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PMAN Alleges Secret Repeal, Reenactment of Copyright Act

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Performing Musicians’ Employers Association of Nigeria (PMAN) has kicked against the speed and secrecy shrouding the repeal and re-enactment of the Copyright Act 2004.

PMAN Alleges Secret Repeal, Reenactment of Copyright Act

Pretty Okafor, president, PMAN in a said that the process to repeal the Act and re-enact a new one without consulting notable groups and associations in the creative industry had confounded all expectations.

“Recently, the media was agog with the news that the Bill to repeal and re-enact the Copyright Act 2004/2021 has passed second reading on the floor of the Senate. On hearing the news, PMAN contacted notable groups and associations in the creative industry, particularly the Musical Copyright Society of Nigeria (MCSN) and Directors’ Guild of Nigeria (DGN), all of which denied any knowledge of the Bill and its contents. We then became very apprehensive that some sinister motives are at play to halt and reverse the progress already made in the field of copyright administration and enforcement.

“PMAN immediately wrote a formal letter to the Senate President, joint Chairmen of Senate Committees on Judiciary, Human Rights and Legal Matters and Trade and Investments, Senate Majority Leader, Senate Minority Leader, Senate Chief Whip among others to express our concern over a Bill that touches upon the livelihood and constitutional rights of Nigerian without their knowledge or input. PMAN’s simple request was that it should be availed of a copy of the Bill to at least know what it contains, and if necessary, make input.

“PMAN did not stop there; we wrote a letter to the sponsor of the Bill, Senator Adetokunbo Abiru, expressing the same concern and requesting the distinguished Senator to recall the Bill for stakeholders’ consideration. We received a very nice and swift reply from Senator Abiru who advised us to access the Bill from a link, which he gave as www.nass.gv.ng. From our attempts, we discovered that the link does not exist and we used our initiative to access the National Assembly website and found that the said Bill was not among the posted Bills pending consideration before the National Assembly (both the Senate and the House of Representatives). We then rightly assumed that we were deliberately sent on a wild goose chase by the distinguished Senator and came to the incontrovertible conclusion that certain forces are pushing the Bill secretly while trying to present the image that the process is open,” he explained.

Okafor said that PMAN has rejected the process in its entirety based on the fact that the sponsor of the Bill, Senator Abiru, is not an author, painter, artist or a musician.

“As far as we know, we are not able to trace any interest to him that could be classified as copyright-related that would make him so interested in pushing a Bill that would affect the lives and constitutional rights of millions of Nigerian stakeholders without their knowledge and input.

We have contacted our allies in other organisations and associations and they expressed the same worries. Some have actually written to the Senate leadership expressing their concerns. Our concern is more fuelled by a recent Public Hearing held on 16th and 17th June, 2021 by the House of Representatives’ Committee on Information, National Orientation, Ethics and Values on the ‘Bill to Repeal the National Film and Video Censor’s Board Act and Enact the National Film and Video Censorship, Classification and Exhibition Regulatory Commission Bill 2019’ in its place. Up till now, stakeholders in the industry are not aware of the Bill and its contents.

“PMAN is stating for the umpteenth time and for the records that the works of our intellect, which consist of literary works, musical works, artistic works, cinematograph films, sound recordings and performances are our private property. They are our constitutional and fundamental human rights. Any attempt to tamper with them with a view to appropriate them for anybody or authority, be it private or public, shall be resisted.”

 


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US invests $115m in counter-drone tech for World Cup security

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US invests $115m in counter-drone tech for World Cup security

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The US Department of Homeland Security (DHS) will invest $115 million in counter-drone technology to safeguard the 2026 FIFA World Cup and events marking America’s 250th independence anniversary, creating a dedicated office for rapid drone system deployment.

Homeland Security Secretary Kristi Noem described drones as “the new frontier of American air superiority,” stressing the need to counter threats from drug cartels using unmanned aircraft for smuggling and surveillance, alongside incidents like a 2025 NFL stadium drone flight and 2024 New Jersey sightings.

The funding supports 11 World Cup host cities expecting over one million visitors, building on FEMA’s $250 million grants to those states and addressing risks heightened by cartels’ advancing tech, including a reported FBI tracking plot in Mexico.

DHS has conducted over 1,500 counter-drone missions since 2018, with the new Program Executive Office accelerating acquisitions amid President Trump’s border security push.


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Youth Talent Takes Center Stage as T2 Ignites High-Octane Rap Battles @ Carnival Calabar

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The energy at the Carnival Calabar Music Concert reached a new high as T2 introduced a first-ever rap battle platform, giving young Nigerians an electrifying stage to showcase their talent, creativity, and self-expression while competing for exciting prizes.

Held at the U.J. Esuene Stadium, the activation blended pulsating music, vibrant culture, and youthful energy into a dynamic celebration that kept thousands of carnival-goers fully engaged from start to finish.

Eight fearless contestants stepped into the spotlight, going bar for bar in an intense lyrical showdown. Rappers fused local languages, pidgin, and sharp punchlines, creatively weaving the T2 brand into their verses.

Anchored by the energetic hosting duo MC Double I and MC Princess, the rap battles thrilled over 16,000 attendees, including the Governor of Cross River State, Senator Bassey Otu, delivering an unforgettable showcase of youth talent and cultural expression.

With prizes including fridges, gas cookers, sound systems, and airtime top-ups, the competition remained fierce throughout the night. After two high-energy rounds narrowed the field to a five-man final duel, Emmanuel Eye emerged as the overall winner, taking home the grand prize — a fridge.

“I never expected this at all,” Emmanuel said. “I came to the concert like anyone else, and hearing about the T2 rap battle was a surprise. When I got the chance to perform, I just went for it. Being named the overall winner is amazing, and I’m grateful to T2 for creating this platform to showcase our talent.”

Beyond the stage performances, T2’s presence added a digital layer to the carnival experience. As part of its role as Digital Technology Partner of Carnival Calabar, the brand introduced the MyT2 App as a lifestyle companion, while also enabling line reactivations, airtime top-ups, and instant rewards for hundreds of attendees, blending technology seamlessly into the live celebration.

Commenting on the activation, Chinelo Manefo, Specialist, Events and Sponsorship at T2, said:

“The energy from both the rappers and the crowd was incredible. This platform reflects exactly what T2 aims to create — a celebration of youth, creativity, and culture, enhanced by technology that connects people and experiences. Seeing the audience so immersed shows how music and performance can empower the next generation.”

The Carnival Calabar Music Concert, headlined by Tiwa Savage, Timaya, and top local performers, was further energized by T2’s interactive rap battle platform. By blending music, culture, youth expression, and digital innovation, T2 reinforced its commitment to championing Nigeria’s next generation, giving young creatives a stage to shine while enriching how they experience the festival.

 


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Aig-Imoukhuede Foundation Wrapped Up 2025 with Real Change in Governance, Health, Media Across Africa

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Aig-Imoukhuede Foundation has announced its 2025 achievements, marking a year of accelerated impact, systemic reforms and innovation in public leadership and service delivery across Africa.

Aig-Imoukhuede Foundation Wrapped Up 2025 with Real Change in Governance, Health, Media Across Africa

Aig-Imoukhuede Foundation

A statement issued on Wednesday in Lagos said the foundation strengthened governance, improved primary healthcare, drove digital transformation and elevated media’s role in promoting public sector accountability.

It said the AIG Public Leaders Programme (PLP) trained 72 public sector leaders from Nigeria, Egypt, Tanzania, Cameroon, Zambia, Malawi and Kenya—its fastest growth to date—bringing the alumni network to 309.

These alumni are driving 237 reform projects to enhance public institutions, from faster decision-making to greater transparency, with nine promoted to higher roles for their contributions.

On civil service modernisation, the foundation accelerated digitalisation at the Office of the Head of the Civil Service of the Federation (OHCSF), streamlining 19 processes and achieving a 75 per cent increase in work speed through automated workflows.

It also trained over 400 officials from the Federal Ministry of Justice, Federal Civil Service Commission and Federal Ministry of Innovation, Trade and Investment in digital skills to support the FCCSIP 25 initiative and ongoing digital rollouts.

In healthcare, the Adopt-A-Healthcare-Facility Programme renovated four primary healthcare centres in Edo State, boosting antenatal visits by 73 per cent, immunisation coverage over 100-fold and fully vaccinating 554 children, while supporting 6,788 patients.

The foundation recognised 18 outstanding public servants with ₦500,000 each via the Emily Aig-Imoukhuede Endowment Awards and received a partnership award from the OHCSF for civil service reform efforts.

To empower media, it trained 50 journalists from top Nigerian media houses in impact storytelling, data analysis, visual and ethical reporting to better inform citizens on public sector changes.

Over five years (2021–2025), the foundation invested £2.6 million in PLP, saved ₦2.38 billion for the public sector through capacity building, trained 1,500+ civil servants, upskilled 660 digitally, trained 40 permanent secretaries and awarded 33 scholarships driving seven policy changes.

Other milestones include digitising 5,000 files, automating 333 processes, a 61 per cent efficiency gain, 60 per cent digital file creation at OHCSF, 128 excellence awards, 116 process reforms, 23 advocacy projects, 25 capacity initiatives, 18 podcasts, four healthcare articles, three policy papers, 23 adopted PHCs (four renovated) and 878+ fully immunised children aged 0–9 months.

Executive Vice Chair, Mr Aigboje Aig-Imoukhuede, said: “2025 was a year of real, measurable impact. From training hundreds of public servants to improving healthcare, helping ministries go digital, and equipping journalists to tell stories that matter, our work is making governments work better for citizens and communities across Africa.”


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