Broadcasting
Etisalat-Sponsored ‘Kids Say the Darndest Things’ Begins Season 2 Broadcast

The broadcast of the season two of Nigeria’s leading family TV series, Kids Say the Darndest Things sponsored by most innovative telecommunications operator, Etisalat Nigeria, took off at the weekend on both terrestrial and satellite TV stations.
The season two premiere broadcast was full of wits, comic, surprises and excitement as the host, Tony Okungbowa, took the children through different segments of the show.
The Outstanding Kids Segment which is powered by Cliqlite, the bespoke educational product from Etisalat Nigeria, featured eight years old pianist, Joshua Akinotan.
His knowledge of music and mastery of the instrument could not be ignored, thus prompting a question about his years of experience playing the instrument. His claim of seven years visibly jolted the host who insisted on a duet with him. Tony’s efforts to perform a duet with him did not end well as he fell off from his seat.
In the Ask the Experts Segment, which focused on Old Technology featuring the trio of Akinwumi and Samuel, both 10 years of age and 11 years old Tiffany, their seeming inability to either identify or connect with the usage of some old appliances like the celluloid camera, stereo box and radio and video cassettes speaks to the evolvement of technology and how the younger generation are becoming victims of lack of historical education.
Seven years old Ireoluwa hugged the headlines in the Panel segment which also featured two other children, nine years old Eyita and Oluwatise, a 10 years old.
Her preference for Nigerian singer, D’banj set the tone for what was to be a hilarious session for the host and audience. Show host, Tony, had asked her which of the music star’s songs was her favourite and went on to suggest the hit track ‘Oliver twist’. This sparked off some debate over ‘Oliver Twist’ being the title of a song or a book.
Though the three children had agreed it was the title of a book, Eyita reasonably explained that it was the title of a book as well as a song. The audience appreciated her display of intelligence with rounds of applause.
Ireoluwa’s outspokenness was an electrifying point as she did not hold back her opinion when asked what has been the worst part of being a kid. Oluwatise was not going to spare his mother of perceived unequal treatment she gives him. He accused her of taking care of her needs first before considering his despite having ‘plenty money’.
For Eyita, being the third child out of four children has not been a completely pleasant experience as she risks being bullied by her older siblings. She could only respond with a nod when asked what her experience has been like, but not without some humour. These revelations kept the audience reeling with laughter.
Subsequent episodes of the TV series will be aired on both terrestrial and satellite TV Stations. These include NTA Network (Sat.9 am), STV (Sat. 9.30am) and Africa Magic, Channel 154 (Sun. 4 pm and 5pm on Wednesday). Others are WAPTV (Sat. 9.30 am) OGTV (Sat. 5.30pm), PRTV (Sat. 7.30pm), ABS (Sat. 5.30 pm) and Royal Roots TV (Sat. 9 am & 4 pm on Sunday).
Broadcasting
DG NCC Tasks University Dons on Research Commercialization, IP Management to Build Global Competitive Ecosystems

Dr. John Asein, director-general, Nigerian Copyright Commission (NCC), has charged universities to leverage Intellectual Property (IP), innovation management and research commercialisation to build vibrant, sustainable and globally competitive ecosystems.

The DG stated this while delivering a paper on: ‘’Research Commercialisation, IP Policy and Innovation Management’’ at the Committee of Vice-Chancellors of Nigerian Universities (CVCNU) organised Business Clinic themed: Unlocking University-Driven Business Ecosystems: Innovation, Partnerships and Sustainable Enterprise Models in Abuja.
The programme was targeted at engaging Vice-Chancellors, principal officers and other key officers in Nigerian Universities in a practical dialogue on how to transit their institutions into thriving business ecosystems through innovation, enterprise development and strategic partnerships.
In his presentation, Dr. Asein, disclosed that Universities are now recognised as engines of national development and innovation hubs that must connect scholarship to business.
He noted that with over 300 Universities in Nigeria, there is need for structured pathways to turn ideas into commercial outcomes while attention should be focused on IP assets in our universities in order to harness them in a safe, sustainable and satisfactory manner.
The DG NCC speaking further on leveraging resources from the creativity locked up within the university system, harped on the need to harness the soft power of our youth as Nigeria’s most valuable natural resources are its people.
Drawing demography from Nigeria youthful population, he observed that over 70 percent of Nigerians who are under the age of 30 are mostly in the university system studying. These youths, he noted, shape cultures, technology and innovation through creativity and digital skills.
He tasked universities to become innovation factories where young people can explore ideas, protect their IP and grow startups by integrating innovation culture, entrepreneurship training and IP awareness into its learning environment.
He equally urged Universities to look beyond the sciences to commercialize traditional knowledge-based innovations and harness the potentials in the creative arts disciplines like music, visual arts, theatre arts and others for commercial outcomes.
Dr. Asein, recommended that universities as centres of learning, should take the lead in using the IP system for promoting education and learning, wealth creation, revenue generation and institutional development.
Underscoring the need for all universities to have an IP Policy, he noted that the Model developed by the Nigerian Copyright Commission in partnership with the CVCNU is a good starting point.
The Secretary-General, CVCNU, Prof. Andrew Haruna, presented the welcome address at the event while the Director, Technology Innovation and Commercialisation, NOTAP, Mrs. Adah H.N. Mokolo-Oladunke represented the Director-General, NOTAP at the event.
The 2025 CVCNU Business Clinic witnessed attendance from representatives of Public and Private Universities across the 36 States in Nigeria.
Broadcasting
US invests $115m in counter-drone tech for World Cup security


Drone
The US Department of Homeland Security (DHS) will invest $115 million in counter-drone technology to safeguard the 2026 FIFA World Cup and events marking America’s 250th independence anniversary, creating a dedicated office for rapid drone system deployment.
Homeland Security Secretary Kristi Noem described drones as “the new frontier of American air superiority,” stressing the need to counter threats from drug cartels using unmanned aircraft for smuggling and surveillance, alongside incidents like a 2025 NFL stadium drone flight and 2024 New Jersey sightings.
The funding supports 11 World Cup host cities expecting over one million visitors, building on FEMA’s $250 million grants to those states and addressing risks heightened by cartels’ advancing tech, including a reported FBI tracking plot in Mexico.
DHS has conducted over 1,500 counter-drone missions since 2018, with the new Program Executive Office accelerating acquisitions amid President Trump’s border security push.
Broadcasting
Youth Talent Takes Center Stage as T2 Ignites High-Octane Rap Battles @ Carnival Calabar

The energy at the Carnival Calabar Music Concert reached a new high as T2 introduced a first-ever rap battle platform, giving young Nigerians an electrifying stage to showcase their talent, creativity, and self-expression while competing for exciting prizes.

Held at the U.J. Esuene Stadium, the activation blended pulsating music, vibrant culture, and youthful energy into a dynamic celebration that kept thousands of carnival-goers fully engaged from start to finish.
Eight fearless contestants stepped into the spotlight, going bar for bar in an intense lyrical showdown. Rappers fused local languages, pidgin, and sharp punchlines, creatively weaving the T2 brand into their verses.
Anchored by the energetic hosting duo MC Double I and MC Princess, the rap battles thrilled over 16,000 attendees, including the Governor of Cross River State, Senator Bassey Otu, delivering an unforgettable showcase of youth talent and cultural expression.
With prizes including fridges, gas cookers, sound systems, and airtime top-ups, the competition remained fierce throughout the night. After two high-energy rounds narrowed the field to a five-man final duel, Emmanuel Eye emerged as the overall winner, taking home the grand prize — a fridge.
“I never expected this at all,” Emmanuel said. “I came to the concert like anyone else, and hearing about the T2 rap battle was a surprise. When I got the chance to perform, I just went for it. Being named the overall winner is amazing, and I’m grateful to T2 for creating this platform to showcase our talent.”
Beyond the stage performances, T2’s presence added a digital layer to the carnival experience. As part of its role as Digital Technology Partner of Carnival Calabar, the brand introduced the MyT2 App as a lifestyle companion, while also enabling line reactivations, airtime top-ups, and instant rewards for hundreds of attendees, blending technology seamlessly into the live celebration.
Commenting on the activation, Chinelo Manefo, Specialist, Events and Sponsorship at T2, said:
“The energy from both the rappers and the crowd was incredible. This platform reflects exactly what T2 aims to create — a celebration of youth, creativity, and culture, enhanced by technology that connects people and experiences. Seeing the audience so immersed shows how music and performance can empower the next generation.”
The Carnival Calabar Music Concert, headlined by Tiwa Savage, Timaya, and top local performers, was further energized by T2’s interactive rap battle platform. By blending music, culture, youth expression, and digital innovation, T2 reinforced its commitment to championing Nigeria’s next generation, giving young creatives a stage to shine while enriching how they experience the festival.
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