyi recently, the Queen Esther Musical delivered a captivating blend of music, drama, and visual storytelling to a packed audience. Behind the scenes, ipNX’s advanced fiber-optic infrastructure played a critical role in ensuring seamless execution, supporting the production’s extensive technical requirements, from synchronized audiovisual systems to real-time digital enhancements that enriched the overall experience for the audience within the auditorium and on digital platforms.
As sophisticated technology integrates into live performances, the demand for stable, high-capacity bandwidth to deliver this experience to online audiences has become essential. ipNX provided technical support, delivering uninterrupted connectivity that enabled production teams to coordinate effectively and execute a technically complex show without disruption. The event served as a powerful demonstration of how telecommunications infrastructure can elevate creative expression and redefine audience engagement.
“Our involvement in the Queen Esther Musical reflects our commitment to powering experiences that matter,” said Akintunde Taiwo, Head of Sales, ipNX Retail. “This production broadcast required precision, speed, and reliability, all of which our network is designed to deliver. Beyond telecoms, we see ourselves as partners in progress across sectors, and this collaboration with SPAN highlights how our solutions can seamlessly support the creative industry just as effectively as we do small enterprises and critical services.”
For SPAN, the partnership translated into a production that fully leveraged technology to enhance storytelling and audience immersion.
“We were proud to collaborate with ipNX on the Queen Esther Musical,” said Sarah Boulous, Founder of SPAN. “The scale and ambition of this production required a technology partner we could rely on completely as we wanted audience to enjoy seamless streaming on the Zaia app. ipNX delivered exceptional bandwidth and stability, allowing us to integrate digital elements seamlessly and create a truly memorable experience. Their support played a significant role in bringing our creative vision to life.”
The Queen Esther Musical not only entertained but also illustrated the growing intersection between technology and the arts in Nigeria. ipNX’s role in powering the event highlights its broader mission to connect people, ideas, and industries and ensure that innovation is supported by infrastructure capable of meeting modern demands.
By bridging connectivity and creativity, ipNX continues to demonstrate that its impact extends far beyond traditional telecommunications, positioning the company as a trusted partner in shaping experiences across Nigeria’s evolving economic and cultural landscape.
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