Broadcasting
Netflix Ramps up Investment in African Stories with Exciting Titles from the Continent for 2022, 2023

Netflix yesterday presented a preview of what will be its programming for the end of 2022 and the beginning of 2023. Bringing together talent, filmmakers and press from South Africa and Nigeria, Netflix hosted See What’s Next Africa content showcase to spotlight its increased investment in Africa’s rich heritage of storytelling through exciting new projects that span a diverse range of genres and formats that will be available in 190 countries.

During the first half of 2022, Netflix in Africa released an exceptional slate of content from the sub-Saharan Africa region across multiple genres including the pan-African reality show Young, Famous & African, the South African action film Silverton Siege, the South African soapy drama series Savage Beauty, Netflix’s first Kenyan licensed branded series Country Queen, the first Netflix-owned Nigerian series Blood Sisters, a riveting south African crime documentary Senzo: Murder Of A Soccer Star and most recently, Justice Served. The response has been astounding with several of these titles landing on the Netflix weekly Global Top 10 lists which rank global and country lists for the most popular titles on our service, in addition to the Top 10 daily product rows on Netflix.
“We believe that Africa is one of the major creative centres for great storytelling that resonates around the world so it only makes sense for us to increase our investment with our slate with an even more exciting slate. We’re proud to continue creating global opportunities for the talented creatives of this great continent and sharing their authentic stories with our members in Africa and around the world.” said Dorothy Ghettuba, Netflix Director of Series in Africa.
As part of the company’s ongoing commitment to creating sustainable relationships with African storytellers, Netflix announced a multi-project partnership with acclaimed South African filmmaker Mandlakayise Walter Dube. Under the partnership, Mandla – who directed Netflix’s first commissioned African film Silverton Siege (and Kalushi) – will direct a variety of Netflix-owned projects which will be shared in due course. This partnership joins other multi-title agreements between the company and African creatives including Mo Abudu (and Ebonylife StudioS) and Kunle Afolayan (and KAP).
At the event, Netflix also gave a glimpse into the progress of the various projects being created by emerging filmmakers from the various initiatives the company introduced in the past year which include, the UNESCO & Netflix ‘African folktales, Reimagined’ Competition; the Netflix & NFVF Film Fund and the Realness Institute Episodic Lab.
Tendeka Matatu, Director of Local Language Films in Africa said, “We are working with top talent and filmmakers as well as exciting emerging voices from the continent. We are thrilled to expand our partnerships with Africa’s talented storytellers. With an ever-growing slate of series, movies and licensed content across a rich variety of best-in-class content across genres, we want to give our members more moments to share the joy that comes from being immersed in great stories made in Africa, to be watched by the world.”
At the event, Netflix previewed a diverse range of best-in-class exciting African content through exclusive promo reels and images. These include:
- Ludik (ZA) – Netflix’s first Afrikaans title series Ludik is set to burst onto screens globally on 26 August 2022. The racy, skop-skiet-en-donder six-part series features South African-born Hollywood actor Arnold Vosloo (Silvertone Siege) in the titular role of Daan Ludik alongside local heavyweight talents Rob Van Vuuren (Swys De Villiers), Diaan Lawrenson (Anet Ludik) and Zane Meas (Brigadier Davies).
- The Brave Ones (ZA) -From the one and only Akin Omotoso, this supernatural drama series is set in modern-day South Africa and is inspired by African folklore. The Brave Ones launches on the 16th September 2022 – more details about this exciting series will be released in the next coming days. The series was created by renowned film director, writer and actorAkin Omotoso, features Sthandile Nkosi, Sthandiwe Kgoroge, Bonko Khoza and Tony Kgoroge. More details about the series to follow shortly.
- Kings of Queenstown (ZA) – Kings of Queenstown tells the tale of a young soccer prodigy who must deal with his washed-up pro-footballer father while navigating some difficult choices. The series launches on the 4th of November and stars Zolisa Xaluva and directed by prolific South African director Jahmil XT Quebeka whose films, Knuckle City, Sew the Winter to My Skin and Of Good Report will also be available on Netflix later this year
- Earlier this year at the 4th South African Investment Conference, Netflix pledged an investment commitment of over ZAR920 Million across 4 productions in South Africa for 2022-2023. The four productions included One Piece – a global live action series currently being filmed at the Cape Town Film Studios, as well as two series which Netflix shared the launch dates at the content showcase: the highly anticipated series Blood & Water (ZA) making a season 3 return in November while How to Ruin Christmas: The Baby Shower (ZA) will premiere on 16 December. The fourth title in this investment revealed at the showcase event is the sequel of a much-loved South African film iNumber Number. iNumber Number: Fool’s Gold (ZA) is directed by Donovan Marsh (Hunter Killer, I am All Girls) and will see S’Dumo Mtshali and Presley Chweneyagae reprise their roles as buddy cops – this time, they’re tasked with cracking the biggest gold heist in African history. More details on this high-octane film will be shared closer to the launch date in 2023.
- Netflix also reaffirmed its commitment to reality by confirming the return of Young Famous and African (pan-Africa) which will start production soon to showcase some of Africa’s biggest stars as they go about their everyday fabulous lives. Look out for more details about the cast at a later date.
- Elesin Oba, The King’s Horseman (NG) – Based on the lauded play by Nobel laureate Wole Soyinka –Death and The King’s Horseman – this film, produced by Mo Abudu and her EbonyLife production company explores the collision between Yoruba traditions and British colonialism through the experience of a king’s horseman on the most important day of his life. The film, which will make its world premiere at the upcoming Toronto International Film Festival (TIFF) on September 10 – will launch on the service on November 4, 2022. The screen adaptation was written and directed by Biyi Bandele and stars Odunlade Adekola, Shaffy Bello and acclaimed musician Olawale ‘Brymo’ Olofooro as the Praise Singer.Entertainment fans can also look forward to Deyemi Okanlawon, Omowunmi Dada, and veteran actors, Jide Kosoko and Kevin Ushi, Jenny Stead, Mark Elderkin, Langley Kirkwood and a special appearance by acting legend Taiwo Ajai-Lycett and Ajoke Silva.
- Anikulapo (NG): Anikulapo – which formed part of the netflix multi-title agreement with Kunle Afolayan – is a one of a kind mystical folklore drama revolving around the life of Saro, a young zealous man seeking for greener pasture in the great Oyo Kingdom. However, unfolding events and his illicit affair with the king’s wife, Arolake leads to his untimely death and encounter with Akala, a mystical bird believed to give and take life. The film is directed by Kunle Afolayan and features Kunle Remi, Sola Sobowale, Aisha Lawal, Bimbo Ademoye, Debo Adedayo (Mr Macaroni) and Dele Odule. The film will launch on 30 September.
Netflix has also invested in a wide variety of licensed films and series that will make their debuts on Netflix this year. These include:
- Office Invasion (ZA, 10 August): Three friends believe their lives can’t get any worse after the mining company they work for is taken over by the owner’s degenerate son. That is, until the mine is targeted by a monstrous band of aliens looking to plunder the mine and exterminate all of its staff. A Sci-fi comedy feature directed by Gareth Crocker and Fred Wolmarans
- Lockdown (NG, 5 August): A couple attempt a high-risk, high-stakes jewellery heist at a department store.
- The Razz Guy (NG, 12 August): While preparing for an important business deal, an arrogant executive loses control of his voice after being cursed by an office cleaner.
- Wild is The Wind (ZA, 28 October): In a small racially segregated town, a corrupt cop struggles to take responsibility for his part in the wrongful arrest of a black teenager charged for the brutal murder of a young Afrikaans girl. Crime drama directed by Fabian Medea and stars Mothusi Magano.
- Disconnect 2 (KE, December): The sequel of a well-loved story about a self-centred Otis who falls victim to a wedding scam, months after volunteering to organise a destination wedding for his Nigerian investor buddy, who will arrive with the wedding party in two days, so he desperately enlists the help of a reluctant TK and friends. Produced and directed by David ‘Tosh’ Gitonga who will also have two more stories, a film Nairobi Half Life and a series Volume launching on the service in due course (dates to be confirmed at a later date).
To further delight fans of Nigerian stories, Netflix is bringing back 31 fan-favourite films from Nigeria which will be launched every day throughout the month of August. The films making their return to the service include The Ghost and the Tout, Merry Men: The Real Yoruba Demons, Elevator Baby, The Set Up, Love Is War, Sugar Rush, Up North, Nimbe, Merry Men 2: Another Mission, Coming from Insanity, The Vendor, The Wedding Party 2: Destination Dubai, Lara and the Beat, Living in Bondage: Breaking Free, 4th Republic, Lagos Real Fake Life, Anchor Baby, Light in the Dark, It’s Her Day, Hire a Woman, Alakada Reloaded, Nigerian Prince, Black Rose, Moms at War, The Delivery Boy, New Money, Seven and a half dates, The Millions, Last Flight to Abuja, Couple of Days and Payday.
Broadcasting
Obi, NDC Presidential Candidate Faces N50Bn Defamation Claim over Alleged Podcast Remark

Abayomi Arabambi, national vice chairman (South-West) of the Labour Party, has demanded a public apology, a retraction, and N50 billion in damages from Peter Obi, presidential candidate of the Nigeria Democratic Congress (NDC), over an alleged defamatory statement made during a podcast interview.

The demand was contained in a letter issued by the law firm Neplus Ultra Attorneys and signed by Anderson U. Asemota, Peter O. Asimegbe, and Stanley C. Eziefulle on behalf of Arabambi.
According to the letter, the legal dispute arose from comments allegedly made by Obi during the interview, where he reportedly stated that Arabambi “does not have an address.”
Arabambi’s legal team described the statement as false, malicious, and defamatory, arguing that it portrayed their client as a faceless individual without legitimacy, credibility, or standing in public life.
The lawyers further claimed that the interview was widely circulated on television stations and digital platforms, exposing Arabambi to public ridicule and damaging his reputation.
“Our client has had a known residential and business address, maintains professional and political affiliations within Nigeria, and has never been a person whose whereabouts or identity were unknown,” the letter stated.
The legal team maintained that the alleged publication caused embarrassment and harmed Arabambi’s public image and political standing.
As part of their demands, the lawyers called for an unreserved public apology to be aired on national television, published on Obi’s verified social media platforms, and carried as full-page apologies in national newspapers.
They also demanded the payment of N50 billion as compensation for the alleged injury to Arabambi’s reputation, dignity, political standing, and public image.
Broadcasting
Why We’re Partnering With NIHOTOUR To Bring Nigerians In South Africa Home – Steve Babaeko

When Nigerians began arriving back home on emergency flights following an ultimatum from anti-migrant groups in South Africa, Steve Babaeko, alongside The Nigerian Institute of Hospitality and Tourism (NIHOTOUR), saw an opportunity to step up for his fellow citizens.

Steve Babaeko
The CEO of X3M Ideas explains that he saw a deep obligation, one that had nothing to do with advertising and everything to do with hospitality. For Babaeko, it was a reminder that an agency owes a duty of care to the community it exists within.
That conviction shaped the creative agency’s partnership with the Nigerian Institute of Hospitality and Tourism (NIHOTOUR) for the newly launched ‘Welcome Home’ pilot programme at Murtala Muhammed International Airport (MMIA) in Lagos. Rather than simply crafting a messaging campaign around the crisis, X3M Ideas helped design a tangible, physical system.
“This wasn’t built as a campaign about a crisis,” Babaeko said. “It was a hospitality agency deciding what it owes its own citizens the moment they land.”
For Babaeko, what X3M has built is infrastructure, something returnees can physically walk through, use, and benefit from the instant they clear the arrival gate.
With the MMIA pilot now officially running, NIHOTOUR directs returnees to immediate support services and issues them a Returnee Card. This card grants individuals a free first night at partner hotels, immediate transport assistance from the airport, and fast-tracked business registration support.
Furthermore, the initiative features a dedicated Restart Desk to assist returnee entrepreneurs and tradespeople with job placement referrals and business registration. This operates alongside a public Homecoming counter that tracks the cumulative number of returnees welcomed, businesses restarted, and jobs facilitated.
Broadcasting
Spotify partners Afro Nation Portugal to expand African music experience

Spotify has announced a partnership with Afro Nation Portugal as the festival’s official sponsor and exclusive streaming partner for the 2026 edition, in a move aimed at bringing African music and festival experiences to a wider global audience.

The collaboration will provide fans with a dedicated Afro Nation destination on Spotify, featuring official festival playlists, participating artists and selected performance videos after the event.
The 2026 edition of Afro Nation Portugal is scheduled to hold from July 3 to July 5 in Portimão, Portugal.
Spotify said the partnership would enable fans to engage with the festival before, during and after the live event, regardless of their location.
The streaming platform noted that the initiative aligns with its continued investment in promoting African music and supporting its growing international audience.
Speaking on the partnership, Spotify’s Content Marketing Manager for Sub-Saharan Africa, Mr Rifumo Mdaka, described Afro Nation as a global showcase for African music and culture.
“Afro Nation is more than a festival; it is a global expression of African music, fan culture and creative influence.
“Our partnership is about helping that moment travel further through our first collaboration with Afro Nation of this nature.
“By bringing the festival to Spotify, we are giving fans a place to connect with the artists, performances and stories that define the festival long after the final set,” he said.
According to Spotify, the collaboration will also include exclusive festival content, artist discovery features, curated playlists and fan-focused storytelling.
The company said it would document the journey of a selected fan travelling to the festival as part of efforts to showcase the growing global appeal of African music.
Also speaking, Director of Global Partnerships at The Malachite Group and Afro Nation, Ms Clémence Blum, said the partnership represented a major step in expanding the festival’s global reach.
“Afro Nation has always been more than a festival. It is a platform built to celebrate African music, support artist breakthroughs and connect a global community through culture.
“Our partnership with Spotify reflects the shared role we both play in helping artists reach new audiences and giving fans deeper ways to engage with the music they love,” she said.
Spotify said selected live performances from the festival would be made available on the platform after the event, allowing fans around the world to relive the performances on demand.
The company added that the partnership reinforces its commitment to promoting African music, supporting artists and strengthening connections between creators and audiences across the globe.
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