Broadcasting
Pay TV Subscribers Call for Pay Per View Technology

Pay TV subscribers in Nigeria have appealed to the relevant regulatory bodies in the nation’s broadcast industry to compel Pay TV operators in the country to introduce the Pay As You View option to enable them get services commensurate with what they pay, according to Tribune Business.
A survey carried out among a cross- section of subscribers in the country revealed that while a negligible few still prefer the present arrangement of a monthly subscription, majority of the subscribers see the Pay As You View option as the best for them in a country, with a huge infrastructure gap like Nigeria.
For instance, the issue of erratic power supply and the viewing challenge usually associated with bad weather, they argued, had made the Pay As You View option imperative.
The Pay TV option enables the subscriber to pay for the exact number of hours such subscribers spend watching a programme on a Pay Tv channel.
A subscriber with one of the oldest Pay TV platforms in the country, Felix Ayedun, believes the Pay As You View (PAYV) option remains the best option for subscribers in this part of the globe.
“What I see in the present arrangement is that, it is not mutually beneficial. It is an arrangement that benefits only the service providers and not the service consumers.
“Otherwise, how do you explain a situation where you have to pay for a service you never really enjoy? Sometimes you do not view these things for a couple of days, but once your subscription is on, you are paying. Why not toe the telecoms line? Before, telecoms services used to be post paid and when the reforms in that sector took place, some of the operators ganged up to insist on payment per minute, even when it was apparent that sometimes the talk time was not even half of a minute. It only took competition to break the gang up against subscribers then,” he argued.
Felix believes until the nation’s broadcast industry is fully liberalised and investors are encouraged, such kind of exploitation would not be put to a halt.
For London-based Leye, who has been having a running battle with his Pay TV service provider, if introduced, the PAYV option would further drive customer traffic to that industry.
He argued that a lot of Nigerians, especially those based outside the country, shied away from subscribing to Pay TV offerings since they believed they would not get services commensurate to what they were paying as subscriptions.
“For instance, if you are sure you can always continue your viewing from where you stopped the last time you were in Nigeria, you would want to subscribe, even if you are not based in Nigeria,” he agued.
However, Rahmon Olopade’s argument for preferring the Pay TV option is slightly different. He is also one of the subscribers to the oldest Pay TV platform in the country. But, since he relocated to a new area, he no longer enjoys the luxury of public power supply. He generates his own power and only uses this at night for just a few hours.
“I have temporarily suspended my subscription, not because I no longer enjoy the services, but because I consider it a huge waste of resources to subscribe to a service that you would only be able to enjoy for a few hours in a day,” he argued.
Olopade believes all these would have been taken care of if the Pay TV option had been available.
Curiously, subscribers clamouring for this payment option will have to wait a little bit longer as the Tribune Business checks with some of these Pay TV service providers revealed that plans to introduce such payment option are not in the offing yet.
“No such plans yet. The clamour has been on for a long time, but I don’t think the industry is ripe for that yet,” replied a staff of one of the Pay TV service providers who would not want his name in print.
While giving reasons it should not be introduced in the country yet, another staff in the corporate affairs department of foremost Pay TV service providers in the country argued that the introduction of the PAYV option might not necessarily translate to cheaper rates.
“For instance, sometimes they pay as much as $50 to watch very important tournaments such as title fights in countries where subscribers enjoy such options. And to think that this is even more than what some subscribers here pay for a month is another thing entirely,” he stated.
Broadcasting
NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

Nigerian Copyright Commission (NCC) has called for urgent adoption of advanced digital protections after blocking seven piracy sites amid escalating online threats to Nollywood content.

The call was made during a webinar hosted by Greychapel Legal titled “Clicks, Streams, and Copyright: Who Owns Nollywood’s Digital Future?”, which brought together filmmakers, regulators, entertainment lawyers and media strategists to examine how content ownership and copyright enforcement are being reshaped by the digital age.
Lynda Alphaeus, director and head of the NCC Lagos Office, said the Commission has intensified its efforts to combat piracy across digital channels and is upgrading its operations to meet emerging threats.
According to her, Nigeria’s new Copyright Act was deliberately updated to strengthen creators’ rights amid the explosion of online distribution.
“NCC has worked, and is still working tirelessly to adapt Nigeria’s legal framework to cope with digital distribution challenges. We now have the power to block networks publishing illegal content, and we have already blocked seven websites distributing pirated Nigerian works,” Alphaeus said.
She revealed that the Commission has established a special taskforce known as the STOP Unit to coordinate anti-piracy operations online, alongside new awareness campaigns targeting local markets and schools to educate content creators and the public on copyright obligations.
Alphaeus urged filmmakers and producers to take ownership of their digital safety by deploying available technological protections to safeguard their intellectual property.
She explained that tools such as encryption help prevent unauthorised copying, blockchain technology offers immutable proof of ownership, digital watermarking allows creators to trace illegal uploads, while cloud security and regular offline backups protect creative files before they reach the market.
While noting that copyright in Nigeria does not legally require registration, she stressed that registering one’s work strengthens protection and provides legal presumptions that can be vital in enforcement.
“Whatever you register is presumed to be yours until proven otherwise,” she said, urging creators to invest in copyright knowledge as part of their business strategy.
Other speakers at the webinar reinforced the urgency of protecting Nollywood’s digital assets.
James Omokwe, film director, noted that while streaming platforms have created unprecedented opportunities for visibility and monetisation, they have also opened new vectors for intellectual property theft and unauthorised redistribution.
Solafunmi Laelle, media strategist, added that audience data, which streaming platforms rely heavily on, will increasingly determine leverage and value in film licensing negotiations.
According to her, creators who lose control of their intellectual property, whether through piracy or unfavourable contracts, also lose access to valuable data that could shape their long-term earnings.
Nky Ofeimun, entertainment lawyer, emphasised the need for creators to understand the contractual implications of ownership, platform exclusivity, and reversion rights.
She noted that many filmmakers still underestimate how quickly digital copies can be illegally duplicated or uploaded once control is lost.
The panelists agreed that as Nollywood deepens its digital footprint, piracy will continue to evolve and become more sophisticated.
They stressed that the industry must respond with equally sophisticated tools, stronger contract negotiation, and improved education around copyright.
Broadcasting
Four Must-Watch African Films Debut Free on Glo TV

Globacom, just introduced four brand new movies on its premium entertainment platform, Glo TV, and they are completely free for all subscribers. The company says the release marks another major step in its mission to enrich digital entertainment for millions of viewers across the country.

In a statement from Lagos on Wednesday, Globacom explained that the new titles feature some of Africa’s most celebrated actors and filmmakers, offering a colorful mix of romance, comedy, drama, culture, and emotional storytelling. The lineup includes Johnny Just Come (JJC), Eko Vibes, Bound, and Shifting Desire.
“Each of these movies was chosen to spotlight diverse African stories while delivering world class entertainment unavailable in cinemas, on YouTube, or on any other streaming service. Viewers do not need any subscription or extra payment. Access is completely free,” the company said.
Leading the pack is Shifting Desire, featuring Lilian Afegbai and veteran actor Majid Michel. The film is a gripping romantic drama that dives into marriage, intimacy, betrayal, healing, and the emotional journey of a couple using therapy to rebuild trust. Shifting Desire premiered on Glo TV on December 2 and is already streaming for free.
Johnny Just Come (JJC), starring Patience Ozokwor and Nancy Isime, delivers a hilarious cultural crossover story about an American man trying to navigate love and marriage in an African household. The movie explores themes of identity, family, culture, and coexistence in a warm and relatable way.
The third title, Bound, starring Rita Dominic and Eyinna Nwigwe, is a thought-provoking family drama that follows a successful career woman confronting long hidden personal struggles and the impact on her relationship. The film showcases powerful performances from some of Nollywood’s finest.
Rounding out the collection is Eko Vibes, featuring Broda Shaggi, Josh2Funny, and Nkechi Blessing. The movie captures the energy and hustle of Lagos youth culture, spotlighting ambition, humor, and the vibrant spirit of young people chasing success in the city.
Globacom noted that the new releases reinforce its commitment to delivering original African content at the highest quality. “With these exclusive titles, Glo TV is redefining digital entertainment in Nigeria by offering fresh, premium movies not available anywhere else. We remain committed to growing our catalog with rich African stories that celebrate creativity at its best,” the company added.
Broadcasting
Young Africans Hit Hardest by Online Gender Violence, Paradigm Initiative Reports

A new study, conducted by pan-African organisation, Paradigm Initiative (PIN), warns of an alarming surge in the prevalence of Technology-Facilitated Gender-Based violence, with 67 percent of respondents being victims of at least one or multiple forms of digital violence.

Online
Released on International Human Rights Day, the research exposes deep systemic failures, weak accountability, and unsafe online spaces driving a rapidly escalating epidemic across Cameroon, Kenya, Nigeria, Senegal, Zambia, and Zimbabwe.
PIN recognises that this gap limits both the understanding of TFGBV and the development of effective solutions. In response, this study adopts a survivor-centred approach that reframes how TFGBV is researched, discussed, and addressed. By prioritising survivors’ perspectives, the research uncovers the emotional, social, and systemic dimensions of digital violence that formal reports and statistics often obscure. It also interrogates how survivors navigate reporting systems, access justice, and play an informed role in digital spaces that are frequently hostile or unsafe.
A key finding of the study is that young people are disproportionately affected, with those aged 18–34 constituting the vast majority of survivors. Most incidents of TFGBV occurred on Facebook, WhatsApp, and X (formerly Twitter), underscoring how mainstream social media platforms continue to function as structurally unsafe spaces for many users—particularly women, activists, and advocates.
“Victims’ experiences range from sexual harassment, threats, and misogynistic attacks to severe violations such as stalking, non-consensual image sharing, hacking, sextortion, and identity-based harassment,” the report notes. “Personal testimonies reveal profound emotional, psychological, and reputational harm.”
The study also highlights that formal systems such as the police, employers, and public institutions, remain underutilised, largely due to fear, mistrust, or an expectation of inaction. While the findings expose wide-ranging gaps across platforms, institutions, and legal frameworks, they also highlight survivors’ resilience and their continued efforts to seek safer digital environments.
In light of these findings, PIN calls for urgent action to make online spaces safer for everyone, in line with this year’s Human Rights Day theme, “Human Rights, our everyday essentials.” Addressing these systemic gaps is critical to advancing democratic engagement, promoting media pluralism, fostering digital inclusion, and achieving gender equality across Africa.
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