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OMG, Partners Unveil Nigerian Idol Top 12

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Franchise owners of Nigerian Idol TV Reality Show, Optima Media Group (OMG), has unveiled the last 12 contestants in the on-going season 5 of the show.

The unveiling which took place at the Dream Studios, Ojodu-Omole at the weekend was in association with Show sponsor, Etisalat Nigeria and partners, Payporte, Cool Fm, Tantalizers, Tom Tom, Zaron, Dabur Toothpaste, So-Klin, ORS and Ellen Suites.

The top 12 most outstanding acts will be squaring up against one another from the week of April 26 for the N7.5 million top spot cash reward as well as other multi-million naira juicy offers chief among which include a recording deal with South Africa-based Universal Music label and a brand new SUV car.

They had beaten 20 others to make the cut.

The contestants include Ogunmoyero Modolowamu (Dolu), Oyinkepreye Deborah Toun (Preye), Janet Ebiwari Ayoka (Ayoka), Godson Goodluck (Classic Tunez), Ogunrombi Kunle (K-Peace), Esther Aritheshoma Monday (Sther), Adigwe Brenda Ada (Brenda), Ekeoma Victor Chibuzor (Prime), Paul Manuwa (P.Scholes), Okemiri Uloma Margaret (Uloma), Omodele Diana Fatoki (Modele) and Ese-Amadasun Imuetiyan (Nex2).

For some, making the top 12 cut was a rather easier task with a lot of thanks to their performances and the public voting process. Others had to travel the nervy route laden with uncertainties, happenstance and the Judges’ Wild Card to get to this stage.

In the first eviction show featuring 10 contestants from an initial pool of 30, Prime, Dolu and Preye expectedly got the nod ahead of seven others after posting outstanding performances to position as the brightest choices of both the judges and the viewing public.

The second batch was dubbed the ‘group of Death’ on the strength of its consisting of the competition’s leading contenders in Brenda, Modele, Sther, Tama Nisa, Shayee and Classic Tunez.

At the end of proceedings, Brend, Tama Nisa and Nex2 emerged victorious, but not without some displeasure from the judges over Nex2’s qualification.

He had been dubbed the ‘worst performer’ from the pack. Tama Nisa however, pulled out of the competition on health grounds, and was subsequently replaced by Classic Tunez who had to prove his mettle after returning to the show on the Judges Wild Card platform. 

The third batch threw up the likes K-Peace, Ayoka and Uloma whose qualification raised some eyebrows especially from the Judges and a section of the viewing public that rated her performance below par.

Sther, Modele and P.Scholes were picked to complete the puzzle by the judges through the wild card route. They had to fend off last minute competition notably from Oluchi, Sopriye and Precious.

The Top 12: Who Are They?

Dolu, real name Ogunmoyero Modolowamu, is a 25-years old civil servant from Ondo State who currently lives in Benin. She emerged as one of the three outstanding performers from the first batch. She was auditioned in Ibadan.

Oyinkepreye Deborah Toun is known on the Show by the stage name, Preye. She is a 24 years old indigene of Bayelsa state who currently lives with her family in Lagos. She a professional make-up artiste, and auditioned in Benin City.

25 years old Janet Ebiwari Ayoka is known on Stage as Ayoka, an indigene of Ondo state. She was auditioned in Lagos where she currently lives in.

Godson Goodluck goes by the Stage name, Classiq Tunez. The 25 years old from Imo state is a fresh graduate, and was auditioned in Ibadan.

Ogun state born K-peace, real name Ogunrombi Kunle is 32 years old and into music as a performing artiste. He is one of the leading lights in the current season with his infusion of Fuji brand of music. He auditioned in Lagos.

23 years – old Esther Aritheshoma Monday is from Delta State, and an entertainer. Known by the stage name, Sther, she represents the Show’s story of transformation.

Discovered as a Tomboy in Port Harcourt during the auditions, she has gone on to position herself as a no-pushover for the top prize.

19 years old Adigwe Brenda Ada with the stage name, Brenda hails from Delta State. She is a multi-talented entrepreneur and one of the several contestants with command performance during the group stage. She auditioned in Lagos

Gentle-looking Ekeoma Victor Chibuzor, an indigene of Abia state is a musician and just 23 years of age.

He is known on the Show as Prime, and will be expected to offer viewers best of performances.

Soft-spoken Paul Manuwa with the Stage name, P.Scholes is an indigene of Delta state. He is a 22 years old student. A good singer, but must overcome shyness to compete more favourably at this stage of the competition.

Uloma had a rather forgettable nervous performance during the group stage, but still pulled through. Born Okemiri Uloma Margaret from Abia state, the 24 years old is a 300 Level student of the University of Port Harcourt, Rivers State where she is studying Linguistics and Communication Studies.

Uloma auditioned in Ibadan and got a golden ticket after missing out in Port Harcourt.

Modele’s voice maturity and composure on stage were too precious to be overlooked by the Judges who brought her back to the show through the Wild Card option. The 27 years old student from Ogun State was born Omodele Diana Fatoki. She auditioned in Lagos.

Nex2 has not started his Nigerian Idol Season 5 campaign on a better note, despite making it to the top 12 in season 4.

His qualification drew the ire of the judges who had rated his performance very awful and did not consider him a contestant to get a look in.

His real name is Ese-Amadasun Imuetiyan from Edo state. He is 23 years old and a student. He auditioned in Benin City.

Nigerian Idol Top 12 Finalists, Ese Amadasun Idowu (Nex2), Ogunrombi Olakunle  Koya (K-Peace), Ekeoma Victor Chibuzo (Prime), Akunwa Godson Goodluck (Classiqtunez) and Manuwa Paul (P. Scholes),  during the unveiling of Nigerian Idol season 5 top 12 contestants held at the OMG Dream Studios, Omole-Ojodu, Lagos on Saturday.

 


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NITDA, NBC Explore Strategic Collaboration on Digital Transformation, Media Regulation

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The Director General of the National Information Technology Development Agency (NITDA), Kashifu Inuwa CCIE, has reaffirmed the agency’s commitment to deepening inter-agency collaboration as he received the Director General of the National Broadcasting Commission (NBC), Mr Charles Ebuebu, on a courtesy visit aimed at exploring strategic partnerships in digital transformation and regulatory frameworks across Nigeria’s media and technology sectors.

Speaking during the meeting, Inuwa stated that digital transformation and regulation are inseparable in Nigeria’s rapidly evolving digital ecosystem. He also emphasised that digital transformation is not a one-off project but a continuous journey that requires constant improvement, periodic target-setting, and organisational adaptability to emerging realities.

According to the NITDA boss, the agency deliberately embarked on a transformational journey to reposition itself from a traditional civil service structure to a high-velocity, smart public sector organisation. He noted that when the agency began its transformation drive, a significant percentage of its workforce came from the mainstream civil service, bringing with it entrenched bureaucratic mindsets and rigid operational practices. This, he said, necessitated a conscious decision to change the narrative.

“More than 70 or 80% of our staff came from the mainstream public service, and we know the mindset of public servants, so we started changing that narrative by focusing on people, resetting mindsets, building capacity, and fostering a culture that supports innovation and accountability,” he noted.

Inuwa explained that NITDA’s approach to digital transformation was anchored on three core pillars: people, processes, and technology. He stressed that no matter how advanced technology may be, it cannot deliver value without the right people and efficient processes in place.

He further disclosed that the agency undertook a comprehensive cultural reorientation programme, supported by cultural audits and initiatives aimed at creating psychological safety within the organisation.

“This was critical to enabling staff at all levels to freely contribute ideas, challenge existing processes constructively, and engage in horizontal and vertical collaboration without fear of reprisal,” he stated.

He noted that culture remains the foundation upon which any successful strategy must stand, adding that “no matter how good a strategy is, without the right culture, execution will fail.”

Providing further insight into the transformation journey, he explained that NITDA adopted an integrated framework encompassing people, process, culture, content, and technology. Through this framework, the agency identified and addressed deeply rooted bureaucratic tendencies such as command-and-control structures, risk aversion, and excessive dependence on directives from senior leadership.

According to the DG, “these reforms paved the way for trust-based delegation, inter-departmental collaboration, and process optimisation”.

He further revealed that NITDA documented over 396 internal processes and subsequently streamlined them to eliminate inefficiencies and repetitive executive approvals. He cited examples where routine operational tasks that previously required multiple approvals at the Director General’s level were redesigned to empower departments as gatekeepers, allowing leadership to focus on strategic priorities.

This process optimisation, he said, also created the foundation for automation and the integration of digital tools.

On capacity building, the DG disclosed that all NITDA staff underwent mandatory artificial intelligence (AI) training, reinforcing the agency’s position that AI is a tool for enhancing productivity rather than replacing human capital.

He noted that staff across departments are now leveraging AI to improve workflows, generate ideas, and transition from manual administrative roles to AI-enabled system administration.

Inuwa added that technology deployment at NITDA is deliberately driven by business value rather than trend adoption, stressing that technology must support clearly defined processes and organisational objectives.

He announced that the agency has developed a comprehensive digital transformation playbook, capturing lessons learned from its journey, which it is willing to share with NBC and other government institutions.

To advance collaboration with NBC, Inuwa proposed concrete areas of partnership, including sharing the agency’s digital transformation playbook, delivering tailored training and capacity-building programmes, enrolling NBC staff in digital literacy initiatives developed with global technology partners such as Cisco, and providing technical support for modernising regulatory frameworks to align with the evolving digital and media ecosystem.

Earlier in this remark, Mr Ebuebu called for deeper collaboration between the NBC and NITDA, describing the partnership as long overdue in the face of rapid media and technology convergence.

He noted that although he has had several insightful interactions with the DG NITDA in the past, it was important to institutionalise cooperation between both agencies to address emerging developments in media, technology, data governance, and Nigeria’s digital future.

While calling for closer ties between the two agencies, he emphasised that a strategic partnership between NBC and NITDA is critical to effectively regulate the evolving media ecosystem, harness technology for content creation and distribution, promote the growth of local media, facilitate knowledge transfer, and protect Nigeria’s cultural and national interests.


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DG NCC Tasks University Dons on Research Commercialization, IP Management to Build Global Competitive Ecosystems

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Dr. John Asein, director-general, Nigerian Copyright Commission (NCC), has charged universities to leverage Intellectual Property (IP), innovation management and research commercialisation to build vibrant, sustainable and globally competitive ecosystems.

The DG stated this while delivering a paper on: ‘’Research Commercialisation, IP Policy and Innovation Management’’ at the Committee of Vice-Chancellors of Nigerian Universities (CVCNU) organised Business Clinic themed: Unlocking University-Driven Business Ecosystems: Innovation, Partnerships and Sustainable Enterprise Models in Abuja.

The programme was targeted at engaging Vice-Chancellors, principal officers and other key officers in Nigerian Universities in a practical dialogue on how to transit their institutions into thriving business ecosystems through innovation, enterprise development and strategic partnerships.

In his presentation, Dr. Asein, disclosed that Universities are now recognised as engines of national development and innovation hubs that must connect scholarship to business.

He noted that with over 300 Universities in Nigeria, there is need for structured pathways to turn ideas into commercial outcomes while attention should be focused on IP assets in our universities in order to harness them in a safe, sustainable and satisfactory manner.

The DG NCC speaking further on leveraging resources from the creativity locked up within the university system, harped on the need to harness the soft power of our youth as Nigeria’s most valuable natural resources are its people.

Drawing demography from Nigeria youthful population, he observed that over 70 percent of Nigerians who are under the age of 30 are mostly in the university system studying. These youths, he noted, shape cultures, technology and innovation through creativity and digital skills.

He tasked universities to become innovation factories where young people can explore ideas, protect their IP and grow startups by integrating innovation culture, entrepreneurship training and IP awareness into its learning environment.

He equally urged Universities to look beyond the sciences to commercialize traditional knowledge-based innovations and harness the potentials in the creative arts disciplines like music, visual arts, theatre arts and others for commercial outcomes.

Dr. Asein, recommended that universities as centres of learning, should take the lead in using the IP system for promoting education and learning, wealth creation, revenue generation and institutional development.

Underscoring the need for all universities to have an IP Policy, he noted that the Model developed by the Nigerian Copyright Commission in partnership with the CVCNU is a good starting point.

The Secretary-General, CVCNU, Prof. Andrew Haruna, presented the welcome address at the event while the Director, Technology Innovation and Commercialisation, NOTAP, Mrs. Adah H.N. Mokolo-Oladunke represented the Director-General, NOTAP at the event.

The 2025 CVCNU Business Clinic witnessed attendance from representatives of Public and Private Universities across the 36 States in Nigeria.

 


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US invests $115m in counter-drone tech for World Cup security

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US invests $115m in counter-drone tech for World Cup security

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The US Department of Homeland Security (DHS) will invest $115 million in counter-drone technology to safeguard the 2026 FIFA World Cup and events marking America’s 250th independence anniversary, creating a dedicated office for rapid drone system deployment.

Homeland Security Secretary Kristi Noem described drones as “the new frontier of American air superiority,” stressing the need to counter threats from drug cartels using unmanned aircraft for smuggling and surveillance, alongside incidents like a 2025 NFL stadium drone flight and 2024 New Jersey sightings.

The funding supports 11 World Cup host cities expecting over one million visitors, building on FEMA’s $250 million grants to those states and addressing risks heightened by cartels’ advancing tech, including a reported FBI tracking plot in Mexico.

DHS has conducted over 1,500 counter-drone missions since 2018, with the new Program Executive Office accelerating acquisitions amid President Trump’s border security push.


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