Broadcasting
Smart TVs Give Smartphone OS A Second Chance- IDC

On Monday 5 January, prior to the event’s opening day, CES 2015 in Las Vegas hosted a series of press events by some of the biggest Asian consumer electronics companies, in which they set out some of their new wares.
Smart TVs featured prominently among the new products, and several vendors announced that in future they would be basing their smart TVs on operating systems (OS) that started life in smartphones.
LG will be using WebOS; Samsung will be using Tizen; Panasonic will be using Firefox OS; and Sony will be using Android TV.
To John Delaney, Associate VP, Mobility – IDC Europe, “Smartphones are one of the biggest consumer electronic product categories, and they are also the hubs of ecosystems through which an increasing amount of content and media is consumed. Nowadays, the smartphone market comprises (to a good approximation) three North American companies whose devices use their own OS, and a collection of Asian companies whose devices use another American company’s OS. (Europe, alas, is now out of the picture.)
Delaney said, “That matters, because an increasing amount of a smartphone’s value resides not in its hardware, but in the ecosystem of apps, content and advertising which is founded on the device’s OS. This puts the owner of the OS in a powerful position to shape the ecosystem’s development, and to receive a share of the money that passes through it.
According to him, TV sets also started to get smart a few years ago, but smart TVs took a while to catch on because of practical difficulties in connecting them to the internet, and because of the relative dearth of content and services to make the TVs’ smartness valuable.
But now those obstacles are largely gone, and smart TVs are set to become an increasingly important category of consumer electronic device. Like smartphones, they will become hubs of content/service/advertising ecosystems.
Delaney said, actually, there are some important differences between smart TVs and smartphones. TVs are bought for households, not individuals, so the market is smaller in terms of number of devices.
The market size is reduced further by the fact that TV sets are typically replaced less often than smartphones.
Moreover, TV sets are not as suitable or useful for some types of app, such as navigation, communication and personal productivity. Nevertheless, we expect substantial and important ecosystems to develop on smart TVs, especially in the area of entertainment services.
The screen through which smart TV apps and services are accessed will be valuable to the company that controls it, because it gathers an audience for advertising, because it gives the owner a position of power in the content/services distribution chain, and because it enables usage data to be gathered and analysed. As with smartphones, that point of entry will increasingly be tied to the OS and its associated home screen and app storefront.
Most of the big smart TV makers are Asian companies.
Those companies really need to avoid a repeat of the smartphone story, where ownership of the device’s most valuable aspect – the OS and ecosystem – ends up in America.
This is the context in which we should see the CES announcements about smart TV OS.
Though not originally built for TVs, WebOS and Tizen are owned by LG and Samsung respectively; by using these assets in their TVs, these vendors hope to avoid becoming as dependent on Google in the TV market as they have become in the smartphone market.
Panasonic’s situation is a bit different: Firefox OS is owned by an American organization.
However, the Mozilla Foundation is less unambiguously commercial than Google, and less clearly positioned to dominate an ecosystem founded on its OS.
In all three cases – WebOS, Tizen and Firefox – the re-purposed OS have the folliowing advantages: they have a mature code base; they don’t need much new investment; and they are not Android.
Sony has chosen a different path by going with Andoid TV for its smart TVs. Why? Unlike LG and Samsung, it does not own an existing OS that it can re-purpose.
It could have gone with Firefox, like Panasonic, but that is quite a risky choice.
The idea of an OS based entirely on Web technologies is unproven in the mass market, and we have yet to see one ship in large volumes in any device category.
Sony seems to have have judged that its need to reverse its recent woes in the TV market is too great to take such as risk. Sony may also be hoping that user pull for the Android brand will give a much-needed boost to its TV sales.
These are John Delaney, Associate VP, Mobility – IDC Europe views on the issue.
Broadcasting
Lebara Nigeria Launches Lebara Play, Africa’s First Telecom-Owned Micro-Drama Platform

Lebara Nigeria has announced the launch of Lebara Play, described as Africa’s first telecoms-owned micro-drama platform aimed at expanding opportunities for African storytellers and distributing local content to global audiences.

The company said the platform is designed to support creators by providing a new distribution channel for African narratives while making content accessible to both subscribers and non-subscribers worldwide.
Lebara Nigeria added that the platform will debut with an original production titled Imported Bahu, produced by Forever 7 and starring Osas Ighodaro.
The project is directed by Hamisha Daryani Ahuja, known for her work on Namaste Wahala, and is positioned as the first in a series of original content offerings.
According to the company, Lebara Play is built to serve both creators and audiences, with a focus on showcasing African stories to a global market and strengthening the continent’s growing digital entertainment ecosystem.
Speaking on the company’s vision at the launch, Teniola Stuffman, chief executive officer, Lebara Nigeria, said the organisation was focused on building a telecommunications ecosystem that combined innovation, connectivity, and customer-centric digital experiences.
Stuffman said, “This platform represents an important step in our vision of building a telecommunications brand that delivers more than connectivity. We are creating an ecosystem where technology, innovation, and entertainment come together to provide meaningful experiences for customers while unlocking new opportunities for creative talent and content development across Africa.”
Beyond entertainment, she said, industry stakeholders believed the initiative demonstrated how global telecommunications expertise could be adapted to local market realities.
“Drawing from decades of experience across multiple international markets, Lebara is expected to introduce additional innovative services aimed at enhancing convenience, engagement, and value for Nigerian consumers,” she said.
Stuffman added that the company’s strategy reflected growing recognition that today’s telecom customers demanded more than network access, pointing out that consumers increasingly seek brands that offer seamless digital experiences, personalised services, and access to content that enriches everyday life.
Stuffman stated that LebaraPlay also aligned with the company’s commitment to supporting Africa’s creative economy by creating new distribution channels for content creators, producers, and digital storytellers.
“Through a combination of original productions and strategic partnerships, the platform seeks to create opportunities for talent while delivering quality entertainment to audiences,” she said.
Hamisha Daryani, founder of Forever7 Entertainment, expressed excitement over the partnership with Lebara Nigeria and the premiere of her latest micro-drama series on the LebaraPlay platform.
She stated that Lebara’s customer-centric vision aligns closely with the values of Forever7 Entertainment, making the collaboration a natural fit for both organisations.
Daryani revealed that the new microdrama featured a star-studded cast drawn from both Bollywood and Nollywood, in a compelling romantic story designed specifically for mobile audiences.
According to her, the production is developed with mobile-first consumers in mind, delivering premium entertainment in short, engaging formats at an affordable cost.
“Microdrama, which typically consists of short episodes of about three minutes, is redefining how audiences consume entertainment. It offers a convenient, immersive, and affordable viewing experience for people who increasingly access content through their mobile devices,” she said.
She added that the platform was created to support seamless creative expression while providing new opportunities for content creators across the continent.
Daryani further explained that the microdrama format has already achieved significant success in Asia and the Americas and is now gaining traction across Africa.
She said the initiative would create opportunities for emerging creatives through knowledge sharing, skills development, content curation, and industry collaboration, with the Nigerian rollout of the featured series expected to commence in July.
Broadcasting
CANAL+ Partners Samsung to Pre-Load DStv Stream on New Samsung TVs In Nigeria, Other African Countries

Following an expanded partnership between CANAL+ and Samsung Electronics, the DStv Stream app will now be pre-installed on new Samsung Smart TVs sold in Nigeria and 17 other African countries.

The agreement covers English and Portuguese-speaking African markets, including Nigeria, Kenya, Angola, Tanzania, Uganda, Zambia, Zimbabwe and South Africa. It marks the first pre-installation rollout of a MultiChoice Group streaming application on Samsung Smart TVs.
The development comes after the completion of the combination between CANAL+ and MultiChoice Group. It also extends an existing relationship between both companies that already spans 40 markets across Europe, French-speaking Africa, and Asia.
Through the integration, Samsung customers can now access DStv Stream directly from the television home screen. The app provides access to premium sports and entertainment content, including coverage of the FIFA World Cup 2026, English Premier League football, domestic and international rugby, and local and international television programming.
With the introduction of this connected television which kicked off on June 1, televisions can now connect to the internet, allowing users to stream content directly without requiring a separate decoder or satellite dish. The pre-installation of the app removes the need for users to search for and download it themselves, reducing friction and improving content discoverability.
The rollout is one of the first major distribution initiatives following the integration of CANAL+ and MultiChoice. The combined group has identified streaming growth and enhanced digital distribution as key priorities across Africa, where connected television adoption continues to increase.
David Mignot, CEO of CANAL+ Africa and CEO of MultiChoice Group, affirmed, “We are delighted to extend our longstanding partnership with Samsung across new English and Portuguese-speaking African countries. It marks a significant milestone in the synergies created by the combination of CANAL+ and MultiChoice Group.
“Mignot added, “As viewing habits continue to evolve rapidly across the continent, strengthening the accessibility and discoverability of our content offer on connected devices is key. By expanding the availability of our applications on Samsung Smart TVs across key African markets, we are making it even easier for millions of MultiChoice Group’s subscribers to seamlessly access the content that define the uniqueness of the CANAL+ and MultiChoice Group experience.”
This extended partnership is expected to strengthen Samsung’s position as a key distribution partner for streaming services globally while providing CANAL+ and MultiChoice with a broader route to market as competition intensifies among international and regional streaming platforms across Africa.
Broadcasting
Court Deals Fresh Blow to NBC, Throws Out Appeal over Broadcast Fines

The Court of Appeal in Abuja has dismissed an appeal filed by the National Broadcasting Commission (NBC) challenging a Federal High Court judgment that restrained the commission from imposing fines on broadcast stations.

Delivering judgment, Justice Jane Esienanwan Inyang held that the appeal was fundamentally defective and therefore incompetent.
The appeal stemmed from a Jan. 17, 2024 judgment delivered by Justice Rita Ofili-Ajumogobia of the Federal High Court, Abuja, which barred the NBC from enforcing N5 million fines imposed on several broadcast stations in 2022.
The sanctions had been issued over allegations that the stations aired documentaries on banditry and insecurity considered by the commission to be capable of undermining national security.
The affected broadcasters included Multichoice Nigeria Limited, owners of DStv, TelCom Satellite Limited, Trust TV Network Limited and NTA StarTimes Limited.
The suit was instituted by Media Rights Agenda (MRA), which challenged the legality of the fines imposed by the commission.
In her ruling, Justice Inyang pointed to a discrepancy in the appeal documents, noting that the respondent before the Federal High Court was listed as the “National Broadcasting Commission,” while the notice of appeal identified the appellant as the “Nigerian Broadcasting Commission.”
According to the court, the inconsistency was substantial enough to deprive it of the jurisdiction required to entertain the appeal.
“The notice of appeal is the foundation of an appeal and a condition precedent to the exercise of appellate jurisdiction by this court,” the judge held.
Consequently, the appeal was struck out without consideration of the substantive issues raised by the commission.
The ruling represents another setback for the NBC in its efforts to defend its authority to sanction broadcast organisations through administrative fines.
In April 2026, the Court of Appeal similarly dismissed a separate appeal by the commission against another judgment that restricted its powers to impose fines on broadcasters.
Earlier, in May 2023, the Federal High Court in Abuja ruled that the NBC lacked the judicial authority to impose penalties on media organisations without recourse to the courts.
The controversy over the commission’s sanctioning powers dates back to March 2019 when the NBC imposed N500,000 fines on 45 broadcast stations for alleged violations of the Nigerian Broadcasting Code during the general elections.
At the time, the then Director-General of the commission, Is’haq Kawu, said the sanctions were imposed for ethical breaches and violations of broadcasting regulations.
Legal analysts say the latest judgment reinforces previous court decisions limiting the commission’s authority to impose fines on broadcasters without judicial intervention.
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