Broadcasting
Spotify Showcases Nigerian, Other African Artists Impacting the Global Stage

Music has always been at the core of African tradition, weaving a rich narrative that showcases the variety of cultures and influences across the continent. Marking pivotal moments in Africa’s history, music has provided the backdrop to progress, evolving from songs of freedom to songs of expression.

While the annual commemoration of Africa Day is an opportunity to celebrate the strides that the continent has made, it’s also a chance to address some of the challenges that it continues to face. In a similar vein, the impact of African influence on the global music scene has also been a journey.
With exciting collaborations taking place and access to a broader audience, African creators now have more opportunities than ever before to discover new audiences and have their unique voices heard.
To mark Africa Day Spotify took a look at the top streamed artists globally from the African continent. With fans from London to Paris and Amsterdam to Sydney streaming their music via Spotify, it’s not surprising that popular Nigerian singer and songwriter, Burna Boy, takes the top spot.
Africa’s diverse music landscape with its distinctive genres continues to give rise to musical collaborations both on the continent and abroad. Burna Boy has used his particular sound to drive successful collabs including ‘Loved By You (feat. Burna Boy)’ with Justin Bieber and ‘Location (feat. Burna Boy)’ with British rapper Dave. Over the past 90 days (March – May 2021), ‘Loved By You (feat. Burna Boy)’ has amassed over 31 million streams, globally.
Similarly, the phenomenal global success of Master KG’s hit Jerusalema (feat. Nomcebo Zikode), which led to an Afrobeats inspired remix featuring Burna Boy, garnered over 43 million streams, globally over the last 90 days (March – May 2021). African artists are not just featuring on the global stage they are owning it.
“Spotify has always celebrated Africa’s abundance of talent and diversity. Now with Spotify’s presence across Africa, we will continue to use the power of the platform to amplify African creators to a global audience. This serves to offer artists even more opportunity to further strengthen their connection to their audiences as well as drive the discovery of their music to new audiences which, for us, is an integral part of the user’s listening experience. says Phiona Okumu, Head of Music, Sub-Saharan Africa.
Spotify continues to drive initiatives that support African creators including, promoting key curated, flagship playlists such as African Heat, AmaPiano Grooves, RADAR Africa, and most recently, Gengetone Fire, which has driven further discovery and celebration of African influence. Spotify also houses the Afrohub platform that promotes and brings to the surface culturally diverse music to users around the world.
The expansion of RADAR – Spotify’s global artists program that supports artists along every step of their music journey – has been instrumental in promoting talent from across the continent.
To date RADAR Africa has welcomed several creators including, Elaine, rapper Willy Cardiac, Nigerian singer-songwriter Tems and AmaPiano hitmaker Focalistic (who also featured extensively in Spotify’s recent African Heat campaign) to the roster of Africa’s RADAR artists.
These young artists all have been influenced by the sounds of Africa with Focalistic listing South Africa’s classic Bacardi house music as the music he grew up on that continues to influence his expressive AmaPiano. Focalistic also names top Nigerian producer, Fresh as one of his biggest African influencers.
As Spotify continues to give listeners across the continent streaming access to the best African and international audio continent, it will continue to drive education around Spotify for Artists, a powerful free tool that artists are encouraged to make use of to better understand and build their audience and gain insight on how to best promote themselves.
This, together with the expertise of Spotify’s music team and all the platforms’ initiatives will ensure that Spotify remains an instrumental vehicle for African creators looking to feature on a global stage.
Additionally, kicking off on 24 May and running during the week of Africa Day, there will be an African takeover of Spotify’s Global X playlist.
The playlist will spotlight Africa’s biggest artists across regions and on each day, the playlist cover will be dedicated to artists including Lady Du (SA), DaVido (NG), Sarkodie (GH), Sauti Sol (KE), ElGrandeToto (MR), Mohammed Ramadan (EG) and Diamond Platinumz (TZ). The Global X playlist is a key part of Spotify’s Global Cultures Initiative that promotes culturally diverse music from around the world.
Broadcasting
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Broadcasting
BON Establishes Six Ad Hoc Committees to Modernize Broadcasting

Broadcasting Organization of Nigeria (BON) has established six committees to help strengthen and modernize the country’s broadcasting industry.

The committees will focus on content creation, skills development, digital transformation, sustainability, policy and commercial opportunities
The initiative aims to support industry growth and improve collaboration between broadcasters, regulators and media experts
The official launch recently, was led by Tony Akiotu, president, BON and attended by media professionals, program directors, former journalists and heads of specialized media organizations.
The event brought together several prominent figures in Nigeria’s media industry, including veteran broadcaster and trainer Bimbo Oloyede, Tony Uyah of M4S TV, Kingsley Uranta of Channels Television, Ismael Sani of Platinum TV and Ibrahim Shehu of Trust TV.
Together, they are expected to help drive innovation and support the growth of Nigeria’s broadcasting sector.
According to Akiotu, the committees are intended both to help shape industry policy and to provide a forum for dialogue between BON and broadcasting experts.
Akiotu said the ad hoc committees were intended to strengthen BON’s work and ensure that the umbrella body for Nigeria’s broadcasters played a more direct and meaningful role in developing the country’s broadcasting sector.
The six committees reflect the sector’s main priorities. The first focuses on collaboration and innovation to promote content creation.
The second is dedicated to training and talent development, while the third focuses on industry sustainability by improving the sector’s long-term financial viability.
A fourth committee will focus on digital transformation and work with the National Broadcasting Commission (NBC) on regulatory issues.
The remaining two committees will oversee public policy advocacy and the development of sports and commercial rights to help broadcasters increase revenue and attract more investment. Together, the committees are expected to guide BON’s efforts to modernize and strengthen Nigeria’s broadcasting industry.
The committees, chaired by members of BON’s General Assembly and supported by the organization’s Secretariat, have an initial 12-month mandate that may be renewed if necessary.
They are required to submit a progress report within three months and implement approved recommendations within the following six months.
The arrangement is intended to ensure close oversight and the timely implementation of their work.
Akiotu also reminded committee members that Nigeria pioneered television broadcasting in Africa and urged them to carry out their work with greater effectiveness and efficiency.
Broadcasting
NELFUND Investigates 34 Universities Over Students’ Missing Tuition Refunds

Nigerian Education Loan Fund (NELFUND) says it is investigating about 34 tertiary institutions over allegations that they failed to refund students whose tuition fees were paid twice under the Federal Government’s student loan scheme.

The Managing Director of NELFUND, Mr Akintunde Sawyerr, disclosed this during an interview on Arise Television.
Sawyerr said the agency had deployed a five-member investigative team, including operatives of the Economic and Financial Crimes Commission (EFCC) and internal auditors, to examine the allegations.
According to him, the investigation was prompted by numerous complaints received from affected students.
“As of right now, there are 34 institutions that we are looking at closely with respect to this issue,” he said.
Sawyerr explained that the double payment issue arose because President Bola Tinubu directed that the student loan scheme commence in the middle of an academic session instead of at the beginning.
He said the decision compelled many students to pay their tuition fees to meet registration deadlines while awaiting approval of their loan applications.
“What happened is that a lot of schools got double payment; some from the students and some from us,” he said.
“The refund process is entirely out of our hands. It is the recipient of the double payments that is obliged to make refunds to the students.”
The NELFUND boss noted that many students had borrowed money from family members, friends and other sources to pay their tuition with the expectation of receiving refunds once the loans were disbursed.
He said while some institutions had promptly refunded affected students, others had failed to do so.
“Some have been very good at this. Others haven’t been so good at it,” Sawyerr said.
“I reserve judgement on the intentionality around it because, for some of them, they just didn’t have the process to make refunds.”
Sawyerr disclosed that NELFUND was exploring a tokenised payment system that would enable students to authorise tuition payments directly to their institutions, thereby reducing the likelihood of duplicate payments.
He said the agency deliberately chose not to disburse tuition loans directly to students to minimise the risk of fund diversion.
“Paying the funds to the students could really lead to the temptation for them to divert and do other things,” he said.
The managing director, however, acknowledged that NELFUND lacked the statutory powers to compel institutions to refund students or prosecute officials found culpable.
He added that many frustrated students had submitted complaints not only to NELFUND but also to anti-corruption agencies, including the EFCC and the Independent Corrupt Practices and Other Related Offences Commission (ICPC).
Sawyerr also expressed concern over increases in tuition fees by some institutions following the introduction of the student loan scheme.
He said NELFUND had declined to pay institutions that increased their tuition fees beyond acceptable levels.
“Some schools, because they get paid easily, started to put up their fees. We refused, point blank, to pay institutions who had hiked their fees beyond a certain level,” he said.
He reaffirmed the agency’s commitment to investigating every reported irregularity and strengthening the implementation of the student loan programme through continuous monitoring and internal reviews.
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