Broadcasting
Nigerian Voices on the Rise: Spotify spotlight Homegrown Podcasters

In the vibrant and dynamic realm of Nigerian entertainment, a subtle, yet transformative movement is gaining momentum. Amidst the vibrant melodies of Afrobeats and the captivating narratives of Nollywood productions, a new cool medium is emerging, capturing the hearts and minds of listeners across the country – podcasts.

The allure of podcasts among younger generations stems from their desire to venture beyond the confines of conventional and controlled media channels. Podcasts provide a platform for independent voices, diverse perspectives, and niche content that might not be as readily available or prioritized in mainstream corporate media.
The rise of podcasting in Nigeria is being driven by a number of factors, including the increasing availability of smartphones and internet access, as well as the growing popularity of streaming services like Spotify. Delving into Spotify’s Wrapped data for 2023, we embark on a journey to uncover the captivating world of podcasting in Nigeria. This sonic expedition reveals how Nigerian listeners are tuning in, turning up, and diving into the realm of podcasts; seeking not just entertainment but also thought-provoking political, motivational and religious conversations.
According to Spotify Wrapped 2023 on local podcast listenership in Nigeria, Apostle Joshua Selman’s Podcast, Koinonia with Apostle Joshua Selman , The HonestBunch Podcast, I Said What I Said, and Koinonia experience with Apostle Joshua Selman rank as the top five most streamed podcasts in Nigeria, and the top five most exported Nigerian podcasts. It’s no surprise that these podcasts standout because beyond the fact that they resonate with the younger demographic in Nigeria, they also connect through themes that align with the diverse culture, lifestyle and essence of Nigerians. Whether you are inclined to explore your spirituality, delve into the latest trends, dissect social issues, or even share unfiltered opinions, these podcasts present a relatable experience.
“Spotify’s unwavering support for the local podcasting community is deeply rooted in our appreciation for the richness and diversity of voices and stories that it brings to the forefront,” says Ncebakazi Manzi, Spotify’s Podcast Manager for Sub-Saharan Africa.
In light of the deeply rooted religious beliefs within the nation, it follows that Apostle Joshua Selman has secured three positions within the top five most-listened-to podcasts in Nigeria with his podcasts – Apostle Joshua Selman, Koinonia with Apostle Joshua Selman and Koinonia experience with Apostle Joshua Selman. He gained substantial attention on various social media platforms as clips from his sermons circulated widely, resonating with a significant audience. Apostle Joshua Selman is the founder and Senior Pastor at Eternity Network International, based in Abuja, Nigeria. Beyond his widespread popularity, his standout episode of the year on Spotify is “The Ministry of Prayer and the Word.” This particular episode has not only contributed to his overall podcast success but has also marked a significant moment in the hearts and minds of the audience, making it a memorable highlight of his podcasting journey.
The Honest Bunch podcast has rapidly ascended to become one of Nigeria’s fastest-growing podcasts, currently claiming the third spot on Spotify’s top five most-listened-to podcasts in the country. With a focus on addressing issues affecting millennials and Gen Z in a candid and humorous manner, the show distinguishes itself by its uninhibited approach. The podcast is helmed by four hosts—Nedu Ani, Chukwudi Ezugwu (Husband Material), Ezinne Jane Ugorji, and Toun Cole — who infuse the show with their distinct personalities. Beyond the dynamic hosting quartet, a diverse array of notable guests is regularly featured. These guests are invited to share their perspectives on topics tailored to their unique experiences, interests, or personalities.
Notably, The Honest Bunch podcast has made headlines for their willingness to tackle contentious subjects head-on has become a hallmark of the show, contributing to its widespread popularity and status as a prominent player in the podcasting landscape
Conversely, “I Said What I Said” podcast hosted by Feyikemi Abudu, popularly known as ‘FK,’ and Jola “Jollz” Adeye, takes listeners into personalized virtual conversations that are relatable, engaging and similar to the usual tête-à-tête with close friends. Imagine having a conversation with close buddies after a long day at work – that’s the vibe “I Said What I Said exudes to its listeners. Each episode delves into discussions encompassing societal norms, culture, relationships, and current affairs. FK and Jollz are well-known for their bold and unfiltered conversations, presenting their opinions with sharp wit, making it the fourth streamed podcast in Nigeria.
In their engaging podcast, FK and Jollz interview some of Nigeria’s most intriguing minds, discussing the challenges of navigating life as young women and offering valuable advice as Agony Aunts to their listeners. Their presence on Spotify has been remarkable, not only securing a spot among the top five most-listened-to podcasts but also earning them recognition as Breakout Creators of 2023.
Spotify has also recognised them as one of the Breakout Creators of 2023, with their standout episodes of the year including “The Secrets, Lies, and Embarrassment” episode and the humor-filled “Hahaha” episode.
Although some podcasts may not have clinched a spot in the top 10 rankings, their ability to attract considerable attention and consistently deliver engaging content has earned them recognition as Breakout Creators of 2023, while some others found a place on the Most Anticipated Launch list of the year. This acknowledgment underscores their significant impact, foreshadowing a sustained surge in popularity and influence within the podcasting landscape in the months to come.
For Breakout creators of the year, we have notable podcasts such as- I said what I said , The Honest Bunch Podcast, So Nigerian, Tea with Tay, Loose Talk, Menisms and Toke Moments. While for Most Anticipated launch, podcasts like, Bahd and Boujee, The Teju Baby face deep dive, Zero Conditions podcast, Loosetalk, String and locs and Dearly Ebele have all earned a spot on the list.
As Nigerian music continues to gain international recognition, there is optimism that local podcasts can also make a significant impact both on the continent and the global stage.
Broadcasting
Lebara Nigeria Launches Lebara Play, Africa’s First Telecom-Owned Micro-Drama Platform

Lebara Nigeria has announced the launch of Lebara Play, described as Africa’s first telecoms-owned micro-drama platform aimed at expanding opportunities for African storytellers and distributing local content to global audiences.

The company said the platform is designed to support creators by providing a new distribution channel for African narratives while making content accessible to both subscribers and non-subscribers worldwide.
Lebara Nigeria added that the platform will debut with an original production titled Imported Bahu, produced by Forever 7 and starring Osas Ighodaro.
The project is directed by Hamisha Daryani Ahuja, known for her work on Namaste Wahala, and is positioned as the first in a series of original content offerings.
According to the company, Lebara Play is built to serve both creators and audiences, with a focus on showcasing African stories to a global market and strengthening the continent’s growing digital entertainment ecosystem.
Speaking on the company’s vision at the launch, Teniola Stuffman, chief executive officer, Lebara Nigeria, said the organisation was focused on building a telecommunications ecosystem that combined innovation, connectivity, and customer-centric digital experiences.
Stuffman said, “This platform represents an important step in our vision of building a telecommunications brand that delivers more than connectivity. We are creating an ecosystem where technology, innovation, and entertainment come together to provide meaningful experiences for customers while unlocking new opportunities for creative talent and content development across Africa.”
Beyond entertainment, she said, industry stakeholders believed the initiative demonstrated how global telecommunications expertise could be adapted to local market realities.
“Drawing from decades of experience across multiple international markets, Lebara is expected to introduce additional innovative services aimed at enhancing convenience, engagement, and value for Nigerian consumers,” she said.
Stuffman added that the company’s strategy reflected growing recognition that today’s telecom customers demanded more than network access, pointing out that consumers increasingly seek brands that offer seamless digital experiences, personalised services, and access to content that enriches everyday life.
Stuffman stated that LebaraPlay also aligned with the company’s commitment to supporting Africa’s creative economy by creating new distribution channels for content creators, producers, and digital storytellers.
“Through a combination of original productions and strategic partnerships, the platform seeks to create opportunities for talent while delivering quality entertainment to audiences,” she said.
Hamisha Daryani, founder of Forever7 Entertainment, expressed excitement over the partnership with Lebara Nigeria and the premiere of her latest micro-drama series on the LebaraPlay platform.
She stated that Lebara’s customer-centric vision aligns closely with the values of Forever7 Entertainment, making the collaboration a natural fit for both organisations.
Daryani revealed that the new microdrama featured a star-studded cast drawn from both Bollywood and Nollywood, in a compelling romantic story designed specifically for mobile audiences.
According to her, the production is developed with mobile-first consumers in mind, delivering premium entertainment in short, engaging formats at an affordable cost.
“Microdrama, which typically consists of short episodes of about three minutes, is redefining how audiences consume entertainment. It offers a convenient, immersive, and affordable viewing experience for people who increasingly access content through their mobile devices,” she said.
She added that the platform was created to support seamless creative expression while providing new opportunities for content creators across the continent.
Daryani further explained that the microdrama format has already achieved significant success in Asia and the Americas and is now gaining traction across Africa.
She said the initiative would create opportunities for emerging creatives through knowledge sharing, skills development, content curation, and industry collaboration, with the Nigerian rollout of the featured series expected to commence in July.
Broadcasting
CANAL+ Partners Samsung to Pre-Load DStv Stream on New Samsung TVs In Nigeria, Other African Countries

Following an expanded partnership between CANAL+ and Samsung Electronics, the DStv Stream app will now be pre-installed on new Samsung Smart TVs sold in Nigeria and 17 other African countries.

The agreement covers English and Portuguese-speaking African markets, including Nigeria, Kenya, Angola, Tanzania, Uganda, Zambia, Zimbabwe and South Africa. It marks the first pre-installation rollout of a MultiChoice Group streaming application on Samsung Smart TVs.
The development comes after the completion of the combination between CANAL+ and MultiChoice Group. It also extends an existing relationship between both companies that already spans 40 markets across Europe, French-speaking Africa, and Asia.
Through the integration, Samsung customers can now access DStv Stream directly from the television home screen. The app provides access to premium sports and entertainment content, including coverage of the FIFA World Cup 2026, English Premier League football, domestic and international rugby, and local and international television programming.
With the introduction of this connected television which kicked off on June 1, televisions can now connect to the internet, allowing users to stream content directly without requiring a separate decoder or satellite dish. The pre-installation of the app removes the need for users to search for and download it themselves, reducing friction and improving content discoverability.
The rollout is one of the first major distribution initiatives following the integration of CANAL+ and MultiChoice. The combined group has identified streaming growth and enhanced digital distribution as key priorities across Africa, where connected television adoption continues to increase.
David Mignot, CEO of CANAL+ Africa and CEO of MultiChoice Group, affirmed, “We are delighted to extend our longstanding partnership with Samsung across new English and Portuguese-speaking African countries. It marks a significant milestone in the synergies created by the combination of CANAL+ and MultiChoice Group.
“Mignot added, “As viewing habits continue to evolve rapidly across the continent, strengthening the accessibility and discoverability of our content offer on connected devices is key. By expanding the availability of our applications on Samsung Smart TVs across key African markets, we are making it even easier for millions of MultiChoice Group’s subscribers to seamlessly access the content that define the uniqueness of the CANAL+ and MultiChoice Group experience.”
This extended partnership is expected to strengthen Samsung’s position as a key distribution partner for streaming services globally while providing CANAL+ and MultiChoice with a broader route to market as competition intensifies among international and regional streaming platforms across Africa.
Broadcasting
Court Deals Fresh Blow to NBC, Throws Out Appeal over Broadcast Fines

The Court of Appeal in Abuja has dismissed an appeal filed by the National Broadcasting Commission (NBC) challenging a Federal High Court judgment that restrained the commission from imposing fines on broadcast stations.

Delivering judgment, Justice Jane Esienanwan Inyang held that the appeal was fundamentally defective and therefore incompetent.
The appeal stemmed from a Jan. 17, 2024 judgment delivered by Justice Rita Ofili-Ajumogobia of the Federal High Court, Abuja, which barred the NBC from enforcing N5 million fines imposed on several broadcast stations in 2022.
The sanctions had been issued over allegations that the stations aired documentaries on banditry and insecurity considered by the commission to be capable of undermining national security.
The affected broadcasters included Multichoice Nigeria Limited, owners of DStv, TelCom Satellite Limited, Trust TV Network Limited and NTA StarTimes Limited.
The suit was instituted by Media Rights Agenda (MRA), which challenged the legality of the fines imposed by the commission.
In her ruling, Justice Inyang pointed to a discrepancy in the appeal documents, noting that the respondent before the Federal High Court was listed as the “National Broadcasting Commission,” while the notice of appeal identified the appellant as the “Nigerian Broadcasting Commission.”
According to the court, the inconsistency was substantial enough to deprive it of the jurisdiction required to entertain the appeal.
“The notice of appeal is the foundation of an appeal and a condition precedent to the exercise of appellate jurisdiction by this court,” the judge held.
Consequently, the appeal was struck out without consideration of the substantive issues raised by the commission.
The ruling represents another setback for the NBC in its efforts to defend its authority to sanction broadcast organisations through administrative fines.
In April 2026, the Court of Appeal similarly dismissed a separate appeal by the commission against another judgment that restricted its powers to impose fines on broadcasters.
Earlier, in May 2023, the Federal High Court in Abuja ruled that the NBC lacked the judicial authority to impose penalties on media organisations without recourse to the courts.
The controversy over the commission’s sanctioning powers dates back to March 2019 when the NBC imposed N500,000 fines on 45 broadcast stations for alleged violations of the Nigerian Broadcasting Code during the general elections.
At the time, the then Director-General of the commission, Is’haq Kawu, said the sanctions were imposed for ethical breaches and violations of broadcasting regulations.
Legal analysts say the latest judgment reinforces previous court decisions limiting the commission’s authority to impose fines on broadcasters without judicial intervention.
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