Broadcasting
NCC, AVCNU Advocate IP Policy for Nigerian Universities
The Nigerian Copyright Commission (NCC) and the Association of Vice Chancellors of Nigerian Universities (AVCNU) have agreed on the urgent need to formulate a model intellectual property (IP) policy for the benefit of Nigerian tertiary institutions.
This understanding was reached during a consultative meeting between Mr. John O. Asein, Director-General of NCC, and Professor Yakubu Aboki Ochefu, Secretary-General of the AVCNU, at the Secretariat of AVCNU in Abuja recently.
While the Director-General underscored the need for a national IP policy to fast-track the development of Nigeria’s knowledge economy and entrench international IP best practices in the country’s university system, the Secretary-General of AVCNU called on the Commission to provide a draft IP policy for Nigerian universities for consideration and adoption by the relevant authorities of the universities.
The Director-General, who paid a courtesy call on the newly appointed Secretary-General of AVCNU at its Secretariat in Abuja, also called on the National Universities Commission (NUC) to make it mandatory for all Nigerian Universities to have a functional IP policy as obtains in most advanced countries.
In the words of the Director-General, “It is unacceptable in today’s knowledge and intellectual property driven society for the very citadel of knowledge not to have clearly defined standards of engagement governing the institutions, faculties and students.”
He lamented the high rate of IP theft and abuse including copyright infringement and plagiarism in the Universities. He also decried the low level of patents despite the enormous research potentials of academics across the different fields of science and technology.
“Nigeria has the requisite human and intellectual capital to solve most of its problems and IP is one of the keys to unlock these potentials and stimulate the application of knowledge as catalyst for growth and development,” he concluded.
Speaking on the specific issue of copyright abuses, particularly the rampant unauthorised photocopying that goes on in and around universities, the Director-General solicited the support of the AVCNU in ensuring that students and faculties abide by the rules of fair dealing and respect for authorship.
In his remarks, the Secretary General of AVCNU, Prof. Ochefu assured the Director-General that AVCNU was committed to raising the standards of Nigerian universities to make them more globally competitive and would support any initiative to help achieve this goal.
He implored the NCC, as a major IP agency to work with other relevant agencies, experts and stakeholders to launch the process of formulating a model University IP Policy.
He agreed that considering the importance of IP as a tool for maximising research and innovation, the existence of an IP Policy should be a prerequisite for university accreditation.
He condemned the prevalence of IP theft and other abuses in Nigerian Universities, calling on the NCC to intensify its awareness creation programmes for academic communities.
Professor Ochefu stated that it was important to highlight the linkage between copyright and plagiarism in the universities. He canvassed the need for a compensation mechanism for copyright owners whose works were being exploited in the Open Education Resource (OER) programme of universities to guarantee sustainability and the quality of the materials on such platforms.
Thanking the Secretary General for his commitment to the sustainable use of IP in Nigeria, Mr. Asein recalled that the AVCNU, on behalf of Nigerian Universities, had in 2017 negotiated a licensing framework with the Reproduction Rights Society of Nigeria (REPRONIG) and regretted that despite the number of universities in the country, none has signed up to the reprographic licence that was agreed.
He said it was ironical since a functional licensing arrangement would provide additional income for university authors from the massive photocopying being carried out on and around their campuses.
He urged the AVCNU to encourage the universities to subscribe to the N500 per student per year for approved photocopying, adding, “that is a very fair baseline but for some reason, no university has implemented it and it gives us concern”.
“For the NCC, it is not only about getting the universities to pay but to benefit from the multiple streams of income that a robust copyright ecosystem provides. We, therefore, want to place the copyright system at the service of universities in a way that authors and publishers, including university presses, will always have return on their intellectual and financial investment.
“We believe that for Nigeria to have a sustainable academic culture, we must take copyright issues seriously and make books available for tomorrow,” he remarked.
Mr. Asein used the opportunity to again advocate a national policy, in line with this Administration’s stand on inclusive education that would compel all publicly funded researches and educational materials to be made available also in accessible formats for the benefit of the blind, visually impaired persons and persons who are otherwise print disabled.
Enugu State Government has approved an increase in the minimum wage for workers of the Enugu State University of Science and Technology (ESUT) from N32,000 to N82,000 monthly, effective Sept. 1, 2026.
The approval was contained in a letter dated Aug. 11, 2026, signed by the Secretary to the Enugu State Government, Prof. Chidiebere Onyia, and addressed to the Accountant-General of the state.
According to the letter, the decision followed a report submitted by the Joint Action Committee on Trade Union (JACTU) at ESUT on issues surrounding a one-month strike ultimatum issued by the university’s unions.
The state government also approved an across-the-board salary increase of N50,000 for all other categories of staff at the university.
Onyia directed the Accountant-General to fully implement the approval of Gov. Peter Ndubuisi Mbah.
The directive referenced an earlier Government House letter dated Aug. 7, 2026.
A copy of the approval was also forwarded to the Vice-Chancellor of ESUT, Prof. Aloysius-Michaels Okolie, for information and necessary action.
Speaking on the development at the 278th Regular Meeting of the University Senate on Wednesday, Okolie said the university was continuing discussions with the state government to secure improved welfare for its workforce.
He disclosed that governors in the South-East had agreed to provide at least a 20 per cent salary increase for workers in state-owned universities across the region.
The vice-chancellor, however, noted that individual governors could approve salary increases above the regional benchmark.
Okolie thanked Gov. Mbah for implementing the N80,000 minimum wage and for his interventions in infrastructure and academic development at the university.
He also appealed to union leaders to allow the university management to conclude its ongoing negotiations with the state government on staff welfare.
The vice-chancellor said continued engagement between the university management, government and labour unions remained important to resolving outstanding welfare issues and sustaining industrial harmony at ESUT.
David Adeleke, popularly known as Davido, has declared that no Nigerian artiste has more hit songs than him, challenging his peers to a hit-for-hit contest with $1 million at stake.
The Afrobeats superstar, made the declaration during a recent online interaction with streamer Davrel, where he expressed confidence in the strength of his music catalogue.
Key Highlights:
- Davido says he is ready to stake $1 million in a hit-for-hit battle.
- The singer claims no Nigerian artiste has more hit songs than him.
- His challenge could reignite comparisons with Wizkid, Burna Boy and Olamide.
- No major artiste mentioned in the debate had accepted the challenge as of the time of filing.
“I will put up a $1M on the table. I will do it versus anybody. A million dollars cash, nobody has more hits than me,” Davido said.
The declaration is likely to renew the long-running debate among Afrobeats fans over which Nigerian artiste has the strongest catalogue of commercially successful songs.
Davido, whose career spans more than a decade, has recorded several commercially successful songs, including Fall, If, FIA, Risky, Blow My Mind, Unavailable, Assurance and Feel.
His claim could set up a potential catalogue battle with some of Nigeria’s biggest music stars, including Wizkid, Burna Boy, Olamide, Runtown and Tekno.
The statement also recalls the hit-for-hit debate involving Burna Boy during the COVID-19 lockdown in 2020.
Burna Boy had called for a competitive song battle, while former Mavin Records artiste Reekado Banks reportedly expressed interest. Burna Boy, however, rejected him as an opponent.
Six years later, Davido’s $1 million challenge has brought the idea back into the spotlight.
As of the time of filing, none of the major artistes indirectly referenced by Davido had publicly accepted the challenge.
Whether the proposed contest becomes reality remains uncertain.
For now, Davido has made his position clear and is willing to attach $1 million to his claim that no contemporary Nigerian artiste has a stronger catalogue of hit songs.
Nigeria’s pay-TV industry is facing one of its toughest periods in years as consumers increasingly migrate from conventional antenna and decoder-based television services to cheaper, more flexible and on-demand streaming platforms
The shift is putting pressure on established operators, such as MultiChoice, owners of DStv and GOtv; StarTimes and other traditional pay-TV providers, whose business models have long depended on recurring monthly subscriptions as per report by Business Hallmark.
According to Business Hallmark, the changing consumer behaviour is being driven by a combination of factors, including demographic transition, rising subscription costs, declining household purchasing power, improved internet access and the growing popularity of streaming services that allow viewers to pay for specific content or watch programmes at their convenience.
Streaming platforms are steadily expanding their appeal, offering consumers access to movies, sports (especially football matches and wrestling bouts), local content and international programs through smartphones, smart televisions and other internet-enabled devices.
Also, the proliferation of affordable data packages and connected devices has lowered the barrier to entry, allowing consumers to bypass traditional decoders altogether and consume content directly online.
Three of the major factors behind the changing behaviour of Nigerian television consumers are growing internet access, economic squeeze and changing demography.
Pay-TV subscriptions, once regarded by many households as a relatively affordable source of entertainment, are now competing with several other demands on disposable income.
For instance, entertainment spending are increasingly being subjected to tougher scrutiny with household budgets under pressure from food, tuition, transportation, electricity, housing and other essential costs.
Business Hallmark checks revealed that frequent price reviews by MultiChoice Nigeria’s have pushed the firm’s products beyond the reach of many Nigerians.
One of its products, GOtv, initially designed for average Nigerians, has six packages, namely GOtv Supa Plus, GOtv Supa, Gotv Max, GOtv Jolli, GOtv Jinja and GOtv Smallie.
GOtv Supa Plus with over 85+ channels currently goes for a monthly subscription fee of N16,800; GOtv Supa N11,400; Gotv Max N8,500; GOtv Jolli N5,800; GOtv Jinja N3,900, while GOtv Smallie subscribers choose between the N1,900/monthly, N5,100/quarterly and N15,000/annually options.
Similarly, following multiple tariff reviews, DStv Premium currently goes for N44,500 monthly; DStv Compact Plus N30,000; DStv Compact N19,000; DStv Confam N11,000; DStv Yanga N6,000 and DStv Padi N4,400.
On the other hand, StarTimes, which serves its customers through antenna signal transmission and satellite transmission, has only three bouquets, Nova, Basic, and Classic.
While Classic, the most expensive bouquet on the StarTimes’ shelf currently cost N6,000 monthly, Basic costs N4,000, while Nova costs N2,100.
While speaking to our correspondent on the major shift, some consumers explained that the choice is no longer between different pay-TV providers but between maintaining a television subscription and cancelling it altogether.
Eighty-two Nigerians, representing 68% of the 120 Pay-TV subscribers, who participated in an online survey conducted by Business Hallmark, said they opted for less expensive and more flexible alternatives, including YouTube and a growing range of streaming platforms, using smartphones, laptops, smart televisions and other internet-enabled devices to access entertainment.Geographic Reference
According to the respondents, the shift towards streaming lies partly in its flexibility. Instead of waiting for a program to be broadcast at a scheduled time, viewers now search for specific films, series, sporting events or other contents, which can be watched immediately, or downloaded to be watched or listened to later.
“I now watch contents when I want, across multiple devices, without necessarily being tied to the traditional channel and time-based television experience”, said Tolu Olamiti, an accountant in an audit firm in Lagos.
Another factor that is fueling the exodus from pay-TV model is the growing youth population. Checks revealed that online streaming is particularly attractive to phone-savvy younger viewers, whose television consumption habits are markedly different from those of previous generations.
While underage children watch cartoons and educational programs mostly from their parents or older siblings internet-enabled gadgets, teenagers and adults now watch news, sports programs and films through live streaming or download preferred programs to be watched later.
“With N200 data, I can download several new films to be watched at my convenience, instead of the old films, which providers always repeat on their channels. I also listen to music through out the day without worrying about electricity as my phone can go 2 days after full charge”, said Chukwuemeka Ibe, a student of Lagos State University (LASU).
In the same vein, access to fast and cheap internet plans is helping to drive the streaming surge. For instance, a subscriber can get a daily 1G data plan on the MTN Nigeria platform for just N200. This data plan can be used to download up to 1,000MB movies, or for streaming several hours of music online.
According to official statistics from the Nigerian Communications Commission (NCC), internet consumption in Nigeria reached 13.2 million terabytes in 2025, representing a 35 per cent increase from 2024, while average monthly data usage per active subscriber increased from 3.3 gigabytes in January 2023 to 7.4 gigabytes by May 2025.Geographic Reference
The NCC data indicates growing reliance on mobile internet services and digital platforms across the country with active internet subscriptions rising from 169.3 million in January 2025 to 182.2 million by January 2026.
Also, active internet subscriptions also surpassed 142 million.
Before the advent of internet, traditional pay-TV operators had ruled the television viewing industry largely through channel packages, exclusive content and decoder penetration. However, the rise of streaming has fundamentally altered the competitive landscape of Nigeria’s entertainment industry.
Fueled by the spread of smart devices and improved internet connectivity, streaming companies have been able to compete with traditional TV and radio providers through original programming, on-demand access, convenient timing and increased personalized viewing experiences.
A subscriber, who previously needed a satellite dish or digital terrestrial television decoder to access premium entertainment, can now use a smartphone or smart television and an internet connection.
The proliferation of affordable smartphones has further accelerated the process. Mobile phones have become entertainment devices for millions of Nigerians, particularly younger consumers, who spend more time watching short-form videos, movies and online programs than conventional television.
Also, social media platforms have become important competitors for consumers’ limited attention. YouTube, Facebook, Instagram, TikTok and other digital platforms provide enormous volumes of free or relatively inexpensive video content, forcing traditional broadcasters to compete not only for subscribers but also for viewers’ time.
Several pay-TV subscribers, who spoke to our correspondent on the matter, said providers can no longer justify the traditional model of paying a fixed monthly fee for hundreds of channels they rarely watch.
FG Seeks to Half Burkina Faso’s Internet Cost while Nigerians Pay more
Cyberthreat: New Malware, Turns Phones into Tools for Card Fraud- Report
SEC Clears Blockchain for Accelerated Regulatory Incubation Programme
Union Bank Secures Global Payment Data Security Certification
NLNG, NCDMB Boost Engineering Research with Innovation Centre
EFCC Busts NIS Visa Overstay Racket, Uncovers N700m in an Account
Fact-Check: Elon Musk’s “Tesla Pi Phone” is Internet Rumor
NBC Tasks Broadcasting Stations over 2028 DSO Global Deadline
Glo Sponsored African Voices to Feature Netflix’s “The Polygamist” Stars
NBC, INEC, Plan Joint Broadcast Monitoring Framework ahead of 2027 Elections
News3 days agoNCAA to Introduce RFID Technology to Tackle Missing Luggages
General News3 days agoNigeria Not Making Progress in Fiscal Transparency –US
Telecom3 days agoGSMA Industry Services Unveils Circularity Services to Help Operators Reduce E-Waste and Unlock Value
Telecom3 days agoMTN Nigeria Unveils Y’ello Street Museum to Mark 25 Years of Connectivity
Telecom2 days agoAirtel Nigeria Adds Over 1,000Cell Sites in Nationwide Expansion to Surpasses 17,000
News3 days agoFirm Urges MSMEs to Increase Digital Payments Adoption for Growth
E-Financial3 days agoSEC Directs Operators to Subscribe to NigSac Alerts, Freeze Terrorists-Linked Funds
E-Financial3 days agoAFC Raises $430m in Digital Bond to Deepens Digital Financial Infrastructure