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Welcome to Lagos: TV Series Explores Daily Life of Lagos

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It is initially hard to see why Lagos has been called the "megacity of the future", with the potential to become the "Singapore of Africa". There’s plenty to think about if the Nigerian city of 16 million tightly packed inhabitants is the ultimate expression of modern urban living. Lagos is growing at such an astonishing rate that by 2015 it is predicted to be the third largest city in the world, behind Mumbai and Tokyo, but it is an unlikely model metropolis.
Although the country has vast oil resources, the city’s infrastructure is appalling. Three-quarters of Lagos residents live in slums. The rail network manages one train per week. Despite being the world’s sixth biggest oil producer, power cuts are a daily occurrence and a national joke. Lagosians have renamed the National Electric Power Authority (NEPA) as Never Expect Power Always.
When I first visited Nigeria, my parents’ homeland, a decade ago, I was unprepared for the reality. It was like landing on another planet. Although the city is a nightmare to navigate, the Lagosians are a breed apart. Millions of quick-witted economic migrants have created a city characterised by personal ingenuity and entrepreneurship. Nothing is wasted, everything is a commodity. "Lagos is not a kind of backward situation but an announcement of the future," the architect Rem Koolhaas has said. "What is now fascinating is how, with some level of self-organisation, there is a strange combination of extreme underdevelopment and development."
Will Anderson, the series producer of Welcome to Lagos, a fascinating new three-part documentary, agrees. He believes the way they have addressed the problems of extreme population growth is a lesson for us all, especially now that half the world’s population live in cities, including one billion slum dwellers. "I am an anthropologist by background, but rather than looking at marginal and tribal populations, I wanted to look at massive cities. If a Martian came down to Earth, they would report back that we are a species that lives in cities. And in some degrees the people in Lagos are doing it better than we are in the west," he says.
The series looks at life on the Olusosun rubbish dump, the workplace and home to more than 1,000 scavengers who sift the garbage looking for recyclable material. This is a vibrant, self-policing community living next to a mosque, a barber’s shop and three cinemas. The film-makers also take us to Makoka lagoon where 300,000 people live on water and in squatter camps on the beach. It is soon clear that most Lagos residents will do anything to earn a few dollars a day, from back-breaking labour to sharp business deals, because there is no welfare state to provide a safety net.
But among Lagosians, who tend to combine relentless entrepreneurial flair with the belief that God will provide, there is little time for self-pity, a fact reflected in the series. "We did not want the people to come across as victims because that is not how they see themselves," says Anderson. "They are normal people doing what they have to do to survive. They encounter the same obstacles as the rest of us, but it’s just that they do so in extreme circumstances."

 


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Canal+ to Cut Jobs as Part Sweeping Restructuring

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Canal+ is to cut jobs at MultiChoice as part of a sweeping restructuring plan aimed at stabilising the African pay-TV operator, following years of operational and financial pressure.

Canal+ to Cut Jobs as Part Sweeping Restructuring

The move comes alongside a planned $115 million capital injection, underscoring the urgency of efforts to revive the business after the French media group took control.

The planned layoffs are expected to form a core element of a broader cost-cutting and efficiency drive, as Canal+ seeks to streamline MultiChoice’s operations and improve profitability.

The restructuring signals a shift toward leaner operations, with a focus on eliminating redundancies and optimising the company’s cost base.

MultiChoice has struggled in recent years with declining subscriber numbers across key African markets, weighed down by macroeconomic pressures, currency volatility, and changing consumer behaviour.

The rise of global streaming platforms has intensified competition, chipping away at the company’s traditional pay-TV dominance.

Canal+’s intervention marks a pivotal moment for MultiChoice, reflecting a more aggressive approach to repositioning the business.

By combining fresh capital with structural reforms, the new owners are aiming to both stabilise short-term performance and lay the groundwork for longer-term growth.

The $115 million injection is expected to provide immediate financial relief, supporting operations and potential strategic initiatives.

However, the accompanying job cuts highlight the depth of the challenges facing the company and the scale of transformation required to restore competitiveness.


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Nigeria tops global rankings for USDT, USDC ownership

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Nigeria has ranked first globally in the ownership of the two largest stablecoins, Tether (USDT) and USD Coin (USDC), reflecting the country’s growing reliance on dollar-linked digital assets.

Nigeria tops global rankings for USDT, USDC ownership

USDT, USDC

Stablecoins such as USDT and USDC are designed to maintain a fixed value against the U.S. dollar, allowing users to store money digitally while avoiding the price volatility associated with cryptocurrencies like Bitcoin.

According to the 2026 Stablecoin Utility Report released by BVNK, about 59 percent of Nigerian crypto users hold USDT, while 48 percent own USDC, giving the country the highest combined ownership rate among all nations surveyed.

The report placed Nigeria ahead of several major economies, including Australia and India, highlighting the country’s strong adoption of dollar-denominated digital assets. Australia ranked second with 34 percent USDT ownership and 29 percent USDC, while India placed third with 30 percent USDT and 27 percent USDC holdings.

The study also examined adoption levels across other regions. Countries such as Colombia and Singapore showed strong usage of both stablecoins, while adoption levels were also notable in South Africa and the United States.

Other markets included in the analysis were Philippines, Thailand and Argentina, where stablecoin ownership has also increased significantly. Among European economies, the report said France and Germany showed moderate levels of adoption, while Latin American markets such as Mexico and Brazil recorded smaller but growing usage rates.

The United Kingdom also appeared in the ranking with modest levels of stablecoin ownership. The report noted that USDT ownership exceeds USDC in many countries, including Nigeria, Australia, India, Singapore, the Philippines, Thailand, Argentina and France.

However, USDC is often viewed as a more compliance-focused stablecoin because of its stronger transparency and regulatory alignment. In some markets, including South Africa, Colombia, Germany and Brazil, the report found that USDC adoption slightly exceeds USDT.

More broadly, the data suggests that stablecoin adoption is being driven largely by emerging economies rather than advanced financial markets. According to the report, countries such as Nigeria, Argentina and the Philippines are among the biggest users of stablecoins, where people increasingly rely on dollar-pegged digital assets to protect savings from currency volatility and facilitate cross-border payments.

 


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Spotify’s Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

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Spotify has unveiled Nigeria-specific data from its annual Loud & Clear report, highlighting how Nigerian artists generated more than ₦60 billion in revenue from the platform alone last year, amid explosive growth in streams, local consumption, and global discovery.

Spotify's Loud & Clear Report Reveals Over ₦60Bn Revenue for Nigerian Artists in 2025

The report, which analyzes millions of data points to illuminate music streaming economics, shows Nigerian artists’ revenue surged over 140% in the past two years.

This boom stems from rising global appeal and stronger domestic engagement, with 30.3 billion streams and 1.6 billion listening hours on Spotify in 2025. First-time discoveries of Nigerian music hit 1.3 billion, up 26% from 2024.

Locally, Nigerian tracks dominated Spotify Nigeria’s Daily Top 50, accounting for over 80% of features, while consumption of homegrown artists jumped 170% year-on-year.

“Nigeria’s music scene thrives on creativity, innovation, and global influence,” said Jocelyne Muhutu-Remy, Spotify’s Managing Director for Africa. “Loud & Clear spotlights how artists are forging sustainable careers and deepening local ties.”

Key highlights include:

  • 55% year-on-year growth in local streams for Nigerian female artists.

  • 75% surge in streams for independent Nigerian artists.

  • Independents and indie labels earning 58% of all royalties from Nigerian artists on Spotify.

Spotify’s editorial playlists featured nearly 2,000 Nigerian artists in 2025, boosting visibility. Nigerian music appeared in 320 million global user playlists and over 12 million in Nigeria, totaling more than 60 million playlists worldwide.

The report also notes evolving tastes, with top-growing genres in Nigeria over five years including pop urbaine, alternative pop, anime, emo, and drill.

For full details, visit spotify.com/loudandclear.


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