Broadcasting
TinTin, the “Koolness @ Classic FM
His initiation into the music scene began at the age of 6 by learning the drums and progressing gradually to playing the piano, blowing the clarinet and mastering the percussions. With time, at a later age, in the early 1980s, he burgeoned as a multiskilled singer, songwriter, producer and arranger working with various emerging and established artists.
Born in Lagos, Nigeria in 1967, Augustine Imevbore a.k.a Tintin the Koolness, moved to Italy with his family at the age of 2 when his father became an official of the United Nations. He attended his early and middle schooling in an international college in Rome until the late 1980s when he left for the U.K to further his studies at the University of Warwick, majoring in politics and sociology.
Though shadowed by his studies, TinTin set time to strengthen his musical talents and expanded his creative abilities by playing in R&B and Rock groups, holding several hip-hop dance events and especially developing his DJ capabilities by rigorously working with various clubs and parties.
In 1991, he returned to Italy and put his dj angle to play by working for a renowned, Soul/ R&B station, known as ‘Radio Centro Suono’. His creativity, knowledge of the industry, the special blend of his voice and delivery, made him and the show the hottest trend in town. Requests poured in for him to interview visiting and local artists and to collaborate at major events and concerts. The popularity of Tintin guided him more into the entertainment field catapulting him into a status promoter for the radio and Vj (video jockey) for Orbit Satellite Television, granting him extra audience exposure in the Middle East as well. With the same sprint, the clubs in Italy swiftly welcomed his style of deejaying, snapping him up for work all over the country in clubs such as: Akab, Harlem, Spago, Baja, Blues Cafe, Open bar, Classico, Goa, Cocoa, The Saint, Cafe Latino, Black Planet, Ex-Magazzini, La Vetrina, Atom, Mantra, Woodo, La Saponeria, Millennium, Dry Dock, My Toy, MichelemmଠTribe Notturne, Brumama, Makkeroni, Gasoline, Shocking, Prince, Rock Cafe, Saatchmo, Cabiria, Dune and many more??
Tintin’s transfer to Radio Monte Carlo, Milano in 1999 to conduct the extravagant ‘Monte Carlo nights’ radio show, pushed him further into production, songwriting and recording. His many projects include collaborations and production work for: Twilight records ‘Urban Chill’, dance music productions with Feel Reel records and Dr.Feelx, Italian and International projects with Cenere, Papasun Style, Romina Johnson, Afro Cuba Beat, Gazzara (Irma records), soundtracks for CAM, Six AM project for X-Energy, Gospel music with Chicago Gospel Choir and Beepop/Doowop with the Platters. The desire to satisfy even the Latin quarter inspired Tintin’s neo-Latino hip-hop debut groove, ‘Baila Cochero’, released on AloMuzik LLC USA in 2001 which was soon followed by the reggaeton inspired top selling single, ‘Chico Te Amo’ released under the umbrella name of ‘TST PROJECT’ on Universal Records, Italia in 2004.
His return to Radio as Vj on the Hit channel/RTL radio later that year signaled his staying power in this genre, demonstrating what he says: ‘I’m back and the best is yet to come’. A true multidimensional artist worth tracking and surely one of the most popular artist/dj ambassadors to hip-hop and R&B music in Italy and Europe. Africa look out!
In November 2005, Tintin returned to Nigeria where he began to put his multidirectional skills to the service of the entertainment sector and set up MedSoul, an entertainment solutions company/record label. In August 2006, Tintin was the anchorman of the popular Nigerian Breweries television reality show ‘Gulder Ultimate Search III’, an experience that was bittersweet as his real potential was not properly used nor understood by the production company.
This did not demoralize him as he went on focusing on his goals. In 2007, Tintin’s MedSoul devised and executed a whole range of radio and television advertorials for the Yaradua and Goodluck Presidential campaign. These productions were what brought back the thirst for radio, not only from a production and programming perspective but also as a presenter like the days of old….
Here we are in 2009, the setting is Classic FM 97.3, 18 years after his radio debut, and Tintin is still taking things to another level.
Broadcasting
Lebara Nigeria Launches Lebara Play, Africa’s First Telecom-Owned Micro-Drama Platform

Lebara Nigeria has announced the launch of Lebara Play, described as Africa’s first telecoms-owned micro-drama platform aimed at expanding opportunities for African storytellers and distributing local content to global audiences.

The company said the platform is designed to support creators by providing a new distribution channel for African narratives while making content accessible to both subscribers and non-subscribers worldwide.
Lebara Nigeria added that the platform will debut with an original production titled Imported Bahu, produced by Forever 7 and starring Osas Ighodaro.
The project is directed by Hamisha Daryani Ahuja, known for her work on Namaste Wahala, and is positioned as the first in a series of original content offerings.
According to the company, Lebara Play is built to serve both creators and audiences, with a focus on showcasing African stories to a global market and strengthening the continent’s growing digital entertainment ecosystem.
Speaking on the company’s vision at the launch, Teniola Stuffman, chief executive officer, Lebara Nigeria, said the organisation was focused on building a telecommunications ecosystem that combined innovation, connectivity, and customer-centric digital experiences.
Stuffman said, “This platform represents an important step in our vision of building a telecommunications brand that delivers more than connectivity. We are creating an ecosystem where technology, innovation, and entertainment come together to provide meaningful experiences for customers while unlocking new opportunities for creative talent and content development across Africa.”
Beyond entertainment, she said, industry stakeholders believed the initiative demonstrated how global telecommunications expertise could be adapted to local market realities.
“Drawing from decades of experience across multiple international markets, Lebara is expected to introduce additional innovative services aimed at enhancing convenience, engagement, and value for Nigerian consumers,” she said.
Stuffman added that the company’s strategy reflected growing recognition that today’s telecom customers demanded more than network access, pointing out that consumers increasingly seek brands that offer seamless digital experiences, personalised services, and access to content that enriches everyday life.
Stuffman stated that LebaraPlay also aligned with the company’s commitment to supporting Africa’s creative economy by creating new distribution channels for content creators, producers, and digital storytellers.
“Through a combination of original productions and strategic partnerships, the platform seeks to create opportunities for talent while delivering quality entertainment to audiences,” she said.
Hamisha Daryani, founder of Forever7 Entertainment, expressed excitement over the partnership with Lebara Nigeria and the premiere of her latest micro-drama series on the LebaraPlay platform.
She stated that Lebara’s customer-centric vision aligns closely with the values of Forever7 Entertainment, making the collaboration a natural fit for both organisations.
Daryani revealed that the new microdrama featured a star-studded cast drawn from both Bollywood and Nollywood, in a compelling romantic story designed specifically for mobile audiences.
According to her, the production is developed with mobile-first consumers in mind, delivering premium entertainment in short, engaging formats at an affordable cost.
“Microdrama, which typically consists of short episodes of about three minutes, is redefining how audiences consume entertainment. It offers a convenient, immersive, and affordable viewing experience for people who increasingly access content through their mobile devices,” she said.
She added that the platform was created to support seamless creative expression while providing new opportunities for content creators across the continent.
Daryani further explained that the microdrama format has already achieved significant success in Asia and the Americas and is now gaining traction across Africa.
She said the initiative would create opportunities for emerging creatives through knowledge sharing, skills development, content curation, and industry collaboration, with the Nigerian rollout of the featured series expected to commence in July.
Broadcasting
CANAL+ Partners Samsung to Pre-Load DStv Stream on New Samsung TVs In Nigeria, Other African Countries

Following an expanded partnership between CANAL+ and Samsung Electronics, the DStv Stream app will now be pre-installed on new Samsung Smart TVs sold in Nigeria and 17 other African countries.

The agreement covers English and Portuguese-speaking African markets, including Nigeria, Kenya, Angola, Tanzania, Uganda, Zambia, Zimbabwe and South Africa. It marks the first pre-installation rollout of a MultiChoice Group streaming application on Samsung Smart TVs.
The development comes after the completion of the combination between CANAL+ and MultiChoice Group. It also extends an existing relationship between both companies that already spans 40 markets across Europe, French-speaking Africa, and Asia.
Through the integration, Samsung customers can now access DStv Stream directly from the television home screen. The app provides access to premium sports and entertainment content, including coverage of the FIFA World Cup 2026, English Premier League football, domestic and international rugby, and local and international television programming.
With the introduction of this connected television which kicked off on June 1, televisions can now connect to the internet, allowing users to stream content directly without requiring a separate decoder or satellite dish. The pre-installation of the app removes the need for users to search for and download it themselves, reducing friction and improving content discoverability.
The rollout is one of the first major distribution initiatives following the integration of CANAL+ and MultiChoice. The combined group has identified streaming growth and enhanced digital distribution as key priorities across Africa, where connected television adoption continues to increase.
David Mignot, CEO of CANAL+ Africa and CEO of MultiChoice Group, affirmed, “We are delighted to extend our longstanding partnership with Samsung across new English and Portuguese-speaking African countries. It marks a significant milestone in the synergies created by the combination of CANAL+ and MultiChoice Group.
“Mignot added, “As viewing habits continue to evolve rapidly across the continent, strengthening the accessibility and discoverability of our content offer on connected devices is key. By expanding the availability of our applications on Samsung Smart TVs across key African markets, we are making it even easier for millions of MultiChoice Group’s subscribers to seamlessly access the content that define the uniqueness of the CANAL+ and MultiChoice Group experience.”
This extended partnership is expected to strengthen Samsung’s position as a key distribution partner for streaming services globally while providing CANAL+ and MultiChoice with a broader route to market as competition intensifies among international and regional streaming platforms across Africa.
Broadcasting
Court Deals Fresh Blow to NBC, Throws Out Appeal over Broadcast Fines

The Court of Appeal in Abuja has dismissed an appeal filed by the National Broadcasting Commission (NBC) challenging a Federal High Court judgment that restrained the commission from imposing fines on broadcast stations.

Delivering judgment, Justice Jane Esienanwan Inyang held that the appeal was fundamentally defective and therefore incompetent.
The appeal stemmed from a Jan. 17, 2024 judgment delivered by Justice Rita Ofili-Ajumogobia of the Federal High Court, Abuja, which barred the NBC from enforcing N5 million fines imposed on several broadcast stations in 2022.
The sanctions had been issued over allegations that the stations aired documentaries on banditry and insecurity considered by the commission to be capable of undermining national security.
The affected broadcasters included Multichoice Nigeria Limited, owners of DStv, TelCom Satellite Limited, Trust TV Network Limited and NTA StarTimes Limited.
The suit was instituted by Media Rights Agenda (MRA), which challenged the legality of the fines imposed by the commission.
In her ruling, Justice Inyang pointed to a discrepancy in the appeal documents, noting that the respondent before the Federal High Court was listed as the “National Broadcasting Commission,” while the notice of appeal identified the appellant as the “Nigerian Broadcasting Commission.”
According to the court, the inconsistency was substantial enough to deprive it of the jurisdiction required to entertain the appeal.
“The notice of appeal is the foundation of an appeal and a condition precedent to the exercise of appellate jurisdiction by this court,” the judge held.
Consequently, the appeal was struck out without consideration of the substantive issues raised by the commission.
The ruling represents another setback for the NBC in its efforts to defend its authority to sanction broadcast organisations through administrative fines.
In April 2026, the Court of Appeal similarly dismissed a separate appeal by the commission against another judgment that restricted its powers to impose fines on broadcasters.
Earlier, in May 2023, the Federal High Court in Abuja ruled that the NBC lacked the judicial authority to impose penalties on media organisations without recourse to the courts.
The controversy over the commission’s sanctioning powers dates back to March 2019 when the NBC imposed N500,000 fines on 45 broadcast stations for alleged violations of the Nigerian Broadcasting Code during the general elections.
At the time, the then Director-General of the commission, Is’haq Kawu, said the sanctions were imposed for ethical breaches and violations of broadcasting regulations.
Legal analysts say the latest judgment reinforces previous court decisions limiting the commission’s authority to impose fines on broadcasters without judicial intervention.
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