Broadcasting
Port Harcourt Hosts Etisalat Sponsored Nigerian Idol 4 Auditions

Port Harcourt, the capital of Rivers State was agog recently when the search for the next set of super music talents arrived at the Garden City for the auditions of the Nigerian Idol Season 4, proudly sponsored by Etisalat Nigeria.
Despite the heavy traffic in the city early in the day, talented youths who apparently have been preparing for the day trooped in as early as 7am into the venue in large numbers.
Within a twinkle of an eye, the Presidential Hotel venue, in the GRA area of the city was filled to the brim with participants some from neighbouring states, seeking the opportunity to perform in front of the judges and gain a chance to enrol in the show when it commences in Lagos, in March, 2014.
Speaking during the audition, one of the judges, Dare Art Alade expressed happiness with the progress the show has recorded in previous seasons. He further disclosed that Nigerian Idol is again looking for young talents that can use the Etisalat sponsored platform to jump-start their musical careers and hopefully become superstars.
Other judges of the Nigerian Idol season 4 are Nigerian born German singer, songwriter and MOBO Award Best African Act, Nneka Egbuna and Nigerian afrobeat/highlife musician, Dede Mabiaku of the West African Idol fame.
One of the contestants who received a golden ticket from the judges after her performance, Chidinma Okpara, said she is overwhelmed and short of words to describe how she feels.
In her words, “It never occurred to me that I could get a golden ticket to the competition. I only hopped to do my song and get three yeses from the judges. I was surprised when the judges said I that gave them a fantastic performance and handed me a golden ticket which automatically takes me straight to Lagos to compete with other shortlisted candidates.”
Reiterating Etisalat’s commitment to the show, Elvis Daniel, head, Youth Segment, Etisalat Nigeria, said the goal of Nigerian Idol is not just about the monetary rewards, but about building capacity in the contestants through music lessons that they receive during the show, exposure to highly-rated musicians and the extraordinary ‘high-powered spirit’ of Etisalat.
“More than just a talent competition, Etisalat-sponsored Nigerian Idol allows viewers a unique opportunity to follow day by day, the behind-the-scene progress of the contestants in their quest for fame. The contestants will also be given the opportunity to meet and perform alongside their favourite stars who will be conducting exclusive master-classes and sharing their wisdom and tips for success.” Daniel said.
The audition train moves to Calabar on the 8th of February at Monty Suites, Esuk Utan, Calabar, and Makurdi on the 15th of February at Smileview Hotel Extension, Makurdi. The final stage of the auditions will hold in Lagos at Dream Studios, Omole on the 22nd and 23rd of February.
The show will air on select cable and terrestrial television stations starting March 1.
Broadcasting
DG NCC Tasks University Dons on Research Commercialization, IP Management to Build Global Competitive Ecosystems

Dr. John Asein, director-general, Nigerian Copyright Commission (NCC), has charged universities to leverage Intellectual Property (IP), innovation management and research commercialisation to build vibrant, sustainable and globally competitive ecosystems.

The DG stated this while delivering a paper on: ‘’Research Commercialisation, IP Policy and Innovation Management’’ at the Committee of Vice-Chancellors of Nigerian Universities (CVCNU) organised Business Clinic themed: Unlocking University-Driven Business Ecosystems: Innovation, Partnerships and Sustainable Enterprise Models in Abuja.
The programme was targeted at engaging Vice-Chancellors, principal officers and other key officers in Nigerian Universities in a practical dialogue on how to transit their institutions into thriving business ecosystems through innovation, enterprise development and strategic partnerships.
In his presentation, Dr. Asein, disclosed that Universities are now recognised as engines of national development and innovation hubs that must connect scholarship to business.
He noted that with over 300 Universities in Nigeria, there is need for structured pathways to turn ideas into commercial outcomes while attention should be focused on IP assets in our universities in order to harness them in a safe, sustainable and satisfactory manner.
The DG NCC speaking further on leveraging resources from the creativity locked up within the university system, harped on the need to harness the soft power of our youth as Nigeria’s most valuable natural resources are its people.
Drawing demography from Nigeria youthful population, he observed that over 70 percent of Nigerians who are under the age of 30 are mostly in the university system studying. These youths, he noted, shape cultures, technology and innovation through creativity and digital skills.
He tasked universities to become innovation factories where young people can explore ideas, protect their IP and grow startups by integrating innovation culture, entrepreneurship training and IP awareness into its learning environment.
He equally urged Universities to look beyond the sciences to commercialize traditional knowledge-based innovations and harness the potentials in the creative arts disciplines like music, visual arts, theatre arts and others for commercial outcomes.
Dr. Asein, recommended that universities as centres of learning, should take the lead in using the IP system for promoting education and learning, wealth creation, revenue generation and institutional development.
Underscoring the need for all universities to have an IP Policy, he noted that the Model developed by the Nigerian Copyright Commission in partnership with the CVCNU is a good starting point.
The Secretary-General, CVCNU, Prof. Andrew Haruna, presented the welcome address at the event while the Director, Technology Innovation and Commercialisation, NOTAP, Mrs. Adah H.N. Mokolo-Oladunke represented the Director-General, NOTAP at the event.
The 2025 CVCNU Business Clinic witnessed attendance from representatives of Public and Private Universities across the 36 States in Nigeria.
Broadcasting
US invests $115m in counter-drone tech for World Cup security


Drone
The US Department of Homeland Security (DHS) will invest $115 million in counter-drone technology to safeguard the 2026 FIFA World Cup and events marking America’s 250th independence anniversary, creating a dedicated office for rapid drone system deployment.
Homeland Security Secretary Kristi Noem described drones as “the new frontier of American air superiority,” stressing the need to counter threats from drug cartels using unmanned aircraft for smuggling and surveillance, alongside incidents like a 2025 NFL stadium drone flight and 2024 New Jersey sightings.
The funding supports 11 World Cup host cities expecting over one million visitors, building on FEMA’s $250 million grants to those states and addressing risks heightened by cartels’ advancing tech, including a reported FBI tracking plot in Mexico.
DHS has conducted over 1,500 counter-drone missions since 2018, with the new Program Executive Office accelerating acquisitions amid President Trump’s border security push.
Broadcasting
Youth Talent Takes Center Stage as T2 Ignites High-Octane Rap Battles @ Carnival Calabar

The energy at the Carnival Calabar Music Concert reached a new high as T2 introduced a first-ever rap battle platform, giving young Nigerians an electrifying stage to showcase their talent, creativity, and self-expression while competing for exciting prizes.

Held at the U.J. Esuene Stadium, the activation blended pulsating music, vibrant culture, and youthful energy into a dynamic celebration that kept thousands of carnival-goers fully engaged from start to finish.
Eight fearless contestants stepped into the spotlight, going bar for bar in an intense lyrical showdown. Rappers fused local languages, pidgin, and sharp punchlines, creatively weaving the T2 brand into their verses.
Anchored by the energetic hosting duo MC Double I and MC Princess, the rap battles thrilled over 16,000 attendees, including the Governor of Cross River State, Senator Bassey Otu, delivering an unforgettable showcase of youth talent and cultural expression.
With prizes including fridges, gas cookers, sound systems, and airtime top-ups, the competition remained fierce throughout the night. After two high-energy rounds narrowed the field to a five-man final duel, Emmanuel Eye emerged as the overall winner, taking home the grand prize — a fridge.
“I never expected this at all,” Emmanuel said. “I came to the concert like anyone else, and hearing about the T2 rap battle was a surprise. When I got the chance to perform, I just went for it. Being named the overall winner is amazing, and I’m grateful to T2 for creating this platform to showcase our talent.”
Beyond the stage performances, T2’s presence added a digital layer to the carnival experience. As part of its role as Digital Technology Partner of Carnival Calabar, the brand introduced the MyT2 App as a lifestyle companion, while also enabling line reactivations, airtime top-ups, and instant rewards for hundreds of attendees, blending technology seamlessly into the live celebration.
Commenting on the activation, Chinelo Manefo, Specialist, Events and Sponsorship at T2, said:
“The energy from both the rappers and the crowd was incredible. This platform reflects exactly what T2 aims to create — a celebration of youth, creativity, and culture, enhanced by technology that connects people and experiences. Seeing the audience so immersed shows how music and performance can empower the next generation.”
The Carnival Calabar Music Concert, headlined by Tiwa Savage, Timaya, and top local performers, was further energized by T2’s interactive rap battle platform. By blending music, culture, youth expression, and digital innovation, T2 reinforced its commitment to championing Nigeria’s next generation, giving young creatives a stage to shine while enriching how they experience the festival.
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