Connect with us

Broadcasting

Netflix Ramps up Investment in African Stories with Exciting Titles from the Continent for 2022, 2023

Published

on

Kindly share this post

Netflix yesterday presented a preview of what will be its programming for the end of 2022 and the beginning of 2023. Bringing together talent, filmmakers and press from South Africa and Nigeria, Netflix hosted See What’s Next Africa content showcase to spotlight its increased investment in Africa’s rich heritage of storytelling through exciting new projects that span a diverse range of genres and formats that will be available in 190 countries.

During the first half of 2022, Netflix in Africa released an exceptional slate of content from the sub-Saharan Africa region across multiple genres including the pan-African reality show Young, Famous & African, the South African action film Silverton Siege, the South African soapy drama series Savage Beauty, Netflix’s first Kenyan licensed branded series Country Queen, the first Netflix-owned Nigerian series Blood Sisters, a riveting south African crime documentary Senzo: Murder Of A Soccer Star and most recently, Justice Served.  The response has been astounding with several of these titles landing on the Netflix weekly Global Top 10 lists which rank  global and country lists for the most popular titles on our service, in addition to the Top 10 daily product rows on Netflix.

“We believe that Africa is one of the major creative centres for great storytelling that resonates around the world so it only makes sense for us to increase our investment with our slate with an even more exciting slate. We’re proud to continue creating global opportunities for the talented creatives of this great continent and sharing their authentic stories with our members in Africa and around the world.” said Dorothy Ghettuba, Netflix Director of Series in Africa.

As part of the company’s ongoing commitment to creating sustainable relationships with African storytellers, Netflix announced a multi-project partnership with acclaimed South African filmmaker Mandlakayise Walter Dube. Under the partnership, Mandla – who directed Netflix’s first commissioned African film Silverton Siege (and Kalushi) – will direct a variety of Netflix-owned projects which will be shared in due course. This partnership joins other multi-title agreements between the company and African creatives including Mo Abudu (and Ebonylife StudioS) and Kunle Afolayan (and KAP).

At the event, Netflix also gave a glimpse into the progress of the various projects being created by emerging filmmakers from the various initiatives the company introduced in the past year which include, the UNESCO & Netflix ‘African folktales, Reimagined’ Competition; the Netflix & NFVF Film Fund and the Realness Institute Episodic Lab.

Tendeka Matatu, Director of Local Language Films in Africa said, “We are working with top talent and filmmakers as well as exciting emerging voices from the continent. We are thrilled to expand our partnerships with Africa’s talented storytellers. With an ever-growing slate of series, movies and licensed content across a rich variety of best-in-class content across genres, we want to give our members more moments to share the joy that comes from being immersed in great stories made in Africa, to be watched by the world.”

At the event, Netflix previewed a diverse range of best-in-class exciting African content through exclusive promo reels and images. These include:

  • Ludik (ZA) –  Netflix’s first Afrikaans title series Ludik is set to burst onto screens globally on 26 August 2022. The racy, skop-skiet-en-donder six-part series features South African-born Hollywood actor Arnold Vosloo (Silvertone Siege) in the titular role of Daan Ludik alongside local heavyweight talents Rob Van Vuuren (Swys De Villiers), Diaan Lawrenson (Anet Ludik) and Zane Meas (Brigadier Davies).
  • The Brave Ones (ZA) -From the one and only Akin Omotoso, this supernatural drama series is set in modern-day South Africa and is inspired by African folklore. The Brave Ones launches on the 16th September 2022 – more details about this exciting series will be released in the next coming days. The series was created by renowned film director, writer and actorAkin Omotoso,  features Sthandile Nkosi, Sthandiwe Kgoroge, Bonko Khoza and Tony Kgoroge. More details about the series to follow shortly.
  • Kings of Queenstown (ZA) – Kings of Queenstown tells the tale of a young  soccer prodigy who must deal with his washed-up pro-footballer father while navigating some difficult choices. The series launches on the 4th of  November and stars Zolisa Xaluva and directed by prolific South African director  Jahmil XT Quebeka whose films, Knuckle City, Sew the Winter to My Skin and Of Good Report will also be available on Netflix later this year
  • Earlier this year at the 4th South African Investment Conference, Netflix pledged an investment commitment of over ZAR920 Million across 4 productions in South Africa for 2022-2023. The four productions included One Piece – a global live action series currently being filmed at the Cape Town Film Studios, as well as two series which Netflix shared the launch dates at the content showcase: the highly anticipated series Blood & Water (ZA) making a season 3 return in November while How to Ruin Christmas: The Baby Shower  (ZA) will premiere on 16 December. The fourth title in this investment revealed at the showcase event is the sequel of a much-loved South African film iNumber Number. iNumber Number: Fool’s Gold (ZA) is directed by Donovan Marsh (Hunter Killer, I am All Girls) and will see S’Dumo Mtshali and Presley Chweneyagae reprise their roles as buddy cops – this time, they’re tasked with cracking the biggest gold heist in African history. More details on this high-octane film will be shared closer to the launch date in 2023. 
  • Netflix also reaffirmed its commitment to reality by confirming the return of Young Famous and African (pan-Africa) which will start production soon to showcase some of Africa’s biggest stars as they go about their everyday fabulous lives. Look out for more details about the cast at a later date.

 

  • Elesin Oba, The King’s Horseman (NG) – Based on the lauded play by Nobel laureate Wole Soyinka –Death and The King’s Horseman – this film, produced by Mo Abudu and her EbonyLife production company explores the collision between Yoruba traditions and British colonialism through the experience of a king’s horseman on the most important day of his life.  The film, which will make its world premiere at the upcoming Toronto International Film Festival (TIFF) on September 10 – will launch on the service on November 4, 2022. The screen adaptation was written and directed by Biyi Bandele and stars Odunlade Adekola, Shaffy Bello and acclaimed musician Olawale ‘Brymo’ Olofooro as the Praise Singer.Entertainment fans can also look forward to Deyemi Okanlawon, Omowunmi Dada, and veteran actors, Jide Kosoko and Kevin Ushi, Jenny Stead, Mark Elderkin, Langley Kirkwood and a special appearance by acting legend Taiwo Ajai-Lycett and Ajoke Silva.

 

  • Anikulapo (NG): Anikulapo – which formed part of the netflix multi-title agreement with Kunle Afolayan – is a one of a kind mystical folklore drama revolving around the life of Saro, a young zealous man seeking for greener pasture in the great Oyo Kingdom. However, unfolding events and his illicit affair with the king’s wife, Arolake leads to his untimely death and encounter with Akala, a mystical bird believed to give and take life. The film is directed by Kunle Afolayan and features Kunle Remi, Sola Sobowale, Aisha Lawal, Bimbo Ademoye, Debo Adedayo (Mr Macaroni) and Dele Odule. The film will launch on  30 September.

Netflix has also invested in a wide variety of licensed films and series that will make their debuts on Netflix this year. These include:

  • Office Invasion (ZA, 10 August): Three friends believe their lives can’t get any worse after the mining company they work for is taken over by the owner’s degenerate son. That is, until the mine is targeted by a monstrous band of aliens looking to plunder the mine and exterminate all of its staff. A Sci-fi comedy feature directed by Gareth Crocker and Fred Wolmarans
  • Lockdown (NG, 5 August): A couple attempt a high-risk, high-stakes jewellery heist at a department store.
  • The Razz Guy (NG, 12 August): While preparing for an important business deal, an arrogant executive loses control of his voice after being cursed by an office cleaner.
  • Wild is The Wind (ZA, 28 October): In a small racially segregated town, a corrupt cop struggles to take responsibility for his part in the wrongful arrest of a black teenager charged for the brutal murder of a young Afrikaans girl. Crime drama directed by Fabian Medea and stars Mothusi Magano.
  • Disconnect 2  (KE, December): The sequel of a well-loved story about a  self-centred Otis who falls victim to a wedding scam, months after volunteering to organise a destination wedding for his Nigerian investor buddy, who will arrive with the wedding party in two days, so he desperately enlists the help of a reluctant TK and friends. Produced and directed by David ‘Tosh’ Gitonga who will also have two more stories, a film Nairobi Half Life and a series Volume launching on the service in due course (dates to be confirmed at a later date).

To further delight fans of Nigerian stories, Netflix is bringing back 31 fan-favourite films from Nigeria which will be launched every day throughout the month of August. The films making their return to the service include The Ghost and the Tout, Merry Men: The Real Yoruba Demons, Elevator Baby, The Set Up, Love Is War, Sugar Rush, Up North, Nimbe, Merry Men 2: Another Mission, Coming from Insanity, The Vendor, The Wedding Party 2: Destination Dubai, Lara and the Beat, Living in Bondage: Breaking Free, 4th Republic, Lagos Real Fake Life, Anchor Baby, Light in the Dark, It’s Her Day, Hire a Woman, Alakada Reloaded, Nigerian Prince, Black Rose, Moms at War, The Delivery Boy, New Money, Seven and a half dates, The Millions, Last Flight to Abuja, Couple of Days and Payday.

 


Kindly share this post

Dear Reader, Your support matters. But we believe that technology makes life more exciting and helps improve the lives of people around Nigeria and indeed the world. That is why, we have devoted our energy to independent reportage of technology and finance and how they affect lives. Our incisive and analytical view of how technology news affects the daily life help individuals and organizations make up their minds. Quality journalism costs money. Today, we're asking that you support us to do more. Kindly support our effort to deliver technology and finance journalism to everyone in the world. Donate as little as N1,000. Bank transfers can be made to: UBA Plc 1017156876 Communication Week Media Ltd

Broadcasting

FG to Launch Nationwide Free Digital TV Platform June 17

Published

on

Kindly share this post

Federal government, yesterday, said that it will now  launch the so-called  FreeTV, with over 100 channels for news, sports, education, entertainment and children’s programming in multiple Nigerian languages on June 17.

DSO Now Ready for Nationwide Launch- Idris

National Broadcasting Commission (NBC) had initially scheduled for May 15 for the launch.

But the new date was announced by Mohammed Idris,  minister of Information and National Orientation, on Wednesday during a facility tour of NIGCOMSAT, alongside Dr Charles Ebuebu, director general of the National Broadcasting Commission (NBC) and other stakeholders.

Idris said the long-awaited migration from analogue to digital broadcasting had finally become a reality after years of failed attempts and delays, describing the project as a major breakthrough for Nigeria’s broadcasting industry.

“I have been grappling with this idea of the DSO for many years. Moving our transmissions from analogue to digital has now happened and is ready to be commissioned by June 17,” the minister said.

He revealed that several channels had already been bundled onto the platform, adding that the digital transition would transform broadcasting, advertising and television consumption across Nigeria and Sub-Saharan Africa.

According to him, the new platform introduces scientific audience measurement tools capable of tracking viewership patterns in real time, thereby giving advertisers reliable data for targeted campaigns.

“Now science is at play. If you are viewing a station, we know who is watching what and how many people are watching. Advertisers can now take informed decisions about the kind of programming Nigerians want to watch across all demographics,” Idris stated.

The minister said the collaboration between NIGCOMSAT, NBC, the Ministry of Communications and the Ministry of Information had made the digital transition possible, while commending President Bola Tinubu for providing the necessary support and resources.

He described previous DSO efforts as limited and expensive due to encrypted set-top boxes but noted that the new system would be free and accessible to millions of Nigerians.

“In the past, the boxes were encrypted and costly. Now this is free. Government has taken off some of those costs on behalf of Nigerians,” he said.

Idris stressed that unlike earlier pilot phases restricted to a few cities, the new digital platform would have nationwide and regional reach through NIGCOMSAT’s satellite infrastructure.

“Everybody can now watch whatever he wants in real time and painlessly. Free TV everywhere for everybody”, he declared.

The minister also hinted that the platform would challenge the dominance of existing pay-TV operators by offering Nigerians wider viewing options at no cost.

“I don’t want to always use the word ‘substitute’, but this offers opportunities you didn’t get before. You no longer have that monopoly again. Competition is going to set in. Content will grow and viewership will grow,” he said.

He added that the platform would initially launch in standard definition, SD, before quickly transitioning to high definition, HD, bringing Nigerian broadcasting in line with global standards.

“Soon after the launch, we are moving to HD. Nigeria will now compete globally. What you watch here is what you get anywhere,” Idris said.

The minister further disclosed that the service was already available via mobile application and had successfully undergone testing ahead of the official unveiling.

Also speaking during the tour, managing director and chief executive officer of NIGCOMSAT, described the collaboration between NIGCOMSAT and NBC as a strategic partnership that has strengthened service delivery and raised operational standards within Nigeria’s digital broadcasting ecosystem.

According to her, ongoing investments and satellite expansion plans under the current administration will guarantee reliable and continuous service delivery.

“The work has only just started. The work has only just begun,” she said.

Among those who accompanied the Honourable Minister on the tour were  Salihu Abdullahi Dembos, director-general, Nigerian Television Authority (NTA); Jibrin Baba Ndace, director-general, Voice of Nigeria (VON); Mohammed Bulama, director-general, Federal Radio Corporation of Nigeria (FRCN); and Lanre Issa-Onilu, director-general, National Orientation Agency (NOA), alongside other senior government officials and dignitaries.

 

 

 


Kindly share this post
Continue Reading

Broadcasting

Metro Digital, Nigerian Firm Accuses Multichoice Of Refusal to Obey Court Judgements

Published

on

Kindly share this post

Metro Digital Limited, a  licenced Indigenous broadcasting organisation,  has accused Multichoice, pay television company, of refusing to obey judgements emanating from Courts in Nigeria.

Metro Digital, Nigerian Firm Accuses Multichoice Of Refusal to Obey Court Judgements

It said the latest of such judgements is the one that was delivered by Justice Chinelo Odili of Rivers State High Court on May 4, 2026 in Suit No. PHC/3943/FHR/2025.

Dr. Paul Osuji, operations manager of Metro Digital,  at a press conference in Port Harcourt, Rivers State,

said the suit was filed by the organisation and two others against Multichoice and the Economic and Financial Crimes Commission (EFCC).

Osuji stated that Justice Odili has in the judgement described the arrest of a staff member of the company and the carting away of it’s properties and disruption of it’s broadcasting business by the EFCC over a civil dispute of copyrighy as unlawful and violations of the applicants’ rights.

The manager recalled that in October 2025, Multichoice instigated the EFCC to read their office in Port Harcourt, arrested a staff of the company and staff of another company, while the suit was still pending.

“On October 16, 2025, the premises of Metro Digital Limited, a licenced indigenous broadcasting organisation was raided by the Nigerian anti-graft agency, EFCC, instigated by Multichoice Nigeria, purportedly acting on a preservation order made by the Federal High Court sitting in Port Harcourt over the sub licensing of broadcasting content right.

“The preservation order came from a civil dispute already adjudicated by the Court of Appeal No. CA/CS/188/2021 – Multichoice Vs Metro Digital Limited and 20 others, which is a subject of a pending appeal -No. SC/CV/1248/2022 -Multichoice and 20 others before the Supreme Court.

“Instructively, while suit No. PHC/ 3943/ FHR/2025 was still pending, Metro Digital Limited filed an application to set aside the said preservation orders of the Federal High Court sitting in Port Harcourt and presided over by Hon. Justice A.T Mohammed.

“In his ruling delivered on December 10, 2025, set aside the preservation orders and it’s legal execution on Metro Digital Limited. The court also ordered EFCC to return unconditionally all the properties and records of Metro Digital Limited, illegally and unlawfully carted away during the raid but the agency has till today not obeyed those orders of the Court,” he said.

Metro Digital Limited is known for operating SLTV, a direct-to-home satellite television service launched to provide affordable, locally-owned alternatives to international pay TV


Kindly share this post
Continue Reading

Broadcasting

Court Stops NBC From Punishing Broadcasters over On-Air Opinions

Published

on

Kindly share this post

A Federal High Court in Lagos has restrained the National Broadcasting Commission (NBC) from sanctioning or punishing broadcast stations and presenters over the expression of personal opinions, alleged bullying of guests, or failure to maintain neutrality on air.

Court Stops NBC From Punishing Broadcasters Over On-Air Opinions

NBC

Justice Daniel Osiagor granted the interim injunction following an ex parte application filed by the Socio-Economic Rights and Accountability Project (SERAP) and the Nigerian Guild of Editors (NGE).

The court specifically restrained the NBC, its officers, agents and affiliated persons from enforcing its recently issued “Formal Notice” or imposing sanctions, fines or penalties on broadcasters based on provisions of the 6th Edition of the Nigeria Broadcasting Code, pending the hearing and determination of the substantive suit.

SERAP and NGE had approached the court to challenge what they described as an arbitrary and unlawful move by the commission to punish broadcasters for allegedly expressing personal opinions as facts, bullying or intimidating guests, or failing to maintain neutrality during programmes.

The groups also asked the court to determine whether the provisions of the Nigeria Broadcasting Code relied upon by NBC were inconsistent with the 1999 Constitution, as amended, and Nigeria’s international human rights obligations.

The suit followed an April statement by the NBC in which it raised concerns over what it described as increasing violations of the broadcasting code across news, current affairs and political programmes.

The commission had warned that presenters who expressed personal opinions as facts or bullied guests during live broadcasts would be sanctioned.

However, Justice Osiagor, in his ruling, held that pending the hearing of the substantive matter, the commission must refrain from using the formal notice to threaten, sanction or punish broadcast organisations and on-air personalities under the contested code provisions.

The matter was adjourned until June 1, 2026, for hearing of the motion on notice.


Kindly share this post
Continue Reading

Trending