Broadcasting
Etisalat-Sponsored Nigerian Idol 4 Kicks-off with Auditions in 5 Cities

All is set for the nation-wide search for the brightest music talents to grace the stage of one of the biggest reality music competitions, the Nigerian Idol.
The fourth season of the Etisalat–sponsored Nigerian Idol show will hold auditions in the cities of Lagos, Port-Harcourt, Benin, Calabar and for the first time Makurdi from January 25th till February 23rd 2014.
The audition train will move from the ancient city of Benin at the Excalibur Hotel on January 25th to Port-Harcourt at the Presidential Hotel on February 1.
Monty Suites will be the location in Calabar on February 8th, while Makurdi will play host on February 15th at Smileview Hotel Extension.
The final stage of the auditions will hold in Lagos at Dream Studios, Omole on the 22nd and 23rd of February.
Speaking on the start of the auditions, Enitan Denloye, Etisalat’s director of Brands and Communications, said the company was excited to be a part of the show for the fourth time running.
According to him, Etisalat has identified the competition as a platform that recognizes and celebrates music talent among the youth.
“The Nigerian youth community is dynamic. However, music still remains a huge part of their culture. At Etisalat, the youth segment is one of our major markets, and that is why we are continuing our sponsorship of the Nigerian Idol competition to connect with them in a way they can easily relate with,” he said.
On the choice of Makurdi as an audition location this season, Head, Events and Sponsorships, Etisalat Nigeria, Modupe Thani said it was necessary to spread the reach to other parts of the country. According to her, there is an abundance of talent in the country and Etisalat through the competition, is giving them a chance to voice their dreams.
Meanwhile, Rotimi Pedro, chairman of Optima Media Group, organizers of the show restated the organisation’s commitment to ensure that the standards from the past three seasons in terms of content, production and interactivity are surpassed with Season four.
Nigerian Idol, a franchise of the internationally acclaimed Idol music series, is a nation-wide hunt for talented singers to compete and be discovered as Nigeria’s biggest music star.
The show has produced Yeka Onka, Mercy Chinwo and Moses “Teddy bear” Adigwe as winners in the first, second and third Seasons respectively.
Following auditions, the show will air on select terrestrial and cable television stations with the winner announced at a grand gala on the 1st of June.
The winner of the show will get N7.5 million, a brand new SUV car, a Galaxy Tab, a Blackberry, and iPod.
The first runner up gets N1.5 million, a Galaxy Tab, Blackberry and iPod while the 2nd runner up will receive N1million, a Galaxy Tab, a Blackberry and an iPod.
In addition, each of the finalists from 4th to 10th place will receive N100, 000, a Galaxy Tab, a Blackberry and an iPod.
Broadcasting
DG NCC Tasks University Dons on Research Commercialization, IP Management to Build Global Competitive Ecosystems

Dr. John Asein, director-general, Nigerian Copyright Commission (NCC), has charged universities to leverage Intellectual Property (IP), innovation management and research commercialisation to build vibrant, sustainable and globally competitive ecosystems.

The DG stated this while delivering a paper on: ‘’Research Commercialisation, IP Policy and Innovation Management’’ at the Committee of Vice-Chancellors of Nigerian Universities (CVCNU) organised Business Clinic themed: Unlocking University-Driven Business Ecosystems: Innovation, Partnerships and Sustainable Enterprise Models in Abuja.
The programme was targeted at engaging Vice-Chancellors, principal officers and other key officers in Nigerian Universities in a practical dialogue on how to transit their institutions into thriving business ecosystems through innovation, enterprise development and strategic partnerships.
In his presentation, Dr. Asein, disclosed that Universities are now recognised as engines of national development and innovation hubs that must connect scholarship to business.
He noted that with over 300 Universities in Nigeria, there is need for structured pathways to turn ideas into commercial outcomes while attention should be focused on IP assets in our universities in order to harness them in a safe, sustainable and satisfactory manner.
The DG NCC speaking further on leveraging resources from the creativity locked up within the university system, harped on the need to harness the soft power of our youth as Nigeria’s most valuable natural resources are its people.
Drawing demography from Nigeria youthful population, he observed that over 70 percent of Nigerians who are under the age of 30 are mostly in the university system studying. These youths, he noted, shape cultures, technology and innovation through creativity and digital skills.
He tasked universities to become innovation factories where young people can explore ideas, protect their IP and grow startups by integrating innovation culture, entrepreneurship training and IP awareness into its learning environment.
He equally urged Universities to look beyond the sciences to commercialize traditional knowledge-based innovations and harness the potentials in the creative arts disciplines like music, visual arts, theatre arts and others for commercial outcomes.
Dr. Asein, recommended that universities as centres of learning, should take the lead in using the IP system for promoting education and learning, wealth creation, revenue generation and institutional development.
Underscoring the need for all universities to have an IP Policy, he noted that the Model developed by the Nigerian Copyright Commission in partnership with the CVCNU is a good starting point.
The Secretary-General, CVCNU, Prof. Andrew Haruna, presented the welcome address at the event while the Director, Technology Innovation and Commercialisation, NOTAP, Mrs. Adah H.N. Mokolo-Oladunke represented the Director-General, NOTAP at the event.
The 2025 CVCNU Business Clinic witnessed attendance from representatives of Public and Private Universities across the 36 States in Nigeria.
Broadcasting
US invests $115m in counter-drone tech for World Cup security


Drone
The US Department of Homeland Security (DHS) will invest $115 million in counter-drone technology to safeguard the 2026 FIFA World Cup and events marking America’s 250th independence anniversary, creating a dedicated office for rapid drone system deployment.
Homeland Security Secretary Kristi Noem described drones as “the new frontier of American air superiority,” stressing the need to counter threats from drug cartels using unmanned aircraft for smuggling and surveillance, alongside incidents like a 2025 NFL stadium drone flight and 2024 New Jersey sightings.
The funding supports 11 World Cup host cities expecting over one million visitors, building on FEMA’s $250 million grants to those states and addressing risks heightened by cartels’ advancing tech, including a reported FBI tracking plot in Mexico.
DHS has conducted over 1,500 counter-drone missions since 2018, with the new Program Executive Office accelerating acquisitions amid President Trump’s border security push.
Broadcasting
Youth Talent Takes Center Stage as T2 Ignites High-Octane Rap Battles @ Carnival Calabar

The energy at the Carnival Calabar Music Concert reached a new high as T2 introduced a first-ever rap battle platform, giving young Nigerians an electrifying stage to showcase their talent, creativity, and self-expression while competing for exciting prizes.

Held at the U.J. Esuene Stadium, the activation blended pulsating music, vibrant culture, and youthful energy into a dynamic celebration that kept thousands of carnival-goers fully engaged from start to finish.
Eight fearless contestants stepped into the spotlight, going bar for bar in an intense lyrical showdown. Rappers fused local languages, pidgin, and sharp punchlines, creatively weaving the T2 brand into their verses.
Anchored by the energetic hosting duo MC Double I and MC Princess, the rap battles thrilled over 16,000 attendees, including the Governor of Cross River State, Senator Bassey Otu, delivering an unforgettable showcase of youth talent and cultural expression.
With prizes including fridges, gas cookers, sound systems, and airtime top-ups, the competition remained fierce throughout the night. After two high-energy rounds narrowed the field to a five-man final duel, Emmanuel Eye emerged as the overall winner, taking home the grand prize — a fridge.
“I never expected this at all,” Emmanuel said. “I came to the concert like anyone else, and hearing about the T2 rap battle was a surprise. When I got the chance to perform, I just went for it. Being named the overall winner is amazing, and I’m grateful to T2 for creating this platform to showcase our talent.”
Beyond the stage performances, T2’s presence added a digital layer to the carnival experience. As part of its role as Digital Technology Partner of Carnival Calabar, the brand introduced the MyT2 App as a lifestyle companion, while also enabling line reactivations, airtime top-ups, and instant rewards for hundreds of attendees, blending technology seamlessly into the live celebration.
Commenting on the activation, Chinelo Manefo, Specialist, Events and Sponsorship at T2, said:
“The energy from both the rappers and the crowd was incredible. This platform reflects exactly what T2 aims to create — a celebration of youth, creativity, and culture, enhanced by technology that connects people and experiences. Seeing the audience so immersed shows how music and performance can empower the next generation.”
The Carnival Calabar Music Concert, headlined by Tiwa Savage, Timaya, and top local performers, was further energized by T2’s interactive rap battle platform. By blending music, culture, youth expression, and digital innovation, T2 reinforced its commitment to championing Nigeria’s next generation, giving young creatives a stage to shine while enriching how they experience the festival.
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