Broadcasting
Afreximbank Pledges Financial Support Nigeria’s DSO Project

The African Export-Import Bank (Afreximbank) has said that it will put up a financial mechanism to ensure the completion of Nigeria’s Digital Switch Over (DSO) project before the end of the year.

According to NAN, Benedict Oramah, Afreximbank president, disclosed this in Cairo, Egypt, when Lai Mohammed, minister of Information and Culture, led a team of DSO stakeholders on bilateral discussions on the project.
In April 2021, the National Broadcasting Commission (NBC) launched free set-top boxes as part of the digital switchover (DSO) in Lagos.
The initiative was to enable millions of Nigerians who cannot afford the subscriptions of Pay-TV platforms to enjoy digital television with good content from 60 channels.
Oramah said Afreximbank was impressed by the presentation and will make Nigeria a model for other African countries for DSO project financing.
“The move toward digital television is global, and it was impressive to see the seriousness with which the minister has been pursuing this,” he said.
“I have had several meetings with him in France, Nigeria, and he has come here with a very powerful delegation involving all the stakeholders.
“What we are looking out to do is to work with all the stakeholders, particularly the private sector, to put a financing mechanism in place to ensure that Nigeria saves more than $400 million of subsidy that would have been applied.
“When we are able to do this before the end of the year, the Nigerian government will benefit because we are going to free the spectrum that will be now sold for about two billion dollars to telecommunication companies.
“We assure you that we will put in place the financial structure that will work because we know that if we do it well in Nigeria, other African countries pursuing the same goal will take a cue from there.”
Oramah added that supporting the DSO project would create a platform that would accelerate the growth of Nigeria’s creative industry.
On his part, Mohammed noted that the creative industry is key in the diversification of Nigeria’s economy because, after agriculture, it employs a larger number of people, mostly women and the young population.
He said the project would also bridge the digital divide by establishing more equitable access, connecting the unconnected at the underserved and remote communities.
The minister recalled that at the beginning of the programme, the model adopted by the government, which was subsidy driven was not sustainable.
“When the programme started, government subsidised the STB, which was bought from the manufacturers for $30 per box and sold to consumers at $10 per box,” he said.
“Government was also paying the signal distributors and the middleware providers, but the subsidy regime can no longer be sustained.
“Right now, the government is not going to give any financial support again to the project, and that is why we have reengineered and rejigged the programme in a manner that it will be commercially viable.
“Government will only give support to the project in the areas of regulations, advocacy and formulation of policies.
“For instance, we have already amended the Broadcasting Code to protect local manufacturers, advertisers, and channel owners.”
Godfrey Ohuabunwa, chairman of STB Manufacturers in Nigeria, who presented the credit requirement to the Afreximbank, said they would require a total of $165 million.
According to him, $125 million is expected to fund an initial five million STB from the total of 20 million boxes needed in five years.
He said the signal distributors would require $30 million as well as $10 million for marketing and promotion.
Broadcasting
EFCC Arik Case: Witness Testifies on Receiver Manager Nominee’s Role in NG Eagle Shareholding


EFCC Arik
Broadcasting
NIPR Postpones Maiden PRICE Awards to January 25, 2026

Nigerian Institute of Public Relations (NIPR) has announced the postponement of its maiden annual Public Relations, Reputation, Ideas, Concepts and Excellence (PRICE) Awards and Prizes to January 25, 2026.

NIPR
The event, earlier scheduled for December 7, 2025, was deferred to accommodate stakeholders whose observance of Christmas festivities had commenced earlier than expected.
Chairman of the Organising Committee, Mr. Israel Opayemi, urged stakeholders to note the new date and prepare to participate in the ceremony.
He said the awards would motivate professionals, practitioners and scholars, while enhancing Nigeria’s global competitiveness in the public relations ecosystem and strengthening brand equity for all stakeholders.
Opayemi reaffirmed the Committee’s commitment to delivering a best-in-class award administration and ceremony, describing the PRICE Awards as a credible and enduring platform to identify, celebrate and elevate outstanding individuals, campaigns and organisations shaping the public relations landscape across sectors.
The development of the PRICE Awards peaked in September 2025 when the NIPR President and Chairman, Council, Dr. Ike Neliaku, inaugurated a 12-man committee to organise the maiden edition. The inauguration followed the Council’s adoption of the report of a technical team tasked with establishing the awards.
Broadcasting
Netflix Seals $82.7bn Deal to Acquire Warner Bros., HBO Max

Netflix has announced a landmark agreement to acquire Warner Bros. and HBO Max in a transaction valued at $82.7 billion, a move analysts say will reshape the global entertainment industry.

Netflix
The deal, which includes Warner Bros.’ film and television studios, HBO, HBO Max, and Warner Bros. Games, was unanimously approved by the boards of both companies. Under the terms, Warner Bros. Discovery (WBD) shareholders will receive $23.25 in cash and $4.50 in Netflix shares for each WBD share.
Netflix co-CEO Ted Sarandos described the acquisition as “a defining moment” for the streaming giant, noting that the company intends to maintain Warner Bros.’ current operations while expanding its production capacity.
“By combining Warner Bros.’ incredible library of shows and movies with Netflix’s culture-defining titles, we can give audiences more of what they love and help define the next century of storytelling,” Sarandos said.
The transaction is expected to close within 12 to 18 months, following the planned spin-off of WBD’s TV networks division, Discovery Global, in 2026. Netflix projects annual cost savings of $2–3 billion by the third year after completion and expects the deal to be accretive to earnings per share by year two.
Industry groups, including the Directors Guild of America and Cinema United, have raised concerns about the impact on movie theaters, while regulators are expected to scrutinize the deal over antitrust issues. Netflix has pledged to continue supporting theatrical releases, with Warner Bros.’ cinema commitments running through 2029.
Warner Bros. Discovery CEO David Zaslav hailed the agreement, saying it “combines two of the greatest storytelling companies in the world to bring to even more people the entertainment they love.”
Observers note that the acquisition comes 15 years after former Time Warner chief Jeff Bewkes dismissed Netflix as “the Albanian army,” underscoring the dramatic shift in the entertainment landscape.
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