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Here are Five Exceptional Rising African Stars that joined Spotify RADAR Programme

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Spotify, global streaming gianton Friday announced the latest RADAR Africa artists – joining a global cohort as part of the programme dedicated to driving the discovery of emerging artists across the world. This year’s list of African artists is made up of the haunting melodies of Bloody Civilian, the soulful sounds of Baaba J, the ethereal vocals of Xenia Manasseh, the genre-defying Tyla, and the fierce energy of Ria Sean.

The all female lineup joins last year’s alumni Ayra Starr, DBN Gogo, Black Sherif, Victony, BNXN and Buruklyn Boyz who were all exposed to new fan communities as a result of the programme. They represent a wide range of styles, from the ambient sounds of West Africa to the masterful Amapiano of South African townships, R&B, alternative and the creative Afropop that has been taking the world by storm. What they all share is a commitment to pushing boundaries and forging new paths in their careers.

Since launching in 2020, Spotify’s RADAR programme has continued supporting artists on their paths to superstardom, helping rising talent at all stages of their development and strengthening their connection to audiences. These African artists joining the Spotify RADAR programme represent the very best that the continent has to offer.

“As the music industry continues to evolve, it’s essential to find new ways to support emerging talent and offer them a fair chance at success both on and off the platform. So we are thrilled to welcome Xenia Manasseh, Bloody Civilian, Ria Sean, Tyla, and Baaba J to the RADAR programme. These artists represent the diversity and vibrancy of the African music scene and we are excited to support them as they continue to grow their careers,” says Victor Okpala, Spotify’s Artist and Label Partnerships Manager, West Africa.

From today, Spotify will prioritise the promotion of RADAR playlists, RADAR podcasts, Spotify Singles, and priority releases from RADAR artists across all regions.

About the artists

Bloody Civilian (Nigeria)

Born and raised in Abuja, Nigeria, Bloody Civilian is a genre-defying singer-songwriter and producer with a passion for storytelling. Inspired by her African heritage and a wide range of musical influences, Civilian’s sound is a fusion of alt-R&B and other genres. She began studying music production at the age of 12 and has since self-produced her debut single, How To Kill A Man. Bloody is driven by a desire to empower and elevate African art and history through her music, making her a rising star to watch in the industry.

Ria Sean (Nigeria)

Ria Sean is a rising Nigerian singer-songwriter who combines Afro-fusion, pop, and R&B into her music. With a distinctive and versatile voice, she has collaborated with artists like Leriq, Moelogo, and Adekunle Gold. Her 2020 hit single Lemonade gained international attention, and she went on to release her debut EP Fluid featuring productions from Saszy, Dunnie, and Grammy-nominated producer TMXO. Her sophomore project Love Station features collaborations with Ayra Starr and French-act Yseult. Ria Sean is a rising star to watch in the R&B scene.

Baaba J (Ghana)

Baaba J is a 22-year-old Ghanaian singer and songwriter with a passion for music and film. Her alternative afro music blends indigenous high life, pop, rap, and soul, with a unique sound that has won the hearts of many. Baaba J’s debut EP, Lumumba St., released in December 2020, was the major launchpad for her career. She draws inspiration from her childhood experiences, growing up in a big family in Ghana’s harbour city Tema. Her music speaks to meaningful matters such as culture, love, and identity, and she is on a mission to show the world that Africans, especially African women, have what it takes to take the world by storm with their unique, multi-faceted music.

Xenia Manasseh (Kenya)

This Kenyan singer-songwriter, possesses a captivating voice that brings a refreshing and pure sound to the music scene. Her debut EP Fallin’ Apart, released in 2019, quickly soared to number one on the Kenyan’s R&B/Soul charts and reached an impressive #2 across all genres. Xenia’s talent extends beyond her own music, as she has songwriting credits on notable tracks like Teyana Taylor’s “Wrong B*tch” and “Shoot it Up” ft Big Sean, as well as Vanjess’s Surrender from the album “Homegrown.” She has collaborated with acclaimed artists such as Sauti Sol, Mr Eazi, Tay Iwar, and has contributed background vocals on Burna Boy’s “Time Flies.” With her genre-defining R&B sound, Xenia Manasseh is making waves not only in Kenya but also in the top markets of the US, UK, Germany, and South Africa.

Tyla (South Africa)
Tyla’s music is a fresh take on pop and R&B, blending South African amapiano and innovative production. Her emotionally-rich songs started at a young age and have led to international success with hits like Getting Late. Her new singles, Been Thinking and To Last, showcase her versatility and push her artistry forward. Tyla was determined to unlock what had always been inside her. “Getting Late” was the breakthrough, and her late 2021 song “Overdue” featuring DJ Lag and Kooldrink soundtracked the second-season trailer of Netflix’s South African teen drama Blood & Water, but “Been Thinking” and “To Last” find Tyla in full control of her own story, especially the emotional “To Last.”


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DG NCC Tasks University Dons on Research Commercialization, IP Management to Build Global Competitive Ecosystems

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Dr. John Asein, director-general, Nigerian Copyright Commission (NCC), has charged universities to leverage Intellectual Property (IP), innovation management and research commercialisation to build vibrant, sustainable and globally competitive ecosystems.

The DG stated this while delivering a paper on: ‘’Research Commercialisation, IP Policy and Innovation Management’’ at the Committee of Vice-Chancellors of Nigerian Universities (CVCNU) organised Business Clinic themed: Unlocking University-Driven Business Ecosystems: Innovation, Partnerships and Sustainable Enterprise Models in Abuja.

The programme was targeted at engaging Vice-Chancellors, principal officers and other key officers in Nigerian Universities in a practical dialogue on how to transit their institutions into thriving business ecosystems through innovation, enterprise development and strategic partnerships.

In his presentation, Dr. Asein, disclosed that Universities are now recognised as engines of national development and innovation hubs that must connect scholarship to business.

He noted that with over 300 Universities in Nigeria, there is need for structured pathways to turn ideas into commercial outcomes while attention should be focused on IP assets in our universities in order to harness them in a safe, sustainable and satisfactory manner.

The DG NCC speaking further on leveraging resources from the creativity locked up within the university system, harped on the need to harness the soft power of our youth as Nigeria’s most valuable natural resources are its people.

Drawing demography from Nigeria youthful population, he observed that over 70 percent of Nigerians who are under the age of 30 are mostly in the university system studying. These youths, he noted, shape cultures, technology and innovation through creativity and digital skills.

He tasked universities to become innovation factories where young people can explore ideas, protect their IP and grow startups by integrating innovation culture, entrepreneurship training and IP awareness into its learning environment.

He equally urged Universities to look beyond the sciences to commercialize traditional knowledge-based innovations and harness the potentials in the creative arts disciplines like music, visual arts, theatre arts and others for commercial outcomes.

Dr. Asein, recommended that universities as centres of learning, should take the lead in using the IP system for promoting education and learning, wealth creation, revenue generation and institutional development.

Underscoring the need for all universities to have an IP Policy, he noted that the Model developed by the Nigerian Copyright Commission in partnership with the CVCNU is a good starting point.

The Secretary-General, CVCNU, Prof. Andrew Haruna, presented the welcome address at the event while the Director, Technology Innovation and Commercialisation, NOTAP, Mrs. Adah H.N. Mokolo-Oladunke represented the Director-General, NOTAP at the event.

The 2025 CVCNU Business Clinic witnessed attendance from representatives of Public and Private Universities across the 36 States in Nigeria.

 


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US invests $115m in counter-drone tech for World Cup security

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US invests $115m in counter-drone tech for World Cup security

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The US Department of Homeland Security (DHS) will invest $115 million in counter-drone technology to safeguard the 2026 FIFA World Cup and events marking America’s 250th independence anniversary, creating a dedicated office for rapid drone system deployment.

Homeland Security Secretary Kristi Noem described drones as “the new frontier of American air superiority,” stressing the need to counter threats from drug cartels using unmanned aircraft for smuggling and surveillance, alongside incidents like a 2025 NFL stadium drone flight and 2024 New Jersey sightings.

The funding supports 11 World Cup host cities expecting over one million visitors, building on FEMA’s $250 million grants to those states and addressing risks heightened by cartels’ advancing tech, including a reported FBI tracking plot in Mexico.

DHS has conducted over 1,500 counter-drone missions since 2018, with the new Program Executive Office accelerating acquisitions amid President Trump’s border security push.


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Youth Talent Takes Center Stage as T2 Ignites High-Octane Rap Battles @ Carnival Calabar

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The energy at the Carnival Calabar Music Concert reached a new high as T2 introduced a first-ever rap battle platform, giving young Nigerians an electrifying stage to showcase their talent, creativity, and self-expression while competing for exciting prizes.

Held at the U.J. Esuene Stadium, the activation blended pulsating music, vibrant culture, and youthful energy into a dynamic celebration that kept thousands of carnival-goers fully engaged from start to finish.

Eight fearless contestants stepped into the spotlight, going bar for bar in an intense lyrical showdown. Rappers fused local languages, pidgin, and sharp punchlines, creatively weaving the T2 brand into their verses.

Anchored by the energetic hosting duo MC Double I and MC Princess, the rap battles thrilled over 16,000 attendees, including the Governor of Cross River State, Senator Bassey Otu, delivering an unforgettable showcase of youth talent and cultural expression.

With prizes including fridges, gas cookers, sound systems, and airtime top-ups, the competition remained fierce throughout the night. After two high-energy rounds narrowed the field to a five-man final duel, Emmanuel Eye emerged as the overall winner, taking home the grand prize — a fridge.

“I never expected this at all,” Emmanuel said. “I came to the concert like anyone else, and hearing about the T2 rap battle was a surprise. When I got the chance to perform, I just went for it. Being named the overall winner is amazing, and I’m grateful to T2 for creating this platform to showcase our talent.”

Beyond the stage performances, T2’s presence added a digital layer to the carnival experience. As part of its role as Digital Technology Partner of Carnival Calabar, the brand introduced the MyT2 App as a lifestyle companion, while also enabling line reactivations, airtime top-ups, and instant rewards for hundreds of attendees, blending technology seamlessly into the live celebration.

Commenting on the activation, Chinelo Manefo, Specialist, Events and Sponsorship at T2, said:

“The energy from both the rappers and the crowd was incredible. This platform reflects exactly what T2 aims to create — a celebration of youth, creativity, and culture, enhanced by technology that connects people and experiences. Seeing the audience so immersed shows how music and performance can empower the next generation.”

The Carnival Calabar Music Concert, headlined by Tiwa Savage, Timaya, and top local performers, was further energized by T2’s interactive rap battle platform. By blending music, culture, youth expression, and digital innovation, T2 reinforced its commitment to championing Nigeria’s next generation, giving young creatives a stage to shine while enriching how they experience the festival.

 


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