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TinTin, the “Koolness @ Classic FM

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His initiation into the music scene began at the age of 6 by learning the drums and progressing gradually to playing the piano, blowing the clarinet and mastering the percussions. With time, at a later age, in the early 1980s, he burgeoned as a multiskilled singer, songwriter, producer and arranger working with various emerging and established artists.
Born in Lagos, Nigeria in 1967, Augustine Imevbore a.k.a Tintin the Koolness, moved to Italy with his family at the age of 2 when his father became an official of the United Nations. He attended his early and middle schooling in an international college in Rome until the late 1980s when he left for the U.K to further his studies at the University of Warwick, majoring in politics and sociology.
Though shadowed by his studies, TinTin set time to strengthen his musical talents and expanded his creative abilities by playing in R&B and Rock groups, holding several hip-hop dance events and especially developing his DJ capabilities by rigorously working with various clubs and parties.
In 1991, he returned to Italy and put his dj angle to play by working for a renowned, Soul/ R&B station, known as ‘Radio Centro Suono’. His creativity, knowledge of the industry, the special blend of his voice and delivery, made him and the show the hottest trend in town. Requests poured in for him to interview visiting and local artists and to collaborate at major events and concerts. The popularity of Tintin guided him more into the entertainment field catapulting him into a status promoter for the radio and Vj (video jockey) for Orbit Satellite Television, granting him extra audience exposure in the Middle East as well. With the same sprint, the clubs in Italy swiftly welcomed his style of deejaying, snapping him up for work all over the country in clubs such as: Akab, Harlem, Spago, Baja, Blues Cafe, Open bar, Classico, Goa, Cocoa, The Saint, Cafe Latino, Black Planet, Ex-Magazzini, La Vetrina, Atom, Mantra, Woodo, La Saponeria, Millennium, Dry Dock, My Toy, MichelemmଠTribe Notturne, Brumama, Makkeroni, Gasoline, Shocking, Prince, Rock Cafe, Saatchmo, Cabiria, Dune and many more??
Tintin’s transfer to Radio Monte Carlo, Milano in 1999 to conduct the extravagant ‘Monte Carlo nights’ radio show, pushed him further into production, songwriting and recording. His many projects include collaborations and production work for: Twilight records ‘Urban Chill’, dance music productions with Feel Reel records and Dr.Feelx, Italian and International projects with Cenere, Papasun Style, Romina Johnson, Afro Cuba Beat, Gazzara (Irma records), soundtracks for CAM, Six AM project for X-Energy, Gospel music with Chicago Gospel Choir and Beepop/Doowop with the Platters. The desire to satisfy even the Latin quarter inspired Tintin’s neo-Latino hip-hop debut groove, ‘Baila Cochero’, released on AloMuzik LLC USA in 2001 which was soon followed by the reggaeton inspired top selling single, ‘Chico Te Amo’ released under the umbrella name of ‘TST PROJECT’ on Universal Records, Italia in 2004.
His return to Radio as Vj on the Hit channel/RTL radio later that year signaled his staying power in this genre, demonstrating what he says: ‘I’m back and the best is yet to come’. A true multidimensional artist worth tracking and surely one of the most popular artist/dj ambassadors to hip-hop and R&B music in Italy and Europe. Africa look out!
In November 2005, Tintin returned to Nigeria where he began to put his multidirectional skills to the service of the entertainment sector and set up MedSoul, an entertainment solutions company/record label. In August 2006, Tintin was the anchorman of the popular Nigerian Breweries television reality show ‘Gulder Ultimate Search III’, an experience that was bittersweet as his real potential was not properly used nor understood by the production company.
This did not demoralize him as he went on focusing on his goals. In 2007, Tintin’s MedSoul devised and executed a whole range of radio and television advertorials for the Yaradua and Goodluck Presidential campaign. These productions were what brought back the thirst for radio, not only from a production and programming perspective but also as a presenter like the days of old….
Here we are in 2009, the setting is Classic FM 97.3, 18 years after his radio debut, and Tintin is still taking things to another level.

 


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DG NCC Tasks University Dons on Research Commercialization, IP Management to Build Global Competitive Ecosystems

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Dr. John Asein, director-general, Nigerian Copyright Commission (NCC), has charged universities to leverage Intellectual Property (IP), innovation management and research commercialisation to build vibrant, sustainable and globally competitive ecosystems.

The DG stated this while delivering a paper on: ‘’Research Commercialisation, IP Policy and Innovation Management’’ at the Committee of Vice-Chancellors of Nigerian Universities (CVCNU) organised Business Clinic themed: Unlocking University-Driven Business Ecosystems: Innovation, Partnerships and Sustainable Enterprise Models in Abuja.

The programme was targeted at engaging Vice-Chancellors, principal officers and other key officers in Nigerian Universities in a practical dialogue on how to transit their institutions into thriving business ecosystems through innovation, enterprise development and strategic partnerships.

In his presentation, Dr. Asein, disclosed that Universities are now recognised as engines of national development and innovation hubs that must connect scholarship to business.

He noted that with over 300 Universities in Nigeria, there is need for structured pathways to turn ideas into commercial outcomes while attention should be focused on IP assets in our universities in order to harness them in a safe, sustainable and satisfactory manner.

The DG NCC speaking further on leveraging resources from the creativity locked up within the university system, harped on the need to harness the soft power of our youth as Nigeria’s most valuable natural resources are its people.

Drawing demography from Nigeria youthful population, he observed that over 70 percent of Nigerians who are under the age of 30 are mostly in the university system studying. These youths, he noted, shape cultures, technology and innovation through creativity and digital skills.

He tasked universities to become innovation factories where young people can explore ideas, protect their IP and grow startups by integrating innovation culture, entrepreneurship training and IP awareness into its learning environment.

He equally urged Universities to look beyond the sciences to commercialize traditional knowledge-based innovations and harness the potentials in the creative arts disciplines like music, visual arts, theatre arts and others for commercial outcomes.

Dr. Asein, recommended that universities as centres of learning, should take the lead in using the IP system for promoting education and learning, wealth creation, revenue generation and institutional development.

Underscoring the need for all universities to have an IP Policy, he noted that the Model developed by the Nigerian Copyright Commission in partnership with the CVCNU is a good starting point.

The Secretary-General, CVCNU, Prof. Andrew Haruna, presented the welcome address at the event while the Director, Technology Innovation and Commercialisation, NOTAP, Mrs. Adah H.N. Mokolo-Oladunke represented the Director-General, NOTAP at the event.

The 2025 CVCNU Business Clinic witnessed attendance from representatives of Public and Private Universities across the 36 States in Nigeria.

 


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US invests $115m in counter-drone tech for World Cup security

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US invests $115m in counter-drone tech for World Cup security

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The US Department of Homeland Security (DHS) will invest $115 million in counter-drone technology to safeguard the 2026 FIFA World Cup and events marking America’s 250th independence anniversary, creating a dedicated office for rapid drone system deployment.

Homeland Security Secretary Kristi Noem described drones as “the new frontier of American air superiority,” stressing the need to counter threats from drug cartels using unmanned aircraft for smuggling and surveillance, alongside incidents like a 2025 NFL stadium drone flight and 2024 New Jersey sightings.

The funding supports 11 World Cup host cities expecting over one million visitors, building on FEMA’s $250 million grants to those states and addressing risks heightened by cartels’ advancing tech, including a reported FBI tracking plot in Mexico.

DHS has conducted over 1,500 counter-drone missions since 2018, with the new Program Executive Office accelerating acquisitions amid President Trump’s border security push.


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Youth Talent Takes Center Stage as T2 Ignites High-Octane Rap Battles @ Carnival Calabar

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The energy at the Carnival Calabar Music Concert reached a new high as T2 introduced a first-ever rap battle platform, giving young Nigerians an electrifying stage to showcase their talent, creativity, and self-expression while competing for exciting prizes.

Held at the U.J. Esuene Stadium, the activation blended pulsating music, vibrant culture, and youthful energy into a dynamic celebration that kept thousands of carnival-goers fully engaged from start to finish.

Eight fearless contestants stepped into the spotlight, going bar for bar in an intense lyrical showdown. Rappers fused local languages, pidgin, and sharp punchlines, creatively weaving the T2 brand into their verses.

Anchored by the energetic hosting duo MC Double I and MC Princess, the rap battles thrilled over 16,000 attendees, including the Governor of Cross River State, Senator Bassey Otu, delivering an unforgettable showcase of youth talent and cultural expression.

With prizes including fridges, gas cookers, sound systems, and airtime top-ups, the competition remained fierce throughout the night. After two high-energy rounds narrowed the field to a five-man final duel, Emmanuel Eye emerged as the overall winner, taking home the grand prize — a fridge.

“I never expected this at all,” Emmanuel said. “I came to the concert like anyone else, and hearing about the T2 rap battle was a surprise. When I got the chance to perform, I just went for it. Being named the overall winner is amazing, and I’m grateful to T2 for creating this platform to showcase our talent.”

Beyond the stage performances, T2’s presence added a digital layer to the carnival experience. As part of its role as Digital Technology Partner of Carnival Calabar, the brand introduced the MyT2 App as a lifestyle companion, while also enabling line reactivations, airtime top-ups, and instant rewards for hundreds of attendees, blending technology seamlessly into the live celebration.

Commenting on the activation, Chinelo Manefo, Specialist, Events and Sponsorship at T2, said:

“The energy from both the rappers and the crowd was incredible. This platform reflects exactly what T2 aims to create — a celebration of youth, creativity, and culture, enhanced by technology that connects people and experiences. Seeing the audience so immersed shows how music and performance can empower the next generation.”

The Carnival Calabar Music Concert, headlined by Tiwa Savage, Timaya, and top local performers, was further energized by T2’s interactive rap battle platform. By blending music, culture, youth expression, and digital innovation, T2 reinforced its commitment to championing Nigeria’s next generation, giving young creatives a stage to shine while enriching how they experience the festival.

 


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