Broadcasting
Ariya Repete Returns, As Regional Auditions Kick-Off In Lagos

Ariya Repete, Nigeria’s prominent indigenous talent hunt show hits major cities across the South-Western Nigeria.
From the hills of Abeokuta and Ondo to the falls in Osun and down to the seas of Lagos, Ariya Repete 2019 edition is set to showcase the best talents in Juju, Fuji and Yoruba hip-hop.
The music talent hunt show powered by Goldberg Lager is known for celebrating and preserving indigenous sounds.
It has over the years produced remarkable talents that have flourished in genres that are rooted in south-western culture.
This year, the competition goes into its seventh edition and is upping the ante by introducing an all-new Yoruba Hip-Hop category.
The competition will journey across eight locations with auditions and selection parties holding from the 12th of June to the 5th of July. Abule Egba, Ota, Egbeda, Abeokuta, Akure, Ibadan, Osogbo and Ilorin will play hosts to hundreds of hopefuls who will compete for honours in this year’s edition.
Lagos will be the first city to host the regionals as Juju, Fuji, and Yoruba Hip-Hop talents will be auditioned at Stalad Gardens, Agege and Havana Hotels in Egbeda on the 12th of June.
The selected talents will then slug it out for a place in the quarter-final concert, when they compete in the regional selection party on Friday, 14th of June.
Guests at the Selection parties will be thrilled with entertaining performances from the contestants, as well as guest artists and past winners.
Successful contestants from the regional auditions will proceed for mentorship at the Ariya academy, where they will be under the tutelage of veterans in the Juju, Fuji, and Yoruba hip-hop scene.
The competition will then continue on the 26th of July with the Quarterfinal in Akure, while the Semi-final and the grand finale will take place in Lagos and Ibadan on the second (2nd) and ninth (9th) of August respectively.
Guests should expect thrilling performances by the contestants that made it through the rigorous selection, guest artists and industry greats.
The winners in each category (Juju, Fuji, & Yoruba hip-hop) will be awarded the star prize of 4 million Naira each.
Speaking on this year’s edition, Olufunmilayo Ogunbodede, Brand Manager, Goldberg, said “Over the years, Ariya Repete has been a special platform that showcases and celebrates the very best musical talents in South-Western Nigeria and this year’s edition promises to up the ante.
“As a leading beer brand, we are committed to delighting our consumers with initiatives such as these.
This year, with Ariya Repete we want to celebrate this blend of both worlds. We believe that the 2019 edition of Ariya Repete will be the best ever, the reason we are taking the experience to TV, to show all of Africa that Goldberg Lager believes and celebrates the amazing indigenous talents from South Western Nigeria.”
This edition of Ariya Repete will be televised across Africa as the show progresses from the auditions to the grand finale in Ibadan.
Ariya Repete is powered by Goldberg Lager, a premier quality lager beer brewed with only the finest ingredients by the master brewer.
After the Lagos regionals, six other regions will host auditions over the course of 3 weeks.
Ota & Abeokuta – 19th of June
Ibadan & Akure –26th of June
Oshogbo & Ilorin – 3rd of July
For more information, visit Goldberg social media pages @goldberg_ng on Instagram, @goldberglagerng on Twitter and GoldbergLager on Facebook.
Broadcasting
South Africa’s Nomzamo Mbatha Appears on Glo-Sponsored African Voices

Globally recognized South African actress Nomzamo Mbatha will feature on this week’s edition of African Voices Changemakers, the 30 minute show on Cable News Network International (CNN).

In this episode of the Glo-sponsored programme, Mbatha sits down with CNN’s Larry Madowo for an exclusive conversation while filming the final season of the hit television series Shaka iLembe. The interview was recorded at the historic Cradle of Humankind outside Johannesburg, where she reflects on her career and the legacy she hopes to build beyond the screen.
As her international profile continues to rise, Mbatha has appeared in two Hollywood productions and was named to the prestigious TIME100 Next list in 2025, which celebrates emerging global leaders shaping the future. She is also making strides in the beauty industry as the first South African woman to secure endorsement deals with global skincare brand Neutrogena and haircare brand Cream of Nature.
Mbatha also shares the cultural importance of Shaka iLembe, her journey from South Africa to the global stage, and why giving back remains central to the enduring contribution she aims to leave behind.
The programme will air on Saturday at 8.30 a.m., with additional broadcasts at 12.00 p.m. the same day; Sunday at 4.30 a.m. and 6.00 p.m.; Monday at 3.00 a.m. and 5.45 p.m.; and Tuesday at 5.45 p.m. It will also air again on Saturday, March 14 at 7.30 a.m. and 11.00 a.m.; Sunday, March 15 at 3.30 a.m. and 6.00 a.m.; and Monday, March 16 at 3.00 a.m.
Broadcasting
NCAA Orders Overland Airways to Refund VAT Charged on 2025 Tickets

Nigerian Civil Aviation Authority (NCAA) has directed Overland Airways to refund Value Added Tax (VAT) wrongly charged to passengers on flight tickets purchased in 2025.

NCAA
The directive follows a social media complaint that highlighted the airline’s application of new tax policies to older bookings, prompting NCAA intervention.
Michael Achimugu, NCAA Director of Public Affairs and Consumer Protection, confirmed Friday that Overland Airways agreed to process refunds after receiving clarification from the Nigeria Revenue Service (NRS).
The issue emerged in late January 2026 when a passenger alleged on X (formerly Twitter) that her grandmother faced an extra N11,286 VAT charge at the airport for a 2025 ticket. On January 28, NCAA summoned the airline to justify the additional payments for pre-2026 tickets.
The regulator sought NRS guidance on retroactive VAT application. NRS ruled that updated VAT rules, effective January 1, 2026, exclude tickets issued before that date.
Achimugu updated on X: “This means passengers who paid VAT at check-in in 2026 for 2025 tickets were not supposed to be charged.”
Overland Airways accepted the clarification and pledged refunds, earning NCAA commendation for cooperation. Achimugu noted the airline initially viewed charges as valid under the new framework, but NRS interpretation prevailed.
“The issue has reached a satisfactory conclusion,” he stated, reaffirming NCAA’s commitment to passenger rights and fair policy enforcement.
Affected passengers who paid extra VAT on 2025-issued Overland tickets qualify for full refunds.
Broadcasting
MultiChoice Suspends Yearly DStv Price Hike as Canal+ Pushes Growth

MultiChoice has said that it will not implement its customary yearly price increase on DStv and GOtv subscriptions.

This is the first time the Pay-TV company will not be adjusting its price in April, as it has in previous years, signalling a clear shift in direction under its new owner, Canal+.
The decision, confirmed by David Mignot, group chief executive,MultiChoice in an interview with TechCentral, comes as the pay television operator grapples with steep subscriber losses across its markets.
For many households accustomed to annual April tariff adjustments, the announcement will be a welcome break.
Responding to questions about whether DStv prices would rise in April as they have in previous years, Mignot gave a firm response: there will be no increase.
He explained that the company’s immediate focus is on rebuilding its subscriber base, making this an unsuitable period to adjust prices upward.
He added that while there are no current plans for a price hike, the company has not completely ruled out adjustments later in the year, especially if economic conditions demand it, such as significant currency movements.
MultiChoice has historically reviewed and raised DStv subscription fees in April, often citing inflationary pressures and rising content costs. As recently as April 2025, bouquet prices were adjusted upwards by between 2.1 per cent and 7.9 per cent.
The DStv Premium package rose from R929 to R979 per month, while DStv Access, the entry-level satellite package, recorded one of the steepest increases.
This year’s pause represents a break from that pattern and forms part of a broader reset following Canal+’s acquisition of MultiChoice in September 2025.
Mignot, who brings three decades of experience in the pay television industry, summed up his mission in simple terms: halt subscriber losses and return the business to growth.
The urgency behind the move is evident in MultiChoice’s recent performance.
The group has lost 2.8 million linear broadcasting subscribers in the two years ended 31 March 2025, with roughly half of those losses occurring in South Africa.
In the financial year to end-March 2025 alone, MultiChoice shed 1.2 million subscribers, representing an eight per cent year-on-year decline and leaving the group with 14.5 million active customers.
The previous year saw an even steeper drop of 1.6 million subscribers. By June 2025, Canal+ indicated that the pace of decline had intensified further.
The financial impact has been significant. Revenue for the year ended 31 March 2025 declined by R4 billion to R52 billion, while trading profit fell sharply by 49 per cent to R4 billion.
According to Mignot, the company’s difficulties stem less from its programming slate and more from weaknesses in its commercial execution.
He argued that in subscription businesses, a churn rate of between 12 and 15 per cent annually is inevitable as customers relocate, experience job losses, adjust household budgets, or change priorities. Without attracting a comparable number of new subscribers each year, losses accumulate.
Mignot maintained that the content offering remains strong, particularly in sport and general entertainment. He cited flagship brands such as SuperSport, M-Net and Africa Magic as evidence of sustained investment in programming. However, he stressed that content strength alone cannot offset a weakening subscriber acquisition engine.
He noted that MultiChoice’s commercial machinery had performed robustly across Africa until around 2022, describing the current challenges as relatively recent.
Drawing on Canal+’s experience in French-speaking African markets, Mignot pointed out that pricing there has remained largely unchanged for close to 14 years, supported by a volume-driven approach. He described his strategy as one focused on growing subscriber numbers while maintaining profitability.
While he did not dismiss the possibility of reviewing prices downward in future, he indicated that no such decision has been taken.
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