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Nigerian Idol Battle for Final 12 Begins

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A total of top thirty contestants have been selected to participate in the next phase of the on-going season five of the Nigerian Idol TV Music reality show.

The contestants got the nod ahead of 70 others after putting up impressive showing during a technically gruelling three-day theatre audition sessions conducted by the show’s celebrity judges, Dede Mabiaku, Yinka Davies and Darey ‘Art’ Alade at the OMG’s Dream Studios, Ojodu-Omole in Lagos.

Among those who made the top 30 acts include Ogunmoyero Modolowamu, Iwuchukwu Franca, Oyinkepreye Deborah Toun, Edema Paradise Weyinmi, Aisosa Edeh-Nosa, Janet Ebiwari Ayoka, Anya Precious Chukusoro,Tama Nisa, Maurice Nandom Dagwa, Godson Goodluck, Annabel Paul Blacledge, Ogunrombi Kunle, Esther Aritheshoma Monday, Adigwe Brenda Ada and Okukusie Precious Ajiri.

Others are Ekeoma Victor Chibuzor, Olowojoba Segun David, Clinton Oti, Paul Manuwa, Harry Etim , Efuetanu Tobore Ezekiel, Sopriye Opusunju, Orah Ojochenemi John, Kelvin Oluwaseyi  Audu, Osayomore Joseph Ighonogie, Okemiri Uloma Margaret, Iheanacho Ogechi Nancy, Omodele Diana Fatoki, Obasi Oluchi Ojukwu and Ese-Amadasun Imuetiyan

It was however a disappointing end to the aspirations of some of the contestants who failed to make the cut for the group stage. Among these are Emmanuel Bassey from the Ibadan auditions centre and golden ticket winners, 19 years –old Moneke Chisom Scholarstica and Ame Igiri, the 24 years-old medical student who was rewarded with a flight ticket by the three celebrity judges at the Abuja zonal auditions.

“I have learnt my lessons though in a hard way,” began a relaxed Ame. “This is my first time on this, so I did not quite understand what it would take to get to the next phase. I will go work on the things that went wrong.”

The theatre auditions offer the platform for the emergence of 30 most impressive contestants who subsequently progress to the group stage of the multi-million naira reality show.

The 30 contestants will perform before live audiences in three batches of ten from which three most outstanding performers will emerge per batch through a public voting process.

The nine best performers pooled from the three batches through the voting process will be joined by three others through the judges’ wild cards to add up to the final 12.

Meanwhile, the broadcast of the Nigerian Idol season 5 on both terrestrial and satellite stations continues weekend of March 28 and 29 across the country. It promises to offer real time fun and quality entertainment to the millions of viewers and fans of the family-oriented talent-hunt show

Nigerian Idol season 5 are aired on Saturdays and Sundays on the following terrestrial and satellite TV Stations: NTA National (3.30–4.30 pm on Saturdays and 4.30-5.30 pm on Sundays), STV (both DSTV and Terrestrial, 9-10pm), Superscreen (9pm)and Smash Tv (8pm on CONSAT). Others stations on Startimes are WAP Tv (9pm), AMC (7pm), Rave Tv (7pm), Cool Tv (9pm), Wazobia Tv (8.30pm), Real Star Tv (8pm), Oodua Tv (7pm) and V. Channels Tv (8pm).

Nigerian Idol is in its fifth season after a successful debut in 2010 won by Yeka Onka. In the following years which saw the emergence of Mercy Chinwo, Moses Adigwe and Zebili Evelyn (Evelle), it has grown in popularity and followership on the basis of the unique platforms it offers to young Nigerians with exceptional music talent. It is the only music TV reality show in Nigeria with a global appeal that currently cuts across 46 countries.

Nigerian Idol focuses on discovering Nigerian youths with talent in music and giving them a unique platform to take shots at stardom.

The eventual winner goes home with N7.5 million cash reward, a brand new car, a recording deal worth N7.5 million with Universal Records and some high-end devices.


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DG NCC Tasks University Dons on Research Commercialization, IP Management to Build Global Competitive Ecosystems

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Dr. John Asein, director-general, Nigerian Copyright Commission (NCC), has charged universities to leverage Intellectual Property (IP), innovation management and research commercialisation to build vibrant, sustainable and globally competitive ecosystems.

The DG stated this while delivering a paper on: ‘’Research Commercialisation, IP Policy and Innovation Management’’ at the Committee of Vice-Chancellors of Nigerian Universities (CVCNU) organised Business Clinic themed: Unlocking University-Driven Business Ecosystems: Innovation, Partnerships and Sustainable Enterprise Models in Abuja.

The programme was targeted at engaging Vice-Chancellors, principal officers and other key officers in Nigerian Universities in a practical dialogue on how to transit their institutions into thriving business ecosystems through innovation, enterprise development and strategic partnerships.

In his presentation, Dr. Asein, disclosed that Universities are now recognised as engines of national development and innovation hubs that must connect scholarship to business.

He noted that with over 300 Universities in Nigeria, there is need for structured pathways to turn ideas into commercial outcomes while attention should be focused on IP assets in our universities in order to harness them in a safe, sustainable and satisfactory manner.

The DG NCC speaking further on leveraging resources from the creativity locked up within the university system, harped on the need to harness the soft power of our youth as Nigeria’s most valuable natural resources are its people.

Drawing demography from Nigeria youthful population, he observed that over 70 percent of Nigerians who are under the age of 30 are mostly in the university system studying. These youths, he noted, shape cultures, technology and innovation through creativity and digital skills.

He tasked universities to become innovation factories where young people can explore ideas, protect their IP and grow startups by integrating innovation culture, entrepreneurship training and IP awareness into its learning environment.

He equally urged Universities to look beyond the sciences to commercialize traditional knowledge-based innovations and harness the potentials in the creative arts disciplines like music, visual arts, theatre arts and others for commercial outcomes.

Dr. Asein, recommended that universities as centres of learning, should take the lead in using the IP system for promoting education and learning, wealth creation, revenue generation and institutional development.

Underscoring the need for all universities to have an IP Policy, he noted that the Model developed by the Nigerian Copyright Commission in partnership with the CVCNU is a good starting point.

The Secretary-General, CVCNU, Prof. Andrew Haruna, presented the welcome address at the event while the Director, Technology Innovation and Commercialisation, NOTAP, Mrs. Adah H.N. Mokolo-Oladunke represented the Director-General, NOTAP at the event.

The 2025 CVCNU Business Clinic witnessed attendance from representatives of Public and Private Universities across the 36 States in Nigeria.

 


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US invests $115m in counter-drone tech for World Cup security

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US invests $115m in counter-drone tech for World Cup security

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The US Department of Homeland Security (DHS) will invest $115 million in counter-drone technology to safeguard the 2026 FIFA World Cup and events marking America’s 250th independence anniversary, creating a dedicated office for rapid drone system deployment.

Homeland Security Secretary Kristi Noem described drones as “the new frontier of American air superiority,” stressing the need to counter threats from drug cartels using unmanned aircraft for smuggling and surveillance, alongside incidents like a 2025 NFL stadium drone flight and 2024 New Jersey sightings.

The funding supports 11 World Cup host cities expecting over one million visitors, building on FEMA’s $250 million grants to those states and addressing risks heightened by cartels’ advancing tech, including a reported FBI tracking plot in Mexico.

DHS has conducted over 1,500 counter-drone missions since 2018, with the new Program Executive Office accelerating acquisitions amid President Trump’s border security push.


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Youth Talent Takes Center Stage as T2 Ignites High-Octane Rap Battles @ Carnival Calabar

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The energy at the Carnival Calabar Music Concert reached a new high as T2 introduced a first-ever rap battle platform, giving young Nigerians an electrifying stage to showcase their talent, creativity, and self-expression while competing for exciting prizes.

Held at the U.J. Esuene Stadium, the activation blended pulsating music, vibrant culture, and youthful energy into a dynamic celebration that kept thousands of carnival-goers fully engaged from start to finish.

Eight fearless contestants stepped into the spotlight, going bar for bar in an intense lyrical showdown. Rappers fused local languages, pidgin, and sharp punchlines, creatively weaving the T2 brand into their verses.

Anchored by the energetic hosting duo MC Double I and MC Princess, the rap battles thrilled over 16,000 attendees, including the Governor of Cross River State, Senator Bassey Otu, delivering an unforgettable showcase of youth talent and cultural expression.

With prizes including fridges, gas cookers, sound systems, and airtime top-ups, the competition remained fierce throughout the night. After two high-energy rounds narrowed the field to a five-man final duel, Emmanuel Eye emerged as the overall winner, taking home the grand prize — a fridge.

“I never expected this at all,” Emmanuel said. “I came to the concert like anyone else, and hearing about the T2 rap battle was a surprise. When I got the chance to perform, I just went for it. Being named the overall winner is amazing, and I’m grateful to T2 for creating this platform to showcase our talent.”

Beyond the stage performances, T2’s presence added a digital layer to the carnival experience. As part of its role as Digital Technology Partner of Carnival Calabar, the brand introduced the MyT2 App as a lifestyle companion, while also enabling line reactivations, airtime top-ups, and instant rewards for hundreds of attendees, blending technology seamlessly into the live celebration.

Commenting on the activation, Chinelo Manefo, Specialist, Events and Sponsorship at T2, said:

“The energy from both the rappers and the crowd was incredible. This platform reflects exactly what T2 aims to create — a celebration of youth, creativity, and culture, enhanced by technology that connects people and experiences. Seeing the audience so immersed shows how music and performance can empower the next generation.”

The Carnival Calabar Music Concert, headlined by Tiwa Savage, Timaya, and top local performers, was further energized by T2’s interactive rap battle platform. By blending music, culture, youth expression, and digital innovation, T2 reinforced its commitment to championing Nigeria’s next generation, giving young creatives a stage to shine while enriching how they experience the festival.

 


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